4 - Recording operations

1Select the recording method (digital or analog) and the appropriate input source.

2Make sure the unit is stopped.

3Press and hold down the RECORD key [8] and press the READY key [7].

4Adjust the recording level (analog, UNCAL only) so that the meters do not read OV E R , even in the loudest passages.

5Start recording by pressing the PLAY key [6].

6When recording is finished, press the STOP key [5].

After recording is finished, the TOC is updated.

The date is automatically recorded (as taken from the internal clock).

The STOP key may also be used to cancel the record ready mode entered in step 3.

4.3.4 Track number incrementing

When recording, the track numbers are incremented automatically in the following cases:

When making digital recordings from another unit through the COAXIAL input [34], the PQ code is used when making a recording from a CD player or an MD player, and START IDs are used when recording from a DAT.

When making digital recordings through the AES/ EBU input [32] or analog recordings, the Auto track numbering level may be used. The first time that a signal exceeding the selected threshold is encountered after recording is started, the start of a track is marked, and the track number is incre- mented. While recording is taking place, if the level drops below the selected threshold for three consecutive seconds or more, and then rises above the threshold, the start of a new track is marked, and the track number is incremented. See 3.13, "Auto track numbering level" for details.

When recording from AES/EBU or analog sources, the auto track numbering function may be turned off completely. There are then two options:

Record the whole of the material in one take, and use the editing functions at a later time to divide the material into tracks.

While recording is taking place, press the “next” TRACK key [4]. Recording will continue, but the track number is incremented by one, and the track division is written at the point where the “next” TRACK key was pressed.

4.3.5 “Post-Script” recording

There are two ways of cueing the disc when record- ing. One is “post-script” recording, where recording starts immediately following the last recorded mate- rial. Unlike a linear recorder (tape, etc.) there is no need to cue the medium to the last track.

The other is non post-script, which starts recording from the start of the disc, overwriting the whole disc, except for the title.

Post-script recording is set using the menu system, described in 3.15, "Post-script recording".

4.3.6 Replace recording

This function allows recordings to be made on an existing track, if the MD-801 is in ready mode in the middle or at the start of an existing track.

Recording in replace mode allows recording on that track. Since the MD format is non-linear, the length of the track does not matter.

Recording from the start of the track will replace the existing track, keeping the same track number and title (if any). The whole of the existing track will be erased, even if the replacement material is shorter than the existing track.

Recording from part of the way through the track will add a new track with the number of the current track plus one. If you start recording part of the way through the track, the part of the original track from the point at which recording started, to the end of the original track, will be erased, even if the new track is shorter than this portion.

NOTE

If you want to keep the start of a track on which you are making a replace recording from the middle, use the Track Divide editing function, and start replace recording from the newly-created second track. You can, of course, keep the second part by replace recording the newly-created first track.

1Make sure that the post-script recording mode is on (3.15, "Post-script recording").

NOTE

If post-script recording is turned off, you will erase the whole disc (except for the disc title).

4–6TASCAM MD-801R/P Mk II

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Tascam MD-801RMKII owner manual Track number incrementing, Post-Script recording, Replace recording

MD-801RMKII specifications

The Tascam MD-801RMKII is a versatile and professional MiniDisc recorder that has made its mark in the audio industry for its reliability and high-quality sound. Designed primarily for broadcasting, archiving, and live audio applications, the MD-801RMKII boasts several features that make it an essential tool for audio professionals.

At the core of the MD-801RMKII is its ability to record in high-quality stereo sound. The device supports a variety of audio formats, including linear PCM for uncompressed audio and ATRAC for compressed formats. This flexibility allows users to choose the recording quality that best suits their needs, whether for live performances or studio settings.

One of the standout features of the MD-801RMKII is its dual-channel recording capability, enabling simultaneous recording on two separate channels. This is particularly useful for live audio applications where capturing different audio sources at once is essential. Moreover, the unit offers multiple input options, including XLR balanced inputs and RCA unbalanced inputs, providing versatility whether connecting microphones, instruments, or other audio equipment.

The MD-801RMKII is equipped with advanced digital signal processing capabilities, enhancing the audio fidelity and providing options like pitch control and time-stretching effects. These features allow sound engineers to manipulate audio recordings creatively while maintaining high sound quality.

An essential characteristic of the MD-801RMKII is its user-friendly interface, complete with an LCD screen that displays vital information such as track numbers, recording levels, and time remaining. The device also features a comprehensive suite of transport controls, enabling straightforward navigation during the recording and playback process.

In terms of reliability, the Tascam MD-801RMKII is built to withstand rigorous use in professional environments. It includes features such as a robust chassis and the ability to function in various temperature conditions, ensuring consistent performance anywhere from a studio to a live concert.

The integration of MIDI functionality further expands the capabilities of the MD-801RMKII, allowing synchronization with other music production devices. This feature ensures seamless operation with digital audio workstations and other MIDI-compatible equipment.

In conclusion, the Tascam MD-801RMKII stands as a powerful MiniDisc recorder with quality sound, robust features, and versatility that caters to the demands of audio professionals. Whether for recording, archiving, or live performances, the MD-801RMKII remains a reliable choice for those seeking high-fidelity audio solutions.