the choice, but digital interfaces, such as the SSA424, yield good intersystem transparency. As a result, an initial
Fixed vs. Mobile Requirements
A General Overview
In the age of the portable control room, fixed and mobile requirements in larger systems are surprisingly similar to each other. Within television production vehicles, such as those used for sports and by major networks, all of the intercom forms of communication must be present to produce from small, to very large shows. Notwithstanding, some contrasts between fixed and mobile requirements could include quantities of cameras, belt packs, and IFBs. There are other minor differences, with the majority of them mechanical and weight related. For example, placing a matrix system in a truck might be better served with the more secure DE9 connector rather than the quick disconnect RJ12.
In large television production vehicles, it is common to see 12 to 16 cameras covering a major event. This is typically more than the average television news station where three to six cameras would be more common. Traditionally, cameras were voltage based
Along with the increase in number of cameras came the boost in IFB channels in both large mobile and fixed installations. Today, eight to 16 channels of IFB output in a large mobile vehicle are common and have matched the corresponding IFB increase in large fixed installations. The trend toward more IFB circuits in fixed installations has been fueled, of course, by the advent of the portable videotape camera and microwave links that permit multiple reporters to contribute to live newscasts simultaneously.
Curiously, the requirement for vast numbers of belt packs and other
Also of note is that the trend toward matrix intercom for mobiles has increased over the last ten years when customarily, trucks would only contain
In smaller truck systems, such as satellite and electronic news gathering (ENG) vehicles, a minimal intercom system is often required. These vehicles usually consist of just the cameraman, local director, and talent. The two forms of communication that are required for this kind of remote operation are conference channels and IFB circuits.
IFB used in the ENG situation consists of both local IFB and studio director IFB with the local IFB downstream from the studio IFB. A system configured this way simultaneously allows the mobile director to communicate with the cameraman and IFB. At the same time, the main studio conference channel may be superimposed on the local conference net via either a microwave channel or a telephone interface such as the Telos Link.
The smaller television studio can be similarly equipped. The addition of more control stations, a method of source assignment, and more
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