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Yamaha DSP-A3090 Four Possible Types of Speaker System Configurations Recommended, 4 Speaker System, 5 Speaker System, 6 Speaker System, 7 Speaker System

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Four Possible Types of Speaker System Configurations Recommended

4 Speaker System

5 Speaker System

6 Speaker System

7 Speaker System

English

Simplest system.	Good for Audio/Video sources.	Good for sound fields from 2-channel
		stereo sources.
You can enjoy widely diffused sound by	By the use of center speaker, center	When a normal stereo source is played
only adding two additional speaker units	sounds (dialog, vocals etc.) are	back with the sound field programs No.
at the rear.	precisely localized.	1 through No. 6, a sound effect
		matching that of a 7-speaker system
		can be obtained. The addition of front
		left and right effect speakers produces a
		more effective sound field.

This is the recommended speaker system, providing the best sound effects.

When a normal stereo source is played back with the sound field programs No. 1 through No. 6, using both sets of effect speakers (front and rear), reproduces the most effective sound field. When using the the sound field programs No. 7 through No. 12 or when decoding the Dolby Surround AC-3 with any program used, the center speaker provides precise center localization.

FRONT MIX switch—Set to ON.	FRONT MIX switch—Set to ON.	FRONT MIX switch—Set to OFF.	FRONT MIX switch—Set to OFF.
(See page 21.)	(See page 21.)	(See page 21.)	(See page 21.)
CENTER SP—Set to PHNTM.	CENTER SP—Set to NRML or WD.	CENTER SP—Set to PHNTM.	CENTER SP—Set to NRML or WD.
(See page 30.)	(See page 30.)	(See page 30.)	(See page 30.)

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Contents

Page PRECAUTIONS & SAFETY INSTRUCTIONS Page PRECAUTIONS We Want You Listening For A Lifetime English CONTENTS GETTING STARTED Unpacking Installing the Remote Control Unit Batteries Notes about the Remote Control Unit FEATURES Digital Sound Field Processing Dolby Pro Logic Surround Dolby Surround AC-3 Dolby Surround + DSP (CINEMA DSP) Dolby Pro Logic + 2 Digital Sound Fields Dolby Surround AC-3+ 3 Digital Sound Fields Video superimpose SPEAKER SETUP Setting Up Your Speaker System Use of the Center Dialog Speaker Is Recommended Use of a Subwoofer Expands Your Sound Field Four Possible Types of Speaker System Configurations Recommended 4 Speaker System 5 Speaker System 6 Speaker System 7 Speaker System Speakers and Speaker Placement CONTROLS & THEIR FUNCTIONS FRONT PANEL (Europe Model) Page Page REMOTE CONTROL UNIT Page CONNECTIONS REAR PANEL PARTS AND THEIR FUNCTIONS (General Model) Page NOTE REAR PANEL SWITCH AND CONTROL SETTINGS GENERAL INSTRUCTIONS FOR CONNECTIONS CONNECTING AUDIO/VIDEO SOURCE EQUIPMENT TO THIS UNIT BASIC CONNECTIONS CONNECTING TO DIGITAL (OPTICAL AND COAXIAL) JACKS CONNECTING TO AC-3RF OUTPUT OF THE LD PLAYER CONNECTING TO S VIDEO JACKS CONNECTING SPEAKER SYSTEMS CONNECTING THE MAIN SPEAKERS TO THIS UNIT CONNECTING THE EFFECT SPEAKERS AND THE CENTER SPEAKER(S) TO THIS UNIT ADDING A SUBWOOFER SELECTING THE OUTPUT MODES SUITABLE FOR YOUR SPEAKER SYSTEM 1C. MAIN SPEAKERS Preset position: LARGE 1D. LFE/BASS OUT Choices: MAIN/SW/BOTH Preset position: SW METHOD OF CHANGING SELECTIONS ADJUSTMENTS BEFORE OPERATION MAIN/CENTER/EFFECT SPEAKER LEVEL BALANCE ADJUSTMENT Page INPUT LEVEL ADJUSTMENT ADJUSTMENTS IN THE “SET MENU” MODE DESCRIPTIONS OF THE FUNCTIONS 1.SPEAKER SET (Selecting the output modes suitable for your speaker system) 2.LOW FREQ. TEST (Adjusting subwoofer level by using the test-tone) Operating procedure Adjust subwoofer level with the control on the subwoofer Control range: MUTE, –20dB to 0 dB (in 1 dB step) Preset value: 0 dB 4.CENTER DELAY (Adjusting the delay of center sounds (dialog etc.)) Control range: 0 ms to 5 ms (in 1 ms step) Preset value: 0 ms 6. CINEMA EQ (Adjusting the tonal balance of speakers) L, C, R FRONT EFCT REAR EFCT 6A. L,C,R EQ mPreset value of the CINEMA Equalizer L, C, R EQ FRONT, REAR EFCT EQ mFrequency characteristics Choices: MAX/STD/MIN Preset position: MAX STD (Standard): nH-LEVELCUT (High Level Cut Scale) Control range: 0.0 to 1.0 (in 0.2 step) Preset value: nL-LEVELBST (Low Level Boost Scale) 9.MEMORY GUARD (Locking DSP parameters and other adjustments) 11. INPUT TRIM (Input level adjustment) AUTO: LAST: Operating method 13. DIMMER (Changing brightness of the display panel) GENERAL OPERATION PLAYING A SOURCE Switching the input mode For CD, TAPE 1, TV/DBS and VCR3/DVD sources: AC-3 PCM ANALOG Notes on input mode selection for LD sources RECORDING A SOURCE TO AUDIO/VIDEO TAPE (OR DUBBING FROM A TAPE TO ANOTHER) SELECTING SOUND FIELD PROGRAMS Page MUTING THE EFFECT SOUND SUPERIMPOSED VIDEO PROGRAM/PARAMETER DISPLAY DESCRIPTIONS OF THE SOUND FIELD PROGRAMS Page Page Page Page Page CREATING YOUR OWN SOUND FIELDS SELECTING AND EDITING PROGRAM PARAMETERS WHAT IS A SOUND FIELD THE ELEMENTS OF A SOUND FIELD Page DESCRIPTIONS OF THE DIGITAL SOUND FIELD PARAMETERS ●LIVENESS ● REV. TIME (Reverberation Time) ●REV. DELAY (Reverberation Delay) ●REV. LEVEL (Reverberation Level) ●EFCT TRIM (Effect Trim) ●P. INIT. DLY (Presence Initial Delay) ●P. ROOM SIZE (Presence Room Size) ●S. INIT. DLY (Surround Initial Delay) ● S. DELAY (Surround Delay) ●S. ROOM SIZE (Surround Room Size) REMOTE CONTROL LEARNING FUNCTION Erasing a Learned Function Erasing All Learned Functions TROUBLESHOOTING Page SPECIFICATIONS