3. CONCERT HALL 3 |
| 5. ROCK CONCERT |
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Hall E in Europe: | A classic large | The Roxy Theatre: | The ideal program for lively, dynamic rock |
| with approximately 2200 seats. It has a |
| music. The data for this program was |
| circular stage and seats located behind the |
| recorded at LA’s “hottest” rock club. |
| stage. |
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Live Concert: | A large round concert hall with a rich | Warehouse Loft: | This program simulates a space enclosed |
| by concrete. An energetic sound field is | ||
| surround effect. Pronounced reflections |
| created with relatively clear reflections by |
| from all directions emphasize the |
| the wall. |
| extension of sounds. You will experience |
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| the sound field with a great deal of |
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| presence sitting at about the center |
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| position near the stage. |
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| This sound field is also effective for |
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| karaoke. This is because you feel as if you |
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| are standing on a real stage. |
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4. CHURCH |
| 6. JAZZ CLUB |
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Tokyo: | The acoustic environment of an ordinary | Village Gate: | A jazz club in New York. It is in a basement |
| church with moderate reverberations. This |
| and has a relatively spacious floor area. |
| is ideal for reproducing church music |
| The reflection pattern is similar to that of a |
| played by a pipe organ etc. |
| small hall. |
Freiburg: | This program recreates the acoustic | Cellar Club: | This is a small, cozy jazz club with a low |
| environment of a big church with a high |
| ceiling. The sound is very close and |
| pointed dome and columns along the |
| intimate. |
| sides. This interior produces very long |
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| reverberations. |
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