Glossary

Bi-amplification connection

A bi-amplification connection uses two amplifiers for a speaker. One amplifier is connected to the woofer section of a loudspeaker while the other is connected to the combined mid and tweeter section. With this arrangement each amplifier operates over a restricted frequency range. This restricted range presents each amplifier with a much simpler job and each amplifier is less likely to influence the sound in some way. The internal crossover of the speaker consists of a LPF (low pass filter) and a HPF (high pass filter). As its name implies, the LPF passes frequencies below a cutoff and rejects frequencies above the cutoff frequency. Likewise, the HPF passes frequencies above its cutoff.

Component video signal

With the component video signal system, the video signal is separated into the Y signal for the luminance and the PB and PR signals for the chrominance. Color can be reproduced more faithfully with this system because each of these signals is independent. The component signal is also called the “color difference signal” because the luminance signal is subtracted from the color signal. A monitor with component input jacks is required in order to output component signals.

Composite video signal

With the composite video signal system, the video signal is composed of three basic elements of a video picture: color, brightness and synchronization data. A composite video jack on a video component transmits these three elements combined.

Dolby Digital

Dolby Digital is a digital surround sound system that gives you completely independent multi-channel audio. With 3 front channels (front L/R and center), and 2 surround stereo channels, Dolby Digital provides 5 full-range audio channels. With an additional channel especially for bass effects, called LFE (Low Frequency Effect), the system has a total of 5.1-channels (LFE is counted as 0.1 channel). By using 2-channel stereo for the surround speakers, more accurate moving sound effects and surround sound environment are possible than with Dolby Surround. The wide dynamic range from maximum to minimum volume reproduced by the 5 full-range channels and the precise sound orientation generated using digital sound processing provide listeners with unprecedented excitement and realism. With this unit, any sound environment from monaural up to a 5.1-channel configuration can be freely selected for your enjoyment.

Dolby Digital EX

Dolby Digital EX creates 6 full-bandwidth output channels from 5.1-channel sources. This is done using a matrix decoder that derives 3 surround channels from the 2 in the original recording. For the best results, Dolby Digital EX should be used with movie sound tracks recorded with Dolby Digital Surround EX. With this additional channel, you can experience more dynamic and realistic moving sound especially with scenes with “fly-over” and “fly-around” effects.

Dolby Pro Logic II

Dolby Pro Logic II is an improved technique used to decode vast numbers of existing Dolby Surround sources. This new technology enables a discrete 5-channel playback with 2 front left and right channels, 1 center channel, and 2 surround left and right channels instead of only 1 surround channel for conventional Pro Logic technology. There are three modes available: “Music mode” for music sources, “Movie mode” for movie sources and “Game mode” for game sources.

Dolby Pro Logic IIx

Dolby Pro Logic IIx is a new technology enabling discrete multi-channel playback from 2-channel or multi-channel sources. There are three modes available: “Music mode” for music sources, “Movie mode” for movie sources (for 2-channel sources only) and “Game mode” for game sources.

Dolby Surround

Dolby Surround uses a 4-channel analog recording system to reproduce realistic and dynamic sound effects: 2 front left and right channels (stereo), a center channel for dialog (monaural), and a surround channel for special sound effects (monaural). The surround channel reproduces sound within a narrow frequency range. Dolby Surround is widely used with nearly all video tapes and laser discs, and in many TV and cable broadcasts as well. The Dolby Pro Logic decoder built into this unit employs a digital signal processing system that automatically stabilizes the volume on each channel to enhance moving sound effects and directionality.

DSD

Direct Stream Digital (DSD) technology stores audio signals on digital storage media, such as Super Audio CDs. Using DSD, signals are stored as single bit values at a high-frequency sampling rate of 2.8224 MHz, while noise shaping and oversampling are used to reduce distortion, a common occurrence with very high quantization of audio signals. Due to the high sampling rate, better audio quality can be achieved than that offered by the PCM format used for normal audio CDs.

INFORMATION

ADDITIONAL

 

 

English

101 En

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Yamaha HTR-6060 owner manual Glossary, 101 En

HTR-6060 specifications

The Yamaha HTR-6060 is a versatile and powerful home theater receiver that stands out for its impressive performance and array of advanced features. Designed to deliver a superior audio and visual experience, this receiver is suitable for both cinephiles and music enthusiasts alike.

At the heart of the HTR-6060 is its 7.2-channel amplifier, capable of delivering up to 100 watts per channel. This robust amplification capacity allows users to enjoy dynamic sound that fills a large room, making it ideal for home theater setups. The receiver is equipped with a comprehensive array of connectivity options, including multiple HDMI inputs, which support 4K Ultra HD video and with HDR pass-through for an enhanced viewing experience.

One of the standout features of the HTR-6060 is its support for various surround sound formats. It offers Dolby TrueHD and DTS-HD Master Audio, ensuring high-resolution audio playback that brings movies and music to life. The inclusion of Yamaha’s proprietary CINEMA DSP technology adds depth and richness to soundtracks, creating an immersive sound field that transports viewers into the story.

Yamaha’s YPAO (Yamaha Parametric room Acoustic Optimizer) feature is another key characteristic. This technology analyzes the room’s acoustics and automatically calibrates speaker settings for optimal performance, ensuring that users achieve the best possible sound regardless of their room’s layout. With YPAO, the receiver fine-tunes settings for each speaker, balancing volumes and frequencies to harmonize the listening experience.

The HTR-6060 is also equipped with Zone 2 and Zone 3 audio capabilities, allowing users to extend their listening experience beyond the main room. This feature makes it easy to distribute audio to different areas of the home, providing flexibility for parties or gatherings.

In terms of usability, the HTR-6060 includes a user-friendly interface and an informative on-screen display. The remote control is intuitive, putting all key functions at the user’s fingertips, further enhancing the overall experience.

In conclusion, the Yamaha HTR-6060 is a powerful home theater receiver that combines cutting-edge technology with user-friendly features. With its excellent audio performance, advanced surround sound formats, and versatile connectivity options, it offers an outstanding experience for any home entertainment setup. Whether it’s for movies, music, or gaming, the HTR-6060 is engineered to deliver exceptional sound quality that meets the demands of modern audio consumption.