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| MIXDOWN |
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| Root |
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| B |
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| No transformation |
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| A# |
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| Minor Major 7th |
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| A |
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| Major 9th |
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| G# |
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| Minor 9th |
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| G |
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| Major 6th |
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| F# |
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| Minor 6th |
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| F |
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| Minor 7th flat 5 |
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| E |
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| Suspended 4th |
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| D# |
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| 7th Suspended 4th |
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| D |
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| Diminished |
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| C# |
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| Augment |
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| C |
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| Major 7th |
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| erase |
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| Minor 7th |
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| Dominant 7th |
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| Setting slider 1 to the full down position |
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| Minor Triad |
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| erases the chord change information |
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| No display | Major Triad |
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Guide Operation
•Each pattern is preprogrammed with a dedicated bass phrase which is
based on the root of the chord and transposed up or down. For some chords, partial phrase transformation is also employed.
•When a pattern is selected for which only the root is played, or when "NON" has been selected as chord type, only transposition is carried out, without transformation.
•Note that depending on the selected chord, the transformation may result
in a bass line that is not well suited for the pattern.
•In the same way as for the pattern change information, when chord change information is entered for a measure, the chord will be played until the point where the next chord change information is entered. For measures where no chord change information was entered, the indication
4.Use the cursor [
] key to move to measure 2.
Next, enter the chord change information "A" (A Major) for beat 3 of measure 2. To enter a chord change information at a point other than the beginning of a measure, first move to the desired measure and then specify the input position in units of single beats. The position within the measure is indicated by flashing dots, as shown below.
Current measure
Beat position within measure
Beat 1 2 3 4
24