Yamaha owner manual 10 MD8 Applications, One-Take Recording

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MD8 Applications 83

10 MD8 Applications

This chapter shows how the MD8 can be used for various applications.

One-Take Recording

One-Take recording is ideal for live recording or recording bands that like to record with all members playing together. In this system, vocals, backing vocals, guitar, and drums are recorded using microphones, while the bass is connected via DI (Direct Injection). Powered monitors are connected to the AUX SENDs for vocal and synthesizer monitoring. With an optional footswitch connected to the PUNCH I/O jack, one of the musicians can stop and start MD8 recording. A stereo pair of headphones is used for monitoring. Using the DIR recording method, up to eight tracks can be recorded simultaneously.

Powered monitors for microphones and synthesizer

AUX SEND

 

12

LINE INPUT

 

9

8

7

6

5

MIC/LINE INPUT

2

 

 

1

2

1

 

11

10

 

4

3

INSERT I/O

INSERT I/O

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

MIC/LINE

 

MONITOR OUT

STEREO OUT

2TR IN

 

 

 

 

TRACK DIRECT OUT

 

 

 

2

 

 

IN (BAL)

1

R

L

R

L

R

L

8

7

6

5

4

3

2

1

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

2

1

2

1

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

3

 

 

3

 

 

 

 

 

 

 

 

 

 

 

 

 

 

ON OFF

1: GMD 2: HOT 3: COLD DC48V

 

 

 

 

 

 

 

 

 

 

 

 

 

 

PHANTOM

 

 

 

MAX. 7mA

Headphones

POWER

AC IN

ON OFF

THRU

OUT

IN

MID

Footswitch

Guitar

Bass

Vocals

Synthesizer

Drums

MD8—Owner’s Manual

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Contents Multitrack MD Recorder Varoitus Safety Instructions Read the Following Before Operating the MD8 Keep This Manual For Future Reference Contents Repeat, Cue List & Program Play 10. MD8 Applications Recorder MD8 FeaturesWelcome to the MD8 MixerWelcome to the MD8 Type Logo Description Buying Discs for the MD8MiniDisc Topside View Touring the MD8Input Channels PAN control Group Assign switchesFader Master Section TOC Edit indicator Status indicatorsPitch indicators MTC, Midi CLK, and MMC indicatorsTrack record indicators Repeat mode indicatorsAuto Punch indicator & OUT indicatorsSong Search buttons Disc Transport SectionDisc Transport buttons Auto Punch I/O buttonDisplay button B Repeat buttonsRepeat button Mark Search & Mark buttonsRear Panel Power ON/OFF switchMIC/LINE INPUTs Line Input 9-10/11-12Track Direct OUTs MIC/LINE INPUTs 1Phantom Power ON/OFF switch Front ConnectorsQuick-Start System First SessionRecording the First Track Connecting the Power CordTurning on the MD8 Loading a DiscGRP Method Making the Connections GRP & DIRMonitoring & Recording GRP & DIR DIR MethodListening to the First Track Press the Play button to play back what you‘ve recorded OverdubbingMix and refine your music as follows MixdownRecord the Final Mix to your stereo master recorder Basic Multitracking An Overview of Multitrack RecordingAdvanced Multitracking About Monitoring Up MIC/LINE Track 1 disc Input 1 jack/XLR Multi-Source MixingRecord the final mix to your stereo master recorder Mix and refine your music as described onRecording a New Song Recording & Mixing TechniquesSearching for Blanks Minutes Disc Setting the Recording ModeUse the Data dial to select a Recording mode Rec Mode Tracks Used Recording TimeRecording Titling Discs & SongsManual Punch In/Out Using the REC ButtonPress the Stop button to stop playback Using the REC Select buttons Press the footswitch to start playback Using a FootswitchAuto Punch In/Out Setting the In/Out Points On-the-FlyUsing SET and Last REC Search Single Take Auto Punch In/Out Play Record WaitRecord Leaving Auto Punch In/Out mode Auto Punch with a FootswitchMulti Take Auto Punch In/Out Go back to above Press Enter to prepare for recording the second takeUse the Data dial to select the Take you want to audition Auditioning Your TakesSetting the Pre-Roll & Post-Roll Times Tracks Ping-Pong RecordingSource Tracks Preparing for Ping-PongSet the faders on the source channels to the 7-8 mark Set the Monitor Level control as requiredPerforming Ping-Pong for Real Rehearsing Ping-PongChecking the Ping-Pong Operation Destination Track Overdub Source Ping-Pong with OverdubContinue with Preparing for Ping-Pongon Pitch Adjusting the PitchToggling Between FIX & Vari Pitch Mode Before Indicators Using a FootswitchApplying Effects at Mixdown Applying EffectsApplying Effects with Ping-Pong Applying Effects when RecordingSet the effects processor as required From processor’s output Patching in Signal ProcessorsShuttle Playback Function Cue/Review Quick Search FunctionsSearching for Songs Rewind & Fast ForwardLocating Specific Points Searching for the Last Rec in & OUT PointsTo return to normal playback speed, press Play again Original Song Marker IndicatorsSearching for Markers Inserting MarkersPress the Adjust button Adjusting MarkersAdjusting Markers After Erase Erasing MarkersPress the Enter button to erase the marker Before EraseAll Song Repeat Press the Repeat button to cancel All Song Repeat playbackRepeat, Cue List & Program Play One Song RepeatRepeat Press the Repeat button to cancel A-B RepeatRepeat Song Use the Data dial to select Edit or NEW Cue List Playback & CopyCue List Press the Play button to start Program playback Program PlaybackProgram Editing Songs & Tracks Viewing Disc ContentsCopying & Converting Songs Erasing DiscsUse the Data dial to select the Song that you want to copy Use the Data dial to select a blank area Use the Data dial to select another trackPress the Enter button to copy After Renumbering SongsBefore Song CopyPress Enter to renumber the songs Moving SongsPress Enter once more to move the song to the new position Song 1 after divide Dividing SongsPress the Enter button to divide Song 1 before dividePress the Enter button to combine Combining SongsSong Before combine After combine Press the Enter button to erase Erasing SongsErasing Tracks Use the Data dial to select the song you want to eraseAfter Part Erase Erasing PartsPress Enter again to erase Before Part ErasePress Enter again to copy Copying TracksSource Track Copying PartsPeak Hold Other FunctionsFrame Display Display DimmerMD8 & Midi Using the MD8 in a Synchronized Midi SystemAbout Tempo Maps Setting Up a Synchronized Midi System Use the Data dial to select MTC Midi Timecode Using MTCSetting the MD8 for MTC Operation Setting the Midi Sequencer MTC Cabling NoteSetting the Midi Sequencer Using Midi ClockProgramming the Tempo Map A once again flashes on the display Deleting Steps in a Tempo Map 001 2/4 010 3/4 005 6/8 000 4/4Saving a Tempo Map Selecting Midi Clock for synchronizationUse the Data dial to select Mclk Midi Clock Function Controlling the MD8 with MMCUse the Data wheel to set this parameter to on or OFF Setting the MMC Device IDEnabling MMC Press the Enter button to return to the Utility menuMeter Step Measure Time Tempo Map ChartOne-Take Recording 10 MD8 ApplicationsMidi Home Studio Track transfer Using the MD8 with Another MixerEffects Return Beyond the BasicsMarkers Monitoring Pitch ApplicationsMixdown What’s the difference between MiniDiscs and MD Data Discs? 12 Q&A SectionHow many songs can I store on an MD Data disc? Troubleshooting Not work MMC remote control doesMidi sequencer does not Synchronize to the MD8MD8 Transport Modes AppendixMessage Meaning Display MessagesDigital/Audio SpecificationsSpecifications subject to change without notice GeneralBlock Diagram Dimensions Glossary Midi Timecode-SeeMTC Glossary Numerics IndexHigh EQ MTC Vari Midi Implementation Chart Session Info