Yamaha MD8 owner manual Pitch Applications, Monitoring

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Pitch Applications 87

Pitch Applications

Adjusting the pitch is a common multitrack technique. It’s useful when recording instru- ments that are slightly out of tune. For example, you’ve recorded the drum and bass parts and now it’s time to record the acoustic piano part. However, the piano is a little flat. The easy way around this problem is to record the piano part at a lower pitch with the pianist playing a little slower. When you play back the recording at normal pitch, the piano part is in tune with everything else.

The Pitch function can also be used when recording a vocal phrase with high notes that a vocalist cannot quite reach. For example, drums, bass, guitar, and lead vocals have already been recorded. Now it’s time to record the vocal harmonies. The vocalist, however, cannot quite reach some of the high notes. The easy way around this is to record the harmony part at a reduced pitch with the vocalist singing a little slower. When you play back the recording at normal pitch, you have the high notes of the harmony and they’re in tune with everything else.

A more advanced pitch technique that can be used to capture a super-fastguitar solo, which is difficult to play repeatedly, is to detune your guitar so that it matches the reduced pitch of the MD8. Then record the solo at the slower speed and pitch.When you play back the record- ing at normal pitch, you have a super-fastguitar solo that’s in tune with everything else.

Monitoring

Whether you use CUE or STEREO for monitoring depends on your recording method. For example, if after recording the first track you do not intend to use Input Channel 1 again (i.e., other sounds will be recorded via other channels), you can use STEREO to monitor Track 1. This allows you to pan the track and apply some EQ. Essentially, you can start build- ing up your final mix. If, however, you intend to use Input Channel 1 again to record another music source, it’s best to use CUE to monitor Track 1. If you use the punch in/out functions, you must use CUE for monitoring.

MD8—Owner’s Manual

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Contents Multitrack MD Recorder Varoitus Safety Instructions Read the Following Before Operating the MD8 Keep This Manual For Future Reference Contents Repeat, Cue List & Program Play 10. MD8 Applications Recorder MD8 FeaturesWelcome to the MD8 MixerWelcome to the MD8 MiniDisc Buying Discs for the MD8Type Logo Description Topside View Touring the MD8Input Channels Fader Group Assign switchesPAN control Master Section TOC Edit indicator Status indicatorsPitch indicators MTC, Midi CLK, and MMC indicatorsTrack record indicators Repeat mode indicatorsAuto Punch indicator & OUT indicatorsSong Search buttons Disc Transport SectionDisc Transport buttons Auto Punch I/O buttonDisplay button B Repeat buttonsRepeat button Mark Search & Mark buttonsRear Panel Power ON/OFF switchMIC/LINE INPUTs Line Input 9-10/11-12Track Direct OUTs MIC/LINE INPUTs 1Phantom Power ON/OFF switch Front ConnectorsQuick-Start System First SessionRecording the First Track Connecting the Power CordTurning on the MD8 Loading a DiscGRP Method Making the Connections GRP & DIRListening to the First Track DIR MethodMonitoring & Recording GRP & DIR Press the Play button to play back what you‘ve recorded OverdubbingRecord the Final Mix to your stereo master recorder MixdownMix and refine your music as follows Advanced Multitracking An Overview of Multitrack RecordingBasic Multitracking About Monitoring Up MIC/LINE Track 1 disc Input 1 jack/XLR Multi-Source MixingRecord the final mix to your stereo master recorder Mix and refine your music as described onSearching for Blanks Recording & Mixing TechniquesRecording a New Song Minutes Disc Setting the Recording ModeUse the Data dial to select a Recording mode Rec Mode Tracks Used Recording TimeRecording Titling Discs & SongsPress the Stop button to stop playback Using the REC ButtonManual Punch In/Out Using the REC Select buttons Press the footswitch to start playback Using a FootswitchAuto Punch In/Out Setting the In/Out Points On-the-FlyUsing SET and Last REC Search Single Take Auto Punch In/Out Play Record WaitRecord Leaving Auto Punch In/Out mode Auto Punch with a FootswitchMulti Take Auto Punch In/Out Go back to above Press Enter to prepare for recording the second takeUse the Data dial to select the Take you want to audition Auditioning Your TakesSetting the Pre-Roll & Post-Roll Times Tracks Ping-Pong RecordingSource Tracks Preparing for Ping-PongSet the faders on the source channels to the 7-8 mark Set the Monitor Level control as requiredChecking the Ping-Pong Operation Rehearsing Ping-PongPerforming Ping-Pong for Real Destination Track Overdub Source Ping-Pong with OverdubContinue with Preparing for Ping-Pongon Toggling Between FIX & Vari Pitch Adjusting the PitchPitch Mode Before Indicators Using a FootswitchApplying Effects at Mixdown Applying EffectsSet the effects processor as required Applying Effects when RecordingApplying Effects with Ping-Pong From processor’s output Patching in Signal ProcessorsShuttle Playback Function Cue/Review Quick Search FunctionsSearching for Songs Rewind & Fast ForwardTo return to normal playback speed, press Play again Searching for the Last Rec in & OUT PointsLocating Specific Points Original Song Marker IndicatorsSearching for Markers Inserting MarkersPress the Adjust button Adjusting MarkersAdjusting Markers After Erase Erasing MarkersPress the Enter button to erase the marker Before EraseAll Song Repeat Press the Repeat button to cancel All Song Repeat playbackRepeat, Cue List & Program Play One Song RepeatRepeat Song Press the Repeat button to cancel A-B RepeatRepeat Cue List Cue List Playback & CopyUse the Data dial to select Edit or NEW Program Program PlaybackPress the Play button to start Program playback Editing Songs & Tracks Viewing Disc ContentsUse the Data dial to select the Song that you want to copy Erasing DiscsCopying & Converting Songs Press the Enter button to copy Use the Data dial to select another trackUse the Data dial to select a blank area After Renumbering SongsBefore Song CopyPress Enter once more to move the song to the new position Moving SongsPress Enter to renumber the songs Song 1 after divide Dividing SongsPress the Enter button to divide Song 1 before divideSong Before combine After combine Combining SongsPress the Enter button to combine Press the Enter button to erase Erasing SongsErasing Tracks Use the Data dial to select the song you want to eraseAfter Part Erase Erasing PartsPress Enter again to erase Before Part ErasePress Enter again to copy Copying TracksSource Track Copying PartsPeak Hold Other FunctionsFrame Display Display DimmerAbout Tempo Maps Using the MD8 in a Synchronized Midi SystemMD8 & Midi Setting Up a Synchronized Midi System Use the Data dial to select MTC Midi Timecode Using MTCSetting the MD8 for MTC Operation Setting the Midi Sequencer MTC Cabling NoteProgramming the Tempo Map Using Midi ClockSetting the Midi Sequencer A once again flashes on the display Deleting Steps in a Tempo Map 001 2/4 010 3/4 005 6/8 000 4/4Use the Data dial to select Mclk Midi Clock Selecting Midi Clock for synchronizationSaving a Tempo Map Function Controlling the MD8 with MMCUse the Data wheel to set this parameter to on or OFF Setting the MMC Device IDEnabling MMC Press the Enter button to return to the Utility menuMeter Step Measure Time Tempo Map ChartOne-Take Recording 10 MD8 ApplicationsMidi Home Studio Track transfer Using the MD8 with Another MixerMarkers Beyond the BasicsEffects Return Monitoring Pitch ApplicationsMixdown What’s the difference between MiniDiscs and MD Data Discs? 12 Q&A SectionHow many songs can I store on an MD Data disc? Troubleshooting Not work MMC remote control doesMidi sequencer does not Synchronize to the MD8MD8 Transport Modes AppendixMessage Meaning Display MessagesDigital/Audio SpecificationsSpecifications subject to change without notice GeneralBlock Diagram Dimensions Glossary Midi Timecode-SeeMTC Glossary Numerics IndexHigh EQ MTC Vari Midi Implementation Chart Session Info