Gain: |
|
Mic Input Gain Adjustment Range: | 10 dB to 58 dB |
Mic Input to L/R Balance Output | 78 dB (Max. Gain) |
Mic Input Longest Path | 91 dB (Max. Gain) |
Line Input Gain Adjustment Range: | |
Line Input to L/R Bal. Output | 60 dB (Max. Gain) |
Line Input to longest Path | 73 dB (Max. Gain) |
Stereo Line Input Gain Adjustment Range | 10 dB |
Stereo Line Input to L/R Balance Output | 36 dB (Max. Gain) |
Stereo Line Input Longest Path | 46 dB (Max. Gain) |
Aux Return to L/R Balance Output | 34 dB (Max. Gain) |
Frequency Response: |
|
Mic Input to | 11 Hz to 42 kHz +0 |
Total Harmonic Distortion (THD): |
|
<0.008% 20 Hz to 20 kHz Mic to | (10 Hz to 80 kHz BW) |
Hum and Noise:
Output | Residual Noise | S/N Ratio | Test Conditions |
|
| Ref. 0 dBu |
|
|
|
|
|
|
|
|
|
Master L/R | 100 dB | All faders down | |
| 88 dB | Master fader nominal, | |
|
|
| Channel faders down, |
|
|
| All channels muted |
| 84 dB | All controls nominal, | |
|
|
| mic gain min. |
|
|
|
|
Mono | 100 dB | All faders down | |
| 88 dB | Master fader nominal, | |
|
|
| Channel faders down, |
|
|
| All channels muted |
|
|
|
|
Monitors | 102 dB | All faders down | |
| 90 dB | Master fader nominal, | |
|
|
| All channels muted |
|
|
|
|
Effects | 95 dB | All controls off | |
Sends |
|
|
|
| 82 dB | All channel sends nominal | |
|
|
|
|
(Hum and Noise Measurements: 22 Hz to 22 kHz BW)
13