Intel Fireface 800 manual Limit Bandwidth, Available Settings

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If several digital devices are to be used simultaneously in a system, they not only have to oper- ate with the same sample frequency but also be synchronous with each other. This is why digi- tal systems always need a single device defined as ‘master’, which sends the same clock signal to all the other (‘slave’) devices.

RME’s exclusive SyncCheck tech- nology (first implemented in the Hammerfall) enables an easy to use check and display of the current clock status. SyncCheck indicates whether there is a valid signal (Lock, No Lock) for each input (Word Clock, ADAT1, ADAT2, SPDIF), or if there is a valid and synchronous signal (Sync). The AutoSync Ref display shows the input and fre- quency of the current sync source (see chapter 37.1).

In practice, SyncCheck provides the user with an easy way of checking whether all digital devices con- nected to the system are properly configured. With SyncCheck, finally anyone can master this common source of error, previously one of the most complex issues in the digi- tal studio world.

Thanks to its AutoSync technique and lightning fast PLLs, the Fireface 800 is not only capable of handling standard frequencies, but also any

sample rate between 28 and 200 kHz. Even the word clock input, most often used in varispeed operation, allows any frequency between 28 kHz and 200 kHz.

At 88.2 or 96 kHz: If the ADAT input has been selected in Pref Sync Ref, the sample frequency shown in the SPDIF Freq. field differs from the one shown in AutoSync Ref. The unit automati- cally switches to S/MUX mode here, because ADAT optical inputs and outputs are only speci- fied up to 48 kHz. Data from/to a single input/output is spread over two channels, the internal frequency stays at 44.1 or 48 kHz. In such cases, the ADAT sample frequency is only half the SPDIF frequency.

11.4 Limit Bandwidth

This option allows to reduce the amount of bandwidth used on the FireWire bus. A typical ex- ample is the use of the Fireface with a laptop. Only in rare cases both ADAT ports are needed, in many cases even both stay unused. The option Analog+SPDIF will reduce the amount of constantly (!) transferred data from around 5 MByte (10 in both directions) to only 2 MByte (4 in both directions). The FireWire connection will be more stable, reliable and robust, leaving addi- tional bandwidth for other devices. At the same time the CPU and system load is reduced, as less channels have to be processed and to be transferred. In TotalMix, the deactivated software playback channels will be replaced with empty plates. More details are found in chapter 37.4.

Available Settings

All channels (default) activates all 28 input and output channels.

Analog + SPDIF + ADAT1 disables channels 21–28 (ADAT2).

Analog + SPDIF activates all 10 analog channels plus SPDIF.

Analog 1-8activates only the first eight analog channels.

User's Guide Fireface 800 © RME

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Contents TotalMix Bit / 192 kHz SyncAlignZLMSyncCheck SteadyClock Most powerful FireWire audio interface everGeneral Installation and Operation WindowsInstallation and Operation Mac OS Stand-Alone Operation, Connections and TotalMix Technical Reference Mains Important Safety InstructionsInstallation Users Guide Fireface 800 RME General System Requirements Package ContentsBrief Description and Characteristics IntroductionFirst Usage Quickstart Connectors and Front PanelPart Number Description AccessoriesQuick Start Trademarks WarrantyAppendix Users Guide Fireface 800 RME ISO CE / FCC ComplianceRoHS Users Guide Fireface 800 RME Installation and Operation Windows Desktop Computer Hardware InstallationDriver Installation Driver and FirmwareFirmware Update Driver UpdateDeinstalling the Drivers Settings dialog General Configuring the FirefaceLimit Bandwidth Phantom PowerBuffer Size InputsOptions Clock ModeWord Clock Out SyncCheckSettings dialog DDS Application examples Clock Modes SynchronizationLimit Bandwidth Available SettingsPlayback Operation and UsageMultichannel DVD-Playback AC-3/DTSAC-3 / DTS Low Latency under MME Buffer Size Adjustment Fireface Analog 1+2 MME Fireface Analog 1+2ASIO-Multiclient Multi-Client and Multi-Channel using WDMMulti-client Operation Digital Recording Analog Recording Operation under AsioWindows 2000/XP Known ProblemsCommon Problems Operation under Gsif Gigasampler InterfaceUsing more than one Fireface DIGICheck 8 Adat channels don’t seem to work Hotline TroubleshootingInstallation Channel Routing Asio at 96 kHz DiagramsChannel Routing MME at 96 kHz Users Guide Fireface 800 RME Mac OS X Installation and Operation Driver Firmware Update Configuring the Fireface Level Out LevelAutoSync Ref Settings dialog DDS Clock Modes Synchronization Limit Bandwidth Midi doesnt work Mac OS X FAQRound about Driver Installation Various Information Repairing Disk PermissionsFireWire Compatibility Supported Sample RatesPossible causes for a Fireface not working Multicard OperationDiagram Channel Routing at 96 kHz Users Guide Fireface 800 RME Stand-Alone Operation, Connections and TotalMix Stand-alone Operation Reference DBFS @ Headroom Analog InputsLine Rear Microphone / Line FrontSpeaker Emulation InstrumentDrive Line HeadphonesAnalog Outputs Spdif Digital ConnectionsAdat Midi Special Characteristics of the Spdif OutputOutput Word ClockWord Clock Input and Output InputTechnical Description and Usage Operation Cabling and TerminationOverview TotalMix Routing and MonitoringUsers Guide Fireface 800 RME User Interface Tour de TotalMix Elements of a ChannelUsers Guide Fireface 800 RME Mute and Solo Submix ViewPresets Quick Access PanelPreset Banks PresetPreferences Monitor PanelStereo Pan Law Editing the NamesMain Monitor Hotkeys Menu Options Level Meter Elements of the Matrix View TotalMix The MatrixAsio Direct Monitoring Windows only TotalMix Super-FeaturesAdvantages of the Matrix Delete Routings Selection and Group-based OperationCopy Routings to other Channels Recording a Subgroup Loopback Recording a Softwares playback Using external Effects DevicesMixing several input signals into one record channel MS Processing Meaning in TotalMix Midi Remote ControlMapping ElementSetup Monitor Main 3E / 62 / D Preset 3 38 / 56 / #GPreset 5 3A / 58 / #A Simple Midi ControlLoopback Detection Meaning in Fireface Stand-Alone Midi ControlMackie Control Protocol Simple Midi Control Element Meaning in FirefaceUsers Guide Fireface 800 RME Technical Reference Tech Info Analog Technical SpecificationsDA Stereo Monitor Output Phones DigitalDA, Line Out 1-8, rear Adat Optical Digital InputsDigital Outputs Transfer Modes Resolution / Bits per Sample Windows onlyLock and SyncCheck Technical BackgroundSample frequency kHz 44.1 88.2 176.4 192 Latency and MonitoringHow much Zero is Zero? OversamplingCore Audios Safety Offset FireWire AudioSafety Buffer Limit Bandwidth 48 kHz 96 kHz 192 kHz FW-Kanäle Number of Channels and Bus LoadQS Quad Speed Analog DS Signal PortDS Double Speed Type AES3-1992 IEC Byte Mode BitSteadyClock Noise level in DS / QS ModeBlock Diagram Fireface TRS Phones jack Connector PinoutsTRS jacks of analog input / output XLR jacks of analog inputs

Fireface 800 specifications

The Intel Fireface 800 is a powerful audio interface celebrated for its high-performance capabilities and versatility in both studio and live settings. Designed to cater to the needs of musicians, producers, and sound engineers, it stands out with its rich feature set and reliable technology.

One of the defining features of the Fireface 800 is its support for an impressive 26 input and 28 output channels. This extensive I/O configuration facilitates seamless integration with a wide variety of audio production setups, allowing users to record multiple instruments simultaneously or create complex routing scenarios. The unit also boasts top-notch analog and digital converters, ensuring pristine sound quality with a dynamic range that captures the nuances of any audio source.

In terms of connectivity, the Fireface 800 is equipped with both FireWire and USB ports, making it compatible with a range of computers and devices. The device utilizes the FireWire 800 protocol, which delivers higher data transfer rates compared to its predecessor. This efficient transfer capability is crucial for maintaining audio fidelity and reducing latency, making it an ideal choice for real-time monitoring and recording.

The Fireface 800 also features standalone operation capabilities, functioning independently of a computer when needed. This is particularly useful for live performances, where reliability and reduced setup complexity are essential. Users can easily connect microphones, instruments, and other equipment directly to the Fireface 800, making it a versatile tool for a variety of scenarios.

With its low-latency driver technology, the Fireface 800 ensures smooth performance even when handling demanding audio tasks. Its advanced ADAT and S/PDIF digital inputs and outputs provide further flexibility for connecting other gear, such as additional preamps and effects processors.

Another noteworthy characteristic of the Fireface 800 is its robust build quality. Designed for regular use in professional environments, the unit features a rugged metal chassis that can withstand the rigors of transport and daily use. This ensures longevity and consistent performance for audio professionals who depend on reliable equipment day in and day out.

In summary, the Intel Fireface 800 is a versatile and powerful audio interface that caters to a wide spectrum of audio production needs. With its extensive I/O capabilities, high-quality converters, reliable connectivity options, and robust design, it continues to be a popular choice among audio professionals striving for excellence in their work.
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