Intel Fireface 800 manual Element Meaning in Fireface, Simple Midi Control

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In stand-alone MIDI mode, the Mackie Control protocol also gives access to some settings of the Settings dialog:

Element:

Meaning in Fireface:

SOLO Ch. 1

Input Level Lo Gain

SOLO Ch. 2

Input Level +4 dBu

SOLO Ch. 3

Input Level –10 dBV

SOLO Ch. 4

Output Level Hi Gain

SOLO Ch. 5

Output Level +4 dBu

SOLO Ch. 6

Output Level –10 dBV

SOLO Ch. 7

Clock Mode AutoSync

SOLO Ch. 8

Clock Mode Master

F9

Phantom Power Mic 7

F10

Phantom Power Mic 8

F11

Phantom Power Mic 9

F12

Phantom Power Mic 10

F13

Instrument Options Drive

F14

Instrument Options Limiter

F15

Instrument Options Speaker Emulation

Simple MIDI Control

Several important faders can be controlled in stand-alone MIDI mode using the standard Con- trol Change Volume (CC 07) and Control Change Pan (CC 10). With this, the most important volume settings of the Fireface are controlable from nearly any MIDI equipped hardware device.

The faders are controlled via differrent MIDI channels:

Hardware Output (equals third row, volume only)

Analog Out 9+10 (Phones)

MIDI channel 1

Analog Out 1+2

MIDI channel 16

Hardware Input (equals first row, volume and pan)

Input channel 1

MIDI channel 2

Input channel 2

MIDI channel 3

Input channel 3

MIDI channel 4

Input channel 4

MIDI channel 5

Input channel 5

MIDI channel 6

Input channel 6

MIDI channel 7

Input channel 7

MIDI channel 8

Input channel 8

MIDI channel 9

Input channel 9

MIDI channel 10

Input channel 10

MIDI channel 11

Input channel 11

MIDI channel 12

Input channel 12

MIDI channel 13

Input channel 13

MIDI channel 14

Input channel 14

MIDI channel 15

User's Guide Fireface 800 © RME

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Contents TotalMix Bit / 192 kHz SyncAlignZLMSyncCheck SteadyClock Most powerful FireWire audio interface everInstallation and Operation Windows Installation and Operation Mac OSGeneral Stand-Alone Operation, Connections and TotalMix Technical Reference Important Safety Instructions InstallationMains Users Guide Fireface 800 RME General System Requirements Package ContentsBrief Description and Characteristics IntroductionFirst Usage Quickstart Connectors and Front PanelAccessories Quick StartPart Number Description Warranty AppendixTrademarks Users Guide Fireface 800 RME CE / FCC Compliance RoHSISO Users Guide Fireface 800 RME Installation and Operation Windows Desktop Computer Hardware InstallationDriver Installation Driver and FirmwareDriver Update Deinstalling the DriversFirmware Update Settings dialog General Configuring the FirefaceLimit Bandwidth Phantom PowerBuffer Size InputsOptions Clock ModeWord Clock Out SyncCheckSettings dialog DDS Application examples Clock Modes SynchronizationLimit Bandwidth Available SettingsPlayback Operation and UsageDVD-Playback AC-3/DTS AC-3 / DTSMultichannel Low Latency under MME Buffer Size Adjustment Fireface Analog 1+2 MME Fireface Analog 1+2Multi-Client and Multi-Channel using WDM Multi-client OperationASIO-Multiclient Digital Recording Analog Recording Operation under AsioWindows 2000/XP Known ProblemsCommon Problems Operation under Gsif Gigasampler InterfaceUsing more than one Fireface DIGICheck 8 Adat channels don’t seem to work Hotline TroubleshootingInstallation Channel Routing Asio at 96 kHz DiagramsChannel Routing MME at 96 kHz Users Guide Fireface 800 RME Mac OS X Installation and Operation Driver Firmware Update Configuring the Fireface Level Out LevelAutoSync Ref Settings dialog DDS Clock Modes Synchronization Limit Bandwidth Mac OS X FAQ Round about Driver InstallationMidi doesnt work Various Information Repairing Disk PermissionsFireWire Compatibility Supported Sample RatesPossible causes for a Fireface not working Multicard OperationDiagram Channel Routing at 96 kHz Users Guide Fireface 800 RME Stand-Alone Operation, Connections and TotalMix Stand-alone Operation Reference DBFS @ Headroom Analog InputsLine Rear Microphone / Line FrontInstrument DriveSpeaker Emulation Headphones Analog OutputsLine Digital Connections AdatSpdif Midi Special Characteristics of the Spdif OutputOutput Word ClockWord Clock Input and Output InputTechnical Description and Usage Operation Cabling and TerminationOverview TotalMix Routing and MonitoringUsers Guide Fireface 800 RME User Interface Tour de TotalMix Elements of a ChannelUsers Guide Fireface 800 RME Mute and Solo Submix ViewPresets Quick Access PanelPreset Banks PresetPreferences Monitor PanelEditing the Names Main MonitorStereo Pan Law Hotkeys Menu Options Level Meter Elements of the Matrix View TotalMix The MatrixTotalMix Super-Features Advantages of the MatrixAsio Direct Monitoring Windows only Selection and Group-based Operation Copy Routings to other ChannelsDelete Routings Recording a Subgroup Loopback Using external Effects Devices Mixing several input signals into one record channelRecording a Softwares playback MS Processing Meaning in TotalMix Midi Remote ControlMapping ElementSetup Monitor Main 3E / 62 / D Preset 3 38 / 56 / #G Preset 5 3A / 58 / #A Simple Midi ControlLoopback Detection Stand-Alone Midi Control Mackie Control ProtocolMeaning in Fireface Simple Midi Control Element Meaning in FirefaceUsers Guide Fireface 800 RME Technical Reference Tech Info Analog Technical SpecificationsDigital DA, Line Out 1-8, rearDA Stereo Monitor Output Phones Adat Optical Digital InputsDigital Outputs Transfer Modes Resolution / Bits per Sample Windows onlyLock and SyncCheck Technical BackgroundSample frequency kHz 44.1 88.2 176.4 192 Latency and MonitoringHow much Zero is Zero? OversamplingFireWire Audio Safety BufferCore Audios Safety Offset Limit Bandwidth 48 kHz 96 kHz 192 kHz FW-Kanäle Number of Channels and Bus LoadAnalog DS Signal Port DS Double SpeedQS Quad Speed Type AES3-1992 IEC Byte Mode BitSteadyClock Noise level in DS / QS ModeBlock Diagram Fireface TRS Phones jack Connector PinoutsTRS jacks of analog input / output XLR jacks of analog inputs