Intel Fireface 800 manual TotalMix The Matrix, Elements of the Matrix View

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32. TotalMix: The Matrix

32.1 Overview

The mixer window of TotalMix looks and operates similar to mixing desks, as it is based on a conventional stereo design. The matrix display presents a different method of assigning and routing channels, based on a single channel or monaural design. The matrix view of the Fire- face 800 looks and works like a conventional patchbay, adding functionality way beyond com- parable hardware and software soutions. While most patchbays will allow you to connect inputs to outputs with just the original level (1:1, or 0 dB, as known from mechanical patchbays), To- talMix allows you to use a freely definable gain value per crosspoint.

Matrix and TotalMix are different ways of displaying the same processes. Because of this both views are always fully synchronized. Each change in one view is immediately reflected in the other view as well.

32.2 Elements of the Matrix View

The visual design of the TotalMix Matrix is mainly determined by the architecture of the Fireface 800:

•Horizontal labels: All hardware outputs

•Vertical labels: All hardware inputs. Below are all play- back channels (software playback channels)

•Green 0.0 dB field: Standard 1:1 routing

•Black gain field: Shows the current gain value as dB

•Orange gain field: This routing is muted

•Blue field: Phase 180° (inverted)

To maintain overview when the window size has been reduced, the left and upper labels are floating. They won't left the visible area when scrolling.

32.3 Operation

Using the Matrix is a breeze. It is very easy to indentify the current crosspoint, because the outer labels light up in orange according to the mouse position.

If input 1 is to be routed to output 1, use the mouse and click one time on crosspoint In 1 / AN 1. The green 0.0 dB field pops in, another click removes it. To change the gain (equals the use of a different fader position, see simultaneous display of the mixer view), hold Ctrl down and drag the mouse up or down, starting from the gain field. The value within the field changes accord- ingly. The corresponding fader in the mixer view is moving simultaneously, in case the currently modified routing is visible.

Note the difference between the left side, representing the inputs and software playback chan- nels, and the upper side, representing the hardware outputs. Moving a fader in row 1 or 2 in TotalMix view, only the specific levels (max. 2) of this routing will change within the Matrix. But moving a fader in row 3 will make all vertically activated levels move at once (for example 9/10, Phones output).

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User's Guide Fireface 800 © RME

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Contents Most powerful FireWire audio interface ever TotalMix Bit / 192 kHz SyncAlignZLMSyncCheck SteadyClockInstallation and Operation Mac OS Installation and Operation WindowsGeneral Stand-Alone Operation, Connections and TotalMix Technical Reference Installation Important Safety InstructionsMains Users Guide Fireface 800 RME General Package Contents Brief Description and CharacteristicsIntroduction System RequirementsConnectors and Front Panel First Usage QuickstartQuick Start AccessoriesPart Number Description Appendix WarrantyTrademarks Users Guide Fireface 800 RME RoHS CE / FCC ComplianceISO Users Guide Fireface 800 RME Installation and Operation Windows Hardware Installation Driver InstallationDriver and Firmware Desktop ComputerDeinstalling the Drivers Driver UpdateFirmware Update Configuring the Fireface Settings dialog GeneralPhantom Power Buffer SizeInputs Limit BandwidthClock Mode Word Clock OutSyncCheck OptionsSettings dialog DDS Clock Modes Synchronization Application examplesAvailable Settings Limit BandwidthOperation and Usage PlaybackAC-3 / DTS DVD-Playback AC-3/DTSMultichannel Low Latency under MME Buffer Size Adjustment Fireface Analog 1+2 Fireface Analog 1+2 MMEMulti-client Operation Multi-Client and Multi-Channel using WDMASIO-Multiclient Digital Recording Operation under Asio Analog RecordingKnown Problems Common ProblemsOperation under Gsif Gigasampler Interface Windows 2000/XPUsing more than one Fireface DIGICheck Hotline Troubleshooting 8 Adat channels don’t seem to workInstallation Diagrams Channel Routing Asio at 96 kHzChannel Routing MME at 96 kHz Users Guide Fireface 800 RME Mac OS X Installation and Operation Driver Firmware Update Configuring the Fireface Level Level OutAutoSync Ref Settings dialog DDS Clock Modes Synchronization Limit Bandwidth Round about Driver Installation Mac OS X FAQMidi doesnt work Repairing Disk Permissions FireWire CompatibilitySupported Sample Rates Various InformationMulticard Operation Possible causes for a Fireface not workingDiagram Channel Routing at 96 kHz Users Guide Fireface 800 RME Stand-Alone Operation, Connections and TotalMix Stand-alone Operation Analog Inputs Line RearMicrophone / Line Front Reference DBFS @ HeadroomDrive InstrumentSpeaker Emulation Analog Outputs HeadphonesLine Adat Digital ConnectionsSpdif Special Characteristics of the Spdif Output MidiWord Clock Word Clock Input and OutputInput OutputTechnical Description and Usage Cabling and Termination OperationTotalMix Routing and Monitoring OverviewUsers Guide Fireface 800 RME User Interface Elements of a Channel Tour de TotalMixUsers Guide Fireface 800 RME Submix View Mute and SoloQuick Access Panel PresetsPreset Preset BanksMonitor Panel PreferencesMain Monitor Editing the NamesStereo Pan Law Hotkeys Menu Options Level Meter TotalMix The Matrix Elements of the Matrix ViewAdvantages of the Matrix TotalMix Super-FeaturesAsio Direct Monitoring Windows only Copy Routings to other Channels Selection and Group-based OperationDelete Routings Recording a Subgroup Loopback Mixing several input signals into one record channel Using external Effects DevicesRecording a Softwares playback MS Processing Midi Remote Control MappingElement Meaning in TotalMixSetup Preset 3 38 / 56 / #G Preset 5 3A / 58 / #ASimple Midi Control Monitor Main 3E / 62 / DLoopback Detection Mackie Control Protocol Stand-Alone Midi ControlMeaning in Fireface Element Meaning in Fireface Simple Midi ControlUsers Guide Fireface 800 RME Technical Reference Tech Info Technical Specifications AnalogDA, Line Out 1-8, rear DigitalDA Stereo Monitor Output Phones Digital Inputs Adat OpticalTransfer Modes Resolution / Bits per Sample Windows only Digital OutputsTechnical Background Lock and SyncCheckLatency and Monitoring How much Zero is Zero?Oversampling Sample frequency kHz 44.1 88.2 176.4 192Safety Buffer FireWire AudioCore Audios Safety Offset Number of Channels and Bus Load Limit Bandwidth 48 kHz 96 kHz 192 kHz FW-KanäleDS Double Speed Analog DS Signal PortQS Quad Speed Byte Mode Bit Type AES3-1992 IECNoise level in DS / QS Mode SteadyClockBlock Diagram Fireface Connector Pinouts TRS jacks of analog input / outputXLR jacks of analog inputs TRS Phones jack

Fireface 800 specifications

The Intel Fireface 800 is a powerful audio interface celebrated for its high-performance capabilities and versatility in both studio and live settings. Designed to cater to the needs of musicians, producers, and sound engineers, it stands out with its rich feature set and reliable technology.

One of the defining features of the Fireface 800 is its support for an impressive 26 input and 28 output channels. This extensive I/O configuration facilitates seamless integration with a wide variety of audio production setups, allowing users to record multiple instruments simultaneously or create complex routing scenarios. The unit also boasts top-notch analog and digital converters, ensuring pristine sound quality with a dynamic range that captures the nuances of any audio source.

In terms of connectivity, the Fireface 800 is equipped with both FireWire and USB ports, making it compatible with a range of computers and devices. The device utilizes the FireWire 800 protocol, which delivers higher data transfer rates compared to its predecessor. This efficient transfer capability is crucial for maintaining audio fidelity and reducing latency, making it an ideal choice for real-time monitoring and recording.

The Fireface 800 also features standalone operation capabilities, functioning independently of a computer when needed. This is particularly useful for live performances, where reliability and reduced setup complexity are essential. Users can easily connect microphones, instruments, and other equipment directly to the Fireface 800, making it a versatile tool for a variety of scenarios.

With its low-latency driver technology, the Fireface 800 ensures smooth performance even when handling demanding audio tasks. Its advanced ADAT and S/PDIF digital inputs and outputs provide further flexibility for connecting other gear, such as additional preamps and effects processors.

Another noteworthy characteristic of the Fireface 800 is its robust build quality. Designed for regular use in professional environments, the unit features a rugged metal chassis that can withstand the rigors of transport and daily use. This ensures longevity and consistent performance for audio professionals who depend on reliable equipment day in and day out.

In summary, the Intel Fireface 800 is a versatile and powerful audio interface that caters to a wide spectrum of audio production needs. With its extensive I/O capabilities, high-quality converters, reliable connectivity options, and robust design, it continues to be a popular choice among audio professionals striving for excellence in their work.
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