Intel Fireface 800 manual Technical Reference

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32

TotalMix: The Matrix

 

 

32.1

Overview

76

 

32.2

Elements of the Matrix View

76

 

32.3

Usage

76

 

32.4

Advantages of the Matrix

77

33

TotalMix Super-Features

 

 

33.1

ASIO Direct Monitoring (Windows only)

77

 

33.2

Selection and Group based Operation

78

 

33.3

Copy Routings to other Channels

78

 

33.4

Delete Routings

78

 

33.5

Recording a Subgroup (Loopback)

79

 

33.6

Using external Effects Devices

80

 

33.7

MS Processing

81

34

TotalMix MIDI Remote Control

 

 

34.1

Overview

82

 

34.2

Mapping

82

 

34.3

Setup

83

 

34.4

Operation

83

 

34.5

Simple MIDI Control

84

 

34.6

Loopback Detection

85

 

34.7

Stand-Alone MIDI Control

86

Technical Reference

35

Tech Info

90

36

Technical Specifications

 

 

36.1

Analog

91

 

36.2

MIDI

92

 

36.3

Digital

92

 

36.4

Digital Inputs

93

 

36.5

Digital Outputs

94

 

36.6

Transfer Modes: Resolution/Bits per Sample

94

 

36.7

General

94

37

Technical Background

 

 

37.1

Lock and SyncCheck

95

 

37.2

Latency and Monitoring

96

 

37.3

FireWire Audio

97

 

37.4

Number of Channels and Bus Load

99

 

37.5

DS – Double Speed

99

 

37.6

QS – Quad Speed

99

 

37.7

AES/EBU – SPDIF

100

 

37.8

Noise Level in DS / QS Mode

101

 

37.9

SteadyClock

101

38

Diagrams

 

 

38.1

Block Diagram Fireface

102

 

38.2

Connector Pinouts

103

4

User's Guide Fireface 800 © RME

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Contents Most powerful FireWire audio interface ever TotalMix Bit / 192 kHz SyncAlignZLMSyncCheck SteadyClockInstallation and Operation Mac OS Installation and Operation WindowsGeneral Stand-Alone Operation, Connections and TotalMix Technical Reference Installation Important Safety InstructionsMains Users Guide Fireface 800 RME General Package Contents Brief Description and CharacteristicsIntroduction System RequirementsConnectors and Front Panel First Usage QuickstartQuick Start AccessoriesPart Number Description Appendix WarrantyTrademarks Users Guide Fireface 800 RME RoHS CE / FCC ComplianceISO Users Guide Fireface 800 RME Installation and Operation Windows Hardware Installation Driver InstallationDriver and Firmware Desktop ComputerDeinstalling the Drivers Driver UpdateFirmware Update Configuring the Fireface Settings dialog GeneralPhantom Power Buffer SizeInputs Limit BandwidthClock Mode Word Clock OutSyncCheck OptionsSettings dialog DDS Clock Modes Synchronization Application examplesAvailable Settings Limit BandwidthOperation and Usage PlaybackAC-3 / DTS DVD-Playback AC-3/DTSMultichannel Low Latency under MME Buffer Size Adjustment Fireface Analog 1+2 Fireface Analog 1+2 MMEMulti-client Operation Multi-Client and Multi-Channel using WDMASIO-Multiclient Digital Recording Operation under Asio Analog RecordingKnown Problems Common ProblemsOperation under Gsif Gigasampler Interface Windows 2000/XPUsing more than one Fireface DIGICheck Hotline Troubleshooting 8 Adat channels don’t seem to workInstallation Diagrams Channel Routing Asio at 96 kHzChannel Routing MME at 96 kHz Users Guide Fireface 800 RME Mac OS X Installation and Operation Driver Firmware Update Configuring the Fireface Level Level OutAutoSync Ref Settings dialog DDS Clock Modes Synchronization Limit Bandwidth Round about Driver Installation Mac OS X FAQMidi doesnt work Repairing Disk Permissions FireWire CompatibilitySupported Sample Rates Various InformationMulticard Operation Possible causes for a Fireface not workingDiagram Channel Routing at 96 kHz Users Guide Fireface 800 RME Stand-Alone Operation, Connections and TotalMix Stand-alone Operation Analog Inputs Line RearMicrophone / Line Front Reference DBFS @ HeadroomDrive InstrumentSpeaker Emulation Analog Outputs HeadphonesLine Adat Digital ConnectionsSpdif Special Characteristics of the Spdif Output MidiWord Clock Word Clock Input and OutputInput OutputTechnical Description and Usage Cabling and Termination OperationTotalMix Routing and Monitoring OverviewUsers Guide Fireface 800 RME User Interface Elements of a Channel Tour de TotalMixUsers Guide Fireface 800 RME Submix View Mute and SoloQuick Access Panel PresetsPreset Preset BanksMonitor Panel PreferencesMain Monitor Editing the NamesStereo Pan Law Hotkeys Menu Options Level Meter TotalMix The Matrix Elements of the Matrix ViewAdvantages of the Matrix TotalMix Super-FeaturesAsio Direct Monitoring Windows only Copy Routings to other Channels Selection and Group-based OperationDelete Routings Recording a Subgroup Loopback Mixing several input signals into one record channel Using external Effects DevicesRecording a Softwares playback MS Processing Midi Remote Control MappingElement Meaning in TotalMixSetup Preset 3 38 / 56 / #G Preset 5 3A / 58 / #ASimple Midi Control Monitor Main 3E / 62 / DLoopback Detection Mackie Control Protocol Stand-Alone Midi ControlMeaning in Fireface Element Meaning in Fireface Simple Midi ControlUsers Guide Fireface 800 RME Technical Reference Tech Info Technical Specifications AnalogDA, Line Out 1-8, rear DigitalDA Stereo Monitor Output Phones Digital Inputs Adat OpticalTransfer Modes Resolution / Bits per Sample Windows only Digital OutputsTechnical Background Lock and SyncCheckLatency and Monitoring How much Zero is Zero?Oversampling Sample frequency kHz 44.1 88.2 176.4 192Safety Buffer FireWire AudioCore Audios Safety Offset Number of Channels and Bus Load Limit Bandwidth 48 kHz 96 kHz 192 kHz FW-KanäleDS Double Speed Analog DS Signal PortQS Quad Speed Byte Mode Bit Type AES3-1992 IECNoise level in DS / QS Mode SteadyClockBlock Diagram Fireface Connector Pinouts TRS jacks of analog input / outputXLR jacks of analog inputs TRS Phones jack

Fireface 800 specifications

The Intel Fireface 800 is a powerful audio interface celebrated for its high-performance capabilities and versatility in both studio and live settings. Designed to cater to the needs of musicians, producers, and sound engineers, it stands out with its rich feature set and reliable technology.

One of the defining features of the Fireface 800 is its support for an impressive 26 input and 28 output channels. This extensive I/O configuration facilitates seamless integration with a wide variety of audio production setups, allowing users to record multiple instruments simultaneously or create complex routing scenarios. The unit also boasts top-notch analog and digital converters, ensuring pristine sound quality with a dynamic range that captures the nuances of any audio source.

In terms of connectivity, the Fireface 800 is equipped with both FireWire and USB ports, making it compatible with a range of computers and devices. The device utilizes the FireWire 800 protocol, which delivers higher data transfer rates compared to its predecessor. This efficient transfer capability is crucial for maintaining audio fidelity and reducing latency, making it an ideal choice for real-time monitoring and recording.

The Fireface 800 also features standalone operation capabilities, functioning independently of a computer when needed. This is particularly useful for live performances, where reliability and reduced setup complexity are essential. Users can easily connect microphones, instruments, and other equipment directly to the Fireface 800, making it a versatile tool for a variety of scenarios.

With its low-latency driver technology, the Fireface 800 ensures smooth performance even when handling demanding audio tasks. Its advanced ADAT and S/PDIF digital inputs and outputs provide further flexibility for connecting other gear, such as additional preamps and effects processors.

Another noteworthy characteristic of the Fireface 800 is its robust build quality. Designed for regular use in professional environments, the unit features a rugged metal chassis that can withstand the rigors of transport and daily use. This ensures longevity and consistent performance for audio professionals who depend on reliable equipment day in and day out.

In summary, the Intel Fireface 800 is a versatile and powerful audio interface that caters to a wide spectrum of audio production needs. With its extensive I/O capabilities, high-quality converters, reliable connectivity options, and robust design, it continues to be a popular choice among audio professionals striving for excellence in their work.