Intel Fireface 800 manual Midi Remote Control, Mapping, Element, Meaning in TotalMix

Page 82

34. MIDI Remote Control

34.1 Overview

TotalMix can be remote controlled via MIDI. It is compatible to the widely spread Mackie Control protocol, so TotalMix can be controlled with all hardware controllers supporting this standard. Examples are the Mackie Control, Tascam US-2400 or Behringer BCF 2000.

Additionally, the stereo output faders (lowest row) which are set up as Monitor Main outputs in the Monitor panel can also be controlled by the standard Control Change Volume via MIDI channel 1. With this, the main volume of the Fireface is controlable from nearly any MIDI equipped hardware device.

34.2 Mapping

TotalMix supports the following Mackie Control surface elements*:

Element:

Channel faders 1 – 8 Master fader SEL(1-8) + DYNAMICS V-Pots 1 – 8 pressing V-Pot knobs

CHANNEL LEFT or REWIND CHANNEL RIGHT or FAST FORWARD BANK LEFT or ARROW LEFT

BANK RIGHT or ARROW RIGHT ARROW UP or Assignable1/PAGE+ ARROW DOWN or Assignable2/PAGE-

EQ

PLUGINS/INSERT

STOP

PLAY

PAN

MUTE Ch. 1 – 8

SOLO Ch. 1 – 8

SELECT Ch. 1 – 8

REC Ch. 1 – 8

F1 - F8

F9

F10 - F12

Meaning in TotalMix:

volume

Main Monitor channel's faders reset fader to Unity Gain pan

pan = center

move one channel left move one channel right move eight channels left move eight channels right move one row up move one row down

Master Mute

Master Solo

Dim Main Monitor

Talkback

Mono Main Monitor

Mute

Solo

Select

in Submix mode only: select output bus

load preset 1 - 8 select Main Monitor Monitor Phones 1 - 3

*Tested with Behringer BCF2000 Firmware v1.07 in Mackie Control emulation for Steinberg mode and with Mackie Control under Mac OS X.

82

User's Guide Fireface 800 © RME

Image 82
Contents Most powerful FireWire audio interface ever TotalMix Bit / 192 kHz SyncAlignZLMSyncCheck SteadyClockInstallation and Operation Mac OS Installation and Operation WindowsGeneral Stand-Alone Operation, Connections and TotalMix Technical Reference Installation Important Safety InstructionsMains Users Guide Fireface 800 RME General Introduction Package ContentsBrief Description and Characteristics System RequirementsConnectors and Front Panel First Usage QuickstartQuick Start AccessoriesPart Number Description Appendix WarrantyTrademarks Users Guide Fireface 800 RME RoHS CE / FCC ComplianceISO Users Guide Fireface 800 RME Installation and Operation Windows Driver and Firmware Hardware InstallationDriver Installation Desktop ComputerDeinstalling the Drivers Driver UpdateFirmware Update Configuring the Fireface Settings dialog GeneralInputs Phantom PowerBuffer Size Limit BandwidthSyncCheck Clock ModeWord Clock Out OptionsSettings dialog DDS Clock Modes Synchronization Application examplesAvailable Settings Limit BandwidthOperation and Usage PlaybackAC-3 / DTS DVD-Playback AC-3/DTSMultichannel Low Latency under MME Buffer Size Adjustment Fireface Analog 1+2 Fireface Analog 1+2 MMEMulti-client Operation Multi-Client and Multi-Channel using WDMASIO-Multiclient Digital Recording Operation under Asio Analog RecordingOperation under Gsif Gigasampler Interface Known ProblemsCommon Problems Windows 2000/XPUsing more than one Fireface DIGICheck Hotline Troubleshooting 8 Adat channels don’t seem to workInstallation Diagrams Channel Routing Asio at 96 kHzChannel Routing MME at 96 kHz Users Guide Fireface 800 RME Mac OS X Installation and Operation Driver Firmware Update Configuring the Fireface Level Level OutAutoSync Ref Settings dialog DDS Clock Modes Synchronization Limit Bandwidth Round about Driver Installation Mac OS X FAQMidi doesnt work Supported Sample Rates Repairing Disk PermissionsFireWire Compatibility Various InformationMulticard Operation Possible causes for a Fireface not workingDiagram Channel Routing at 96 kHz Users Guide Fireface 800 RME Stand-Alone Operation, Connections and TotalMix Stand-alone Operation Microphone / Line Front Analog InputsLine Rear Reference DBFS @ HeadroomDrive InstrumentSpeaker Emulation Analog Outputs HeadphonesLine Adat Digital ConnectionsSpdif Special Characteristics of the Spdif Output MidiInput Word ClockWord Clock Input and Output OutputTechnical Description and Usage Cabling and Termination OperationTotalMix Routing and Monitoring OverviewUsers Guide Fireface 800 RME User Interface Elements of a Channel Tour de TotalMixUsers Guide Fireface 800 RME Submix View Mute and SoloQuick Access Panel PresetsPreset Preset BanksMonitor Panel PreferencesMain Monitor Editing the NamesStereo Pan Law Hotkeys Menu Options Level Meter TotalMix The Matrix Elements of the Matrix ViewAdvantages of the Matrix TotalMix Super-FeaturesAsio Direct Monitoring Windows only Copy Routings to other Channels Selection and Group-based OperationDelete Routings Recording a Subgroup Loopback Mixing several input signals into one record channel Using external Effects DevicesRecording a Softwares playback MS Processing Element Midi Remote ControlMapping Meaning in TotalMixSetup Simple Midi Control Preset 3 38 / 56 / #GPreset 5 3A / 58 / #A Monitor Main 3E / 62 / DLoopback Detection Mackie Control Protocol Stand-Alone Midi ControlMeaning in Fireface Element Meaning in Fireface Simple Midi ControlUsers Guide Fireface 800 RME Technical Reference Tech Info Technical Specifications AnalogDA, Line Out 1-8, rear DigitalDA Stereo Monitor Output Phones Digital Inputs Adat OpticalTransfer Modes Resolution / Bits per Sample Windows only Digital OutputsTechnical Background Lock and SyncCheckOversampling Latency and MonitoringHow much Zero is Zero? Sample frequency kHz 44.1 88.2 176.4 192Safety Buffer FireWire AudioCore Audios Safety Offset Number of Channels and Bus Load Limit Bandwidth 48 kHz 96 kHz 192 kHz FW-KanäleDS Double Speed Analog DS Signal PortQS Quad Speed Byte Mode Bit Type AES3-1992 IECNoise level in DS / QS Mode SteadyClockBlock Diagram Fireface XLR jacks of analog inputs Connector PinoutsTRS jacks of analog input / output TRS Phones jack

Fireface 800 specifications

The Intel Fireface 800 is a powerful audio interface celebrated for its high-performance capabilities and versatility in both studio and live settings. Designed to cater to the needs of musicians, producers, and sound engineers, it stands out with its rich feature set and reliable technology.

One of the defining features of the Fireface 800 is its support for an impressive 26 input and 28 output channels. This extensive I/O configuration facilitates seamless integration with a wide variety of audio production setups, allowing users to record multiple instruments simultaneously or create complex routing scenarios. The unit also boasts top-notch analog and digital converters, ensuring pristine sound quality with a dynamic range that captures the nuances of any audio source.

In terms of connectivity, the Fireface 800 is equipped with both FireWire and USB ports, making it compatible with a range of computers and devices. The device utilizes the FireWire 800 protocol, which delivers higher data transfer rates compared to its predecessor. This efficient transfer capability is crucial for maintaining audio fidelity and reducing latency, making it an ideal choice for real-time monitoring and recording.

The Fireface 800 also features standalone operation capabilities, functioning independently of a computer when needed. This is particularly useful for live performances, where reliability and reduced setup complexity are essential. Users can easily connect microphones, instruments, and other equipment directly to the Fireface 800, making it a versatile tool for a variety of scenarios.

With its low-latency driver technology, the Fireface 800 ensures smooth performance even when handling demanding audio tasks. Its advanced ADAT and S/PDIF digital inputs and outputs provide further flexibility for connecting other gear, such as additional preamps and effects processors.

Another noteworthy characteristic of the Fireface 800 is its robust build quality. Designed for regular use in professional environments, the unit features a rugged metal chassis that can withstand the rigors of transport and daily use. This ensures longevity and consistent performance for audio professionals who depend on reliable equipment day in and day out.

In summary, the Intel Fireface 800 is a versatile and powerful audio interface that caters to a wide spectrum of audio production needs. With its extensive I/O capabilities, high-quality converters, reliable connectivity options, and robust design, it continues to be a popular choice among audio professionals striving for excellence in their work.