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Operation
Surround Mode Chart
MODE | FEATURES |
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DOLBY DIGITAL | Available only with digital input sources encoded with Dolby Digital data. It provides up to |
| five separate main audio channels and a special dedicated Low Frequency Effects channel. |
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DOLBY DIGITAL EX | Available when the receiver is configured for 6.1/7.1 channel operation, Dolby Digital EX is the |
| latest version of Dolby Digital. When used with movies or other programs that have special |
| encoding, Dolby Digital EX reproduces specially encoded soundtracks so that a full 6.1/7.1 |
| soundfield is available. When the receiver is set for 6.1/7.1 operation and a Dolby Digital signal is |
| present, the EX mode is automatically selected. Even if specific EX encoding is not available to |
| provide the additional channel, the special algorithms will derive a 6.1/7.1 output. |
|
|
DTS 5.1 | When the speaker configuration is set for |
| available when DVD, |
| DTS 5.1 provides up to five separate main audio channels and a special dedicated |
| |
|
|
When the speaker configuration is set for 6.1/7.1 operation, playback of a | |
source will automatically trigger the selection of one of the two | |
| special |
| plus a separate |
| mode, which creates a |
|
|
DOLBY PRO LOGIC II | Dolby Pro Logic II is the latest version of Dolby Laboratory’s benchmark surround technology |
MOVIE | that decodes |
MUSIC | from matrix surround encoded programs and conventional stereo sources when |
DOLBY PRO LOGIC | an analog input or a digital input with PCM or Dolby Digital 2.0 recordings is in use. The |
GAME | Dolby Pro Logic II Movie mode is optimized for movie soundtracks that are recorded with matrix |
| surround, by creating separate center, rear left and rear right signals. while the Pro Logic II Music |
| mode should be used with musical selections that are recorded with matrix surround or even with |
| normal stereo mode, creating separate rear left and rear right signals in any case. The Pro Logic II |
| mode creates compelling |
| mode ensures that special effects are routed to the surround channels, while delivering their full |
| impact using the subwoofer, thus fully immersing the game player in the universe of the video game. |
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|
DOLBY PRO LOGIC IIx | Dolby Pro Logic IIx is the latest extension of Dolby Pro Logic II technology that creates a discrete |
MUSIC | 6.1 and 7.1 sound field from matrix surround or |
MOVIE | configured for surround back speakers. Movie, Music and Game versions of Pro Logic IIx are available. |
GAME | Game mode ensures that special effects are routed to the surround channels, while delivering their |
| full impact using the subwoofer, thus fully immersing the game player in the universe of the video game. |
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|
Logic 7 Cinema | Exclusive to Harman Kardon for AV receivers, Logic 7 is an advanced mode that extracts the |
Logic 7 Music | maximum surround information from either |
Logic 7 Enhance | material. Depending on the number of speakers in use and the selection made in the SURROUND |
| SELECT menu, the “5.1” versions of Logic 7 modes are available when the 5.1 option is chosen, |
| while the “7.1” versions of Logic 7 produce a full sound field presentation, including back surround |
| speakers when the “6.1/7.1” option is chosen. The Logic 7 C (or Cinema) mode should be used |
| with any source that contains Dolby Surround or similar matrix encoding. Logic 7 C delivers |
| increased |
| that are much smoother and more realistic than with former decoding techniques. The Logic 7 M or |
| Music mode should be used with analog or PCM stereo sources. Logic 7 M enhances the listening |
| experience by presenting a wider front soundstage and greater rear ambience. Both Logic 7 modes |
| also direct |
| maximum bass impact. The Logic 7 E (or Enhance) mode is an extension of the Logic 7 modes that is |
| primarily used with musical programs and is available with the 5.1 surround mode option selected |
| only. Logic 7 E adds additional bass enhancement that circulates low frequencies in the 40Hz to 120Hz |
| range to the front and surround speakers to deliver a less localized soundstage that appears broader |
| and wider than when the subwoofer is the sole source of bass energy. |
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ENGLISH
OPERATION 37