Arcam AVR350 manual Two-channel source modes, Multi-channel source modes

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Two-channel source modes

The following decoding and surround modes are available:

< Mono

< Pro Logic Emulation

< Stereo

< Neo:6 Cinema

< Pro Logic II/IIx Movie

< Neo:6 Music

< Pro Logic II/IIx Music

 

These modes are available with two-channel analogue and two-channel PCM digital sources (although a Dolby Digital 2.0 source may only be decoded as Mono, Stereo or Pro Logic IIx Movie).

Mono: The AVR350 will combine the left and right audio channels from a stereo signal to produce a mono signal. This can be of benefit when playing older audio recordings or VCR tapes, especially mono LP records.

Analogue Stereo: In this mode the AVR350 works as a conventional high quality audio amplifier. Note that if the subwoofer is enabled in stereo mode, then some processing of the signal will be carried out. For ultimate sound quality with analogue sources, therefore, select the Stereo Direct function.

Digital Stereo: Decodes two-channel digital signals such as PCM signals from sources such as CDs and some DVDs.

Dolby Pro Logic II/IIx: Dolby Pro Logic II decoding is designed to produce a 5-channel output from two channel source material. This is extended by Dolby Pro Logic IIx decoding, which is designed to produce a 5- or 7-channel output from two-channel source material and a 7-channel output from 5-channel material.

There are two different modes available in Pro Logic II/IIx: ‘Movie’ and ‘Music’ modes, which are intended for use as their names suggest. Due to the different recording methods used for movies and music, it is recommended that the correct decoding mode for your source material is used to obtain the best results.

<Movie Mode: This is intended for use with ‘cinematic’ material, which is mixed and monitored in a calibrated multi-channel environment. Movie mode is a ‘fixed’ mode that is designed to give a similar sound when listening using a home cinema system to that obtained in a cinema.

<Music Mode: Stereo music is not designed for surround processing, although good surround effects can be obtained through careful production. As the optimum decoding method varies according to the recording, Music mode allows user adjustment of the processing characteristics. Information about adjusting the Music mode by using ‘Dimension’ and ‘Centre Width’ controls can be found in the ‘Main Menu Screen 2’ section.

Dolby Pro Logic: Dolby Pro Logic decoding is a legacy mode that is designed to produce a five- channel output from two-channel source material. It should be used only when the source material is encoded as Dolby Pro Logic; otherwise, we recommend the use of Dolby Pro Logic IIx. This is because Pro Logic processing on straight stereo sources can sound muffled and compressed.

DTS NEO:6: DTS Neo:6 provides up to six full-band channels of decoding from stereo material. The AVR350 will derive separate channels corresponding to the standard home theatre speaker layout.

<Cinema: A movie mode designed to reproduce a movie theatre environment. Neo:6 technology allows various sound elements within a channel or channels to be steered separately, and in a way which follows the original presentation naturally.

<Music: A music mode designed to produce a lively, high-integrity surround-effect from most two- channel music sources from all available speakers. Neo:6 music mode expands stereo recordings into the five- or six-channel layout without diminishing the subtlety and integrity of the original stereo recording.

Multi-channel source modes

The following modes are available for multi-channel digital sources. Special modes like DTS-ES 6.1 Matrix and DTS-ES 6.1 Discrete are available only from the correct source material.

For Dolby Digital sources:

For DTS sources:

< Dolby Digital 5.1

< DTS 5.1

 

< Dolby Digital 5.1 Stereo Downmix

< DTS 5.1 Stereo Downmix

< Dolby Digital 5.1 Mono Downmix

< DTS 5.1 Mono Downmix

< Dolby Digital Ex

< DTS-ES 6.1

Matrix

< Dolby Digital Pro Logic IIx

< DTS-ES 6.1

Discrete

Dolby Digital 5.1: The most commonly used sound format for DVD video, and is also the standard for US digital television. Dolby Digital 5.1 sources deliver surround sound with five discrete full- range channels; left, centre, right, surround left, and surround right, plus a low frequency effects (LFE) channel.

Dolby Digital Ex: This is an extension to Dolby Digital decoding that provides a 6-channel output from a 5-channel input. The extra channel is the centre-surround channel (for which the two surround back speakers are used), and is derived from the left and right surround channel information. This decode mode should be used only when the source material is ‘Surround EX’ encoded (which is normally indicated on the disc packaging and should be detected automatically by the AVR350), but may be used at other times if desired.

Dolby Digital Pro Logic IIx: This is an extension to Dolby Digital decoding that provides a 7- channel output from a 5-channel input. The extra channels are the surround back channels, that are derived from the left and right surround channel information.

DTS 5.1: Less common than the Dolby Digital format, but generally recognised within the audio industry as being of superior sound quality. DTS 5.1 delivers surround sound with five full range channels plus an LFE channel.

DTS-ES 6.1 Matrix: This is a 6.1 channel format based on DTS 5.1. It has the sixth channel matrix encoded into the surround left and surround right channels. The sixth channel is a surround centre channel and is directed to the surround back left and surround back right speakers.

English

AVR350

E-27

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Contents AVR350 Safety guidelines Important safety instructionsSafety compliance Contents Introduction Using this handbookSafety Before you startBefore making connections Inserting the batteries into the remote controlCables InstallationPositioning the unit AVR350 rear panelConnection of record decks Audio connectionsAnalogue audio connections Analogue pre-amplifier outputsVideo connections Scart RGB 4-wire connectionConnecting loudspeakers Using spade terminalsSpeaker impedance AM antenna Connecting the AM and FM antennasZone 2 connections FM antennaMains lead Connecting to a power supplyControl connections Trigger outputsNavigating the Set-up menu Configuring the AVR350Set-up mode Set-up Menu Index‘Basic’ Set-up Menus General SettingsSubwoofer Settings Speaker SizesBypass the DSP processing Speaker Delay Settings Speaker delay settingsDistance measurements for 5.1 Use Channels 6+7 for Level settingsEX Settings Test Tone CycleADV 1 Speaker Eq ADV 2 Video SettingsADV 3 Digital Settings ‘Advanced’ Set-up MenusADV 6 Hdmi Settings Saving Settings and Exit Set-upADV 4 Zone 2 Settings ADV 5 Analogue SettingsRemote control Front panel display Switching on/offVolume control Operating your AVR350Zone HeadphonesInput selection Stereo DirectTreble/Bass Remote control buttonsEffects/FX ModeDeleting a preset Using the tunerTuning to a station Storing a presetUsing the Main Menu No centre spreading 20.8 69.8 Phantom centre Using Zone‘Dimension’ is set to 3 for normal use Display Centre spreading EffectDigital multi-channel sources Surround modesTwo-channel source modes Multi-channel source modesFollowing decoding and surround modes are available Mono DSP Effects Modes Speaker positioningBi-amping your system Bi-wiring and bi-amping loudspeakersBi-wiring your loudspeakers Before you start important informationFront Right Front Left Speaker Bi-amping using an external power-amplifierTroubleshooting Hum on an analogue input Source switching changes randomly or freezes on one sourceNo Zone 2 audio when playing DTS film Unable to adjust bass and treble controlsIR Remote Codes Command Command codeSystem code Command Command code Scart connections Scart RGB cable with audio back to processorScart S-video cable with audio back to processor Technical specifications Continual improvement policyRadio interference Guarantee Worldwide GuaranteeOn line registration Appendix Serial programming interface Command and response formatsPower / Alimentation / Betriebsbereitschaft / Stroom Example / Exemple / Beispiel / VoorbeeldEen van de menus van de AVR350 openen Mute / Coupure du son / Stumm / Dempen De audio- en video-ingang naar een zone wijzigen Changes the audio and video input to a zoneChange l’entrée audio et vidéo d’une zone Änderung des Audio- oder Videoeingangs einer ZoneDe video-ingang voor de hoofdzone wijzigen Changes the video input for the main zoneChange l’entrée vidéo de la zone principale Änderung der Videoquelle der HauptzoneDirect mode / Mode Direct / Direktmodus / Modus Direct Effect / Effet / Effekt / Effect Command/response sequence to change the effect mode to PartyNavigation / Navigation / Navigation / Navigatie Store / Mémorisation / Speichern / OpslaanCursor/OK instructions. f Instructions Curseur/OK Tune / Réglage / Senderabstimmung / Afstemmen RDS / Système RDS / RDS / RDS Pembroke Avenue, Waterbeach, Cambridge CB5 9QR, England Issue
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AVR350 specifications

The Arcam AVR350 is a high-performance AV receiver that epitomizes the blend of cutting-edge technology and sophisticated design. Known for its exceptional sound quality and advanced features, it caters to audiophiles and home theater enthusiasts alike. The AVR350 stands out with its robust build quality and user-friendly interface, making it an attractive option for those looking to enhance their home entertainment experience.

One of the key features of the Arcam AVR350 is its 7.1-channel amplification, delivering a powerful audio output of 90 watts per channel. This ensures that every sound in your favorite movies, music, or games is reproduced with clarity and depth. The receiver is equipped with advanced Dolby Digital and DTS decoding technologies, which allow it to support high-definition audio formats. This means users can enjoy a truly immersive surround sound experience, whether it’s the booming effects of an action movie or the delicate nuances of a classical performance.

Another standout characteristic of the AVR350 is its digital signal processing. Incorporating sophisticated algorithms, it optimizes audio performance for different environments, ensuring that listeners achieve the best sound quality no matter the size or shape of the room. The inclusion of Arcam's proprietary room EQ technology further enhances the listening experience by adjusting the sound to compensate for the room acoustics, providing a balanced audio output tailored to individual environments.

Connectivity options are comprehensive, with multiple HDMI inputs and outputs supporting high-definition video formats. The AVR350 also supports a variety of other audio-video inputs, including component and composite video connections, as well as analog audio inputs. This versatility makes it easy to integrate with a range of devices, including Blu-ray players, gaming consoles, and streaming devices.

For users keen on multi-room audio solutions, the AVR350 offers the capability to distribute audio to several zones, allowing you to enjoy different music or media in various parts of the home simultaneously. The intuitive on-screen menu simplifies setup and operation, ensuring that users can easily configure their systems according to their preferences.

In summary, the Arcam AVR350 is a well-rounded AV receiver that combines impressive audio performance, advanced decoding technologies, and flexible connectivity options. Its focus on high-quality sound and user convenience makes it an ideal choice for those looking to elevate their home entertainment systems. With the AVR350, enthusiasts can expect a level of audio fidelity that truly transforms the way they experience sound.
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