Korg HDR-TRI manual 5f Take, 5g Take Number, 5h Rehearsal, 5i Input Select Analog, Digital

Sequencer P1

1–5f: Take

Specify the name of the “take” that you are about to record.

Press the text edit button, and the rename page will appear. (☞ Basic Guide page 6). Up to 13 characters can be used here.

If you wish to append a number at the end of the take name to manage your takes, check “1–5g: Take Number.” When you stop recording, the number will be automatically incremented, and added to the take name (for the next record- ing).

When you begin recording, a sound will be
created and a name assigned to it. The sound	Take name
name will consist of the take name you specify
	(for stereo)
here plus the incrementing number. When	Sound name = first 13 characters of Take name + 2 digit
	number + 1 character L/R
recording in stereo, an L or R will be added.

The sound name will be displayed during the event edit or sound trim opera- tions performed in “5–3J: Audio Event Edit.”

If you re-assign the take name here, the incremented number will begin from 00. Also, if in “1–5g: Take Number” you change the number to a value other than 00, the count-up will begin from that number.

If you wish to change the sound name that was recorded, use the “Trimming an audio event” command (☞ page 39 of this manual) that appears when you press the Trim button in “5–3J: Audio Event Edit.”

Introduction

Operation

1–5g: Take Number

If this is checked, the number shown at right will be automatically added to the take name (up to 13 characters) that was assigned in “1–5f: Take.”

This number will be incremented each time you record using the same take name.

If you re-assign the take name in “1–6f: Take,” the incremented number will begin from 00. Also, if you change the number to a value other than 00, the count-up will begin from that number.

If this is un-checked, an incremented number will not be added to the take name of the sound that you are about to record.

1–5h: Rehearsal

If this is checked, recording operations will be simulated (recording will not actually take place).

Monitoring during rehearsal will depend on the selection in “1–5m: Monitor Mode Select.” When Auto Input is ON, you will be able to monitor the external input between the punch-in and punch-out points, and at other times you will be able to monitor the previously-recorded sound. For example if you have set punch-in at 005 (measure 5) and punch-out at 008 (measure 8), you will be mon- itoring the previously-recorded sound for the first four measures, and will mon- itor the external input sound during measures 5 through 8.

1–5i: Input Select [Analog, Digital]

Select either Analog or Digital as appropriate for the signal that is being input. When Digital is selected, please input a digital signal at a sampling frequency of

Parameters

Appendix

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