Roland Fantom-S88 manuals
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Roland Fantom-S88 Owner Manual
228 pages 9.45 Mb
Information /Roland (Switzerland) AG As of July 1, 2003 (Roland) ARGENTINAInstrumentos Musicales S.A. BRAZIL MEXICOCasa Veerkamp, s.a. de c.v. PANAMA U. S. A. VENEZUELA AUSTRALIA Roland Corporation Australia Pty., Ltd. NEW ZEALAND HONG KONGTom Lee Music Co., Ltd. Service Division Parsons Music Ltd. INDIARivera Digitec (India) Pvt. Ltd. INDONESIA MALAYSIA PHILIPPINES G.A. Yupangco & Co. Inc. SINGAPORE TAIWANROLAND TAIWAN ENTERPRISE CO., LTD. THAILAND BAHRAIN VIETNAM JORDAN KUWAITEasa Husain Al Yousifi Est. LEBANON QATARAl Emadi Co. (Badie Studio & Stores) SAUDI ARABIAaDawliah Universal Electronics APL TURKEY Barkat muzik aletleri ithalat ve ihracat Ltd Sti U.A.E.Zak Electronics & Musical Instruments Co. L.L.C. EGYPT REUNION SOUTH AFRICAThat Other Music Shop (PTY) Ltd. Paul Bothner (PTY) Ltd. CYPRUSRadex Sound Equipment Ltd. DENMARK FRANCE FINLANDRoland Scandinavia As, Filial Finland GERMANY Roland Elektronische Musikinstrumente HmbH. GREECESTOLLAS S.A. Music Sound Light HUNGARY IRELAND ITALY NORWAYRoland Scandinavia Avd. Kontor Norge POLAND PORTUGALTecnologias Musica e Audio, Roland Portugal, S.A. RUSSIA SPAINRoland Electronics de Espaa, S. A. SWITZERLAND SWEDEN Roland Scandinavia A/S SWEDISH SALES OFFICE UKRAINE UNITED KINGDOM KOREA AUSTRIARoland Austria GES.M.B.H. BELGIUM/HOLLAND/ LUXEMBOURG AFRICA EUROPE AUSTRALIA/ NEW ZEALAND ASIA CENTRAL/LATIN AMERICA NORTH AMERICA MIDDLE EAST AFRICA OMNI MUSIC ROMANIA PARAGUAY COSTA RICAJUAN Bansbach CRISTOFORI MUSIC PTE LTD IRAN ISRAELHalilit P. Greenspoon & Sons Ltd. SYRIATechnical Light & Sound Center CANADA (Head Office) (Toronto Office) CHINA(BEIJING OFFICE) (GUANGZHOU OFFICE) Thank you, and congratulations on your choice of the Roland . / NOTICE AVIS FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENTCAUTION INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS. 2 IMPORTANT SAFETY INSTRUCTIONS SAVE THESE INSTRUCTIONS5 IMPORTANT NOTESCopyright Handling CD-ROMs Before Using Cards Additional Precautions Maintenance Placement Power Supply 6 Contents7 8 Using the Chord Memory Function (CHORD MEMORY) ....................................110 Playing Arpeggios (ARPEGGIO/RHYTHM Function).......................................... 104 9 10 13 Main Features14 Panel Descriptions Front Panel15 Panel Descriptions Panel Descriptions 16 Rear Panel Envelope TVA (Time Variant Amplifier) TVF (Time Variant Filter) WG (Wave Generator) Tones The Sampler section Sequencer Section Sound Generator Section Controller Section 17 Overview of the Fantom-SHow the Fantom-S Is OrganizedBasic Structure Classification of Fantom-S Sound Types 18 Performances Rhythm SetsLFO (Low Frequency Oscillator) Patches WG (Wave Generator) TVF (Time Variant Filter) TVA (Time Variant Amplifier) Envelope PatchTone 4 Tone 3 Tone 2 Tone 1 Performance Voice Reserve Note Priority in Performance Mode How a Patch Sounds Part About Simultaneous Polyphony Calculating the Number of Voices Being Used 19 About Memory Temporary Memory Effect Types Non-Rewritable Memory Rewritable Memory 20 About the Onboard Effects Phrase Tracks 116 What Is a Track? What Is a Song? How Effects Units Work in Different Modes 21 About the Sequencer 22 Fantom-S Standard MIDI File (.MID) Song File (.SVQ) Memory Card/User Memory Internal Memory Pattern Track Songs and the Sound Generator Mode Tempo Track Beat Track Positions for Storing a Song Memory Card User Memory Temporary Memory 23 About the Sampling SectionFantom-S Multisamples Samples Where Samples are Stored Multisample Preset Memory User Memory Temporary Memory Sampling 24 Basic Operation of the Fantom-SSwitching the Sound Generator Mode About the [1][8] ButtonsTo select the Layer screen MIXER display LAYER/SPLIT display Performance Mode To select Patch mode Patch mode To select the Mixer screen 25 Press SPACE to replace the character at the cursor location with a space. Assigning a Name [INC] and [DEC] VALUE Dial Moving the Cursor Modifying a Value 26 Playing in Patch Mode Displaying Patch Play Screen About the Patch Play Screen GM (GM2) PR-AE (Preset AE) Functions in the Patch Play screen 27 Selecting a Patch XP-AD (Wave Expansion Boards installed in EXP-AD Slots) 28 Selecting Favorite Patches Selecting Patches from the List 29 Auditioning Patches (Phrase Preview) Selecting Patches by Category (Patch Finder) 30 Canceling a patch registration Using [1][8] to Register Using the Favorite List Screen to Register Registering a Favorite Patch Canceling a patch registration Using [1][8] to Register Registering Favorite Rhythm Sets Using the Favorite List Screen to Register 31 Transposing the Keyboard in Octave Units (Octave Shift) 32 Transposing the Keyboard in Playing Single Notes (Mono) Sound (Tone On/Off) Selecting the Tones That Will Semitone Steps (Transpose) 33 Knob Part Select Beam Part Select Bender and Modulation Part Select Creating Smooth Pitch Changes (Portamento) Selecting the Parameter Controlled by the Realtime Controllers or D Beam Controller Specifying the Part that Will be Affected by the Controller 34 D Beam (Solo Synth) D Beam (Pad Trigger) Assigning a Parameter to a Controller 37 Playing Percussion Instruments39 Creating a Patch Settings How to Make the Patch Four Tips for Editing Patches 40 Editing in a Graphic Display (Zoom Edit) Initializing Patch Settings (Init) Copying Patch (Tone) Settings (Copy) 41 Cautions When Selecting a Waveform Cautions When Using a One-shot Cautions When Using a Loop 42 Saving Patches Youve Created (Write) Auditioning the Save-Destination Patch (Compare) 43 Functions of Patch Parameters Settings Common to the Entire Patch (General)44 Analog Feel (Analog Feel Depth) Velocity Sens Offset (Velocity Sensitivity Offset) Resonance Offset Cutoff Offset Release Time Offset Attack Time Offset 45 FXM Depth FXM Color FXM Switch Wave Tempo Sync Wave Gain Wave Bank Wave Group Modifying Waveforms (Wave) Wave No. L (Mono) (Wave Number L (Mono)) Wave No. R (Wave Number R) Phrase Loop Realtime Time Stretch FXM 46 Changing How a Tone Is Sounded (TMT)Structure Type 1 & 2, 3 & 4 TVA Booster 1&2, 3&4 (Booster Gain) Booster WG1 WG2 47 BoosterRing Modulator 48 Key Fade Lower (Keyboard Fade Width Lower) TMT Control Sw (TMT Control Switch) Velo Fade Upper (Velocity Fade Width Upper) Velo Range Lower (Velocity Range Lower) Key Fade Upper (Keyboard Fade Width Upper) Key Range Upper (Keyboard Range Upper) Key Range Lower (Keyboard Range Lower) Velo Fade Lower (Velocity Fade Width Lower) TMT Velocity Control (TMT Velocity Control Switch) Velo Range Upper (Velocity Range Upper) 49 Modifying Pitch (Pitch/Pitch Env) TVFP-Env Level 04 (Pitch Envelope Level 04) P-Env Time 14 (Pitch Envelope Time 14) P-Env Depth (Pitch Envelope Depth) , , Pitch Env 50 Modifying the Brightness of a Sound with a Filter (TVF/TVF Env) 51 Cutoff Frequency Cutoff V-Sens (Cutoff Velocity Sensitivity)Cutoff V-Curve (Cutoff Frequency Velocity Curve) Resonance Cutoff Key follow 52 F-Env Level 04 (TVF Envelope Level 04) , , F-Env Time KF (TVF Envelope Time Key Follow) F-Env Depth (TVF Envelope Depth) TVF ENVF-Env V-Sens (TVF Envelope Velocity Sensitivity) F-Env V-Curve (TVF Envelope Velocity Curve) Resonance V-Sens (Resonance Velocity Sensitivity) F-Env T1 V-Sens (TVF Envelope Time 1 Velocity Sensitivity) F-Env T4 V-Sens (TVF Envelope Time 4 Velocity Sensitivity) F-Env Time 14 (TVF Envelope Time 14) 1 2 4 53 Adjusting the Volume (TVA/TVA Env)Pan Key Follow Tone Pan Bias Direction Bias Position Bias Level Level V-Sens (TVA Level Velocity Sensitivity) Level V-Curve (TVA Level Velocity Curve) Tone Level TVA 54 , , A-Env Time KF (TVA Envelope Time Key Follow) TVA EnvAlter Pan Depth (Alternate Pan Depth) Random Pan Depth A-Env T1 V-Sens (TVA Envelope Time 1 Velocity Sensitivity) A-Env T4 V-Sens (TVA Envelope Time 4 Velocity Sensitivity) A-Env Time 14 (TVA Envelope Time 14) A-Env Level 13 (TVA Envelope Level 13) 124 55 Tone Out Level Tone Out Assign Patch Out Assign Output Tone Chorus Send (Send Level (Output=MFX)) Tone Reverb Send (Send Level (Output=MFX)) Tone Chorus Send (Send Level (Output=non MFX)) Tone Reverb Send (Send Level (Output=non MFX)) 56 Delay Time (LFO1/LFO2 Delay Time) Offset (LFO1/LFO2 Offset) Rate Detune (LFO1/LFO2 Rate Detune) LFO Rate (LFO1/LFO2 Rate) Sample & Hold wave (one time per cycle, LFO value is changed) Waveform (LFO1/LFO2 Waveform) LFO 1/2 Modulating Sounds (LFO) 57 Apply the LFO gradually after the key is pressed How to Apply the LFOStep 116 (LFO Step 116) LFO Step Type (LFO Step Type) Step LFOPan Depth (LFO1/LFO2 Pan Depth) TVA Depth (LFO1/LFO2 TVA Depth) TVF Depth (LFO1/LFO2 TVF Depth) Pitch Depth (LFO1/LFO2 Pitch Depth) Key Trigger (LFO1/LFO2 Key Trigger) Fade Time (LFO1/LFO2 Fade Time) Fade Mode (LFO1/LFO2 Fade Mode) Delay Time KF (LFO1/LFO2 Delay Time Key Follow) Legato Retrigger (Legato Retrigger Switch) Legato Switch (Legato Switch) Mono/Poly Apply the LFO immediately when the key is pressed, and then gradually begin to decrease the effect Apply the LFO gradually after the key is released 58 Apply Portamento or Legato to the Sound (Solo Porta)59 Portamento Switch Portamento Time Portamento Mode Portamento Start Portamento Type Portamento 60 Miscellaneous Settings (Misc)Tone Delay Time Tone Delay Mode Tone Delay Tone Env Mode (Tone Envelope Mode) Tone Redamper Sw (Tone Redamper Switch) Tone Rx Pan Mode Tone Rx Hold-1 (Tone Receive Hold Switch)Tone Rx Bender (Tone Receive Pitch Bend Switch) Tone Rx Expression (Tone Receive Expression Switch) 61 Matrix Control Settings (Ctrl14)Matrix Control 62 Matrix Control 14 Source Changing the TVF Envelope Changing the Pitch Envelope Applying LFO to Modulate Sounds Changing How the Effects Are Applied Changing the Volume, Pan, and Pitch Opening and Closing the Filter CTRL Destination 14 (Matrix Control Destination 14) 63 Setting Effects for a Patch (Effects/ MFX/MFX Control/Chorus/Reverb) 64 Creating a Rhythm Set Settings How to Make the Rhythm Set Editing in a Graphic Display (Zoom Edit) Basic Procedure for Rhythm Tone Copy 65 Initializing Rhythm Set Settings (Init) Copying Rhythm Tone Settings (Copy) Cautions When Selecting a Waveform Cautions When Using a One-shot Cautions When Using a Loop 66 Saving Rhythm Sets Youve Created (Write) Rhythm Level (Rhythm Set Level) General Auditioning the Save-Destination Rhythm Set (Compare) 67 Functions of Rhythm Set Parameters Making Settings Common to the Entire Rhythm Set (General) 1 2 3 34 21 Tone Name (Rhythm Tone Name) Aftertouch Time Ctrl Sens (Sensitivity) One Shot Mode Tone Env Mode (Rhythm Tone Envelope Mode) Mute Group Assign Type Tone Pitch Bend Range (Rhythm Tone Pitch Bend Range) Tone Receive Expression (Rhythm Tone Receive Expression Switch) Tone Receive Hold-1 (Rhythm Tone Receive Hold-1 Switch) Tone Receive Pan Mode (Rhythm Tone Receive Pan Mode) 68 Modifying Waveforms (Wave)69 Wave Group FXM Depth FXM Color FXM Switch Wave Gain Wave Tempo Sync Wave Bank Wave No. L (Mono) (Wave Number L (Mono)) Wave No. R (Wave Number R) Tips on Creating a Rhythm Tone Phrase Loop Realtime Time Stretch FXM 70 Changing How a Rhythm Tone Is Sounded (WMT)Velo Range Upper (Velocity Range Upper) Velo Range Lower (Velocity Range Lower) Velo Fade Lower (Velocity Fade Width Lower)Wave Alter Pan Sw (Wave Alternate Pan Switch) Wave Rnd Pan Sw (Wave Random Pan Switch) Wave Pan Wave Level Wave Fine Tune Wave Coarse Tune WMT Velocity Control (Velocity Control Switch) 1 2 4 P-Env V-Sens (Pitch Envelope Velocity Sensitivity) P-Env Depth (Envelope Depth) Pitch EnvTone Random Pitch Depth Tone Fine Tune (Rhythm Tone Fine Tune) Tone Coarse Tune (Rhythm Tone Coarse Tune) PitchVelo Fade Upper (Velocity Fade Width Upper) 71 Modifying Pitch (Pitch/Pitch Env) P-Env T1 V-Sens (Pitch Envelope Time 1 Velocity Sensitivity) P-Env T4 V-Sens (Pitch Envelope Time 4 Velocity Sensitivity) P-Env Time 14 (Pitch Envelope Time 14) , , Resonance Cutoff Frequency Filter Type TVFP-Env Level 04 (Pitch Envelope Level 04) 72 Modifying the Brightness of a Sound with a Filter (TVF/TVF Env) 73 Adjusting the Volume (TVA/TVA Env) F-Env Time 14 (TVF Envelope Time 14) F-Env V-Sens (TVF Envelope Velocity Sensitivity) F-Env V-Curve (TVF Envelope Velocity Curve) F-Env Depth (TVF Envelope Depth) TVF EnvCutoff V-Sens (Cutoff Velocity Sensitivity)Cutoff V-Curve (Cutoff Frequency Velocity Curve) Resonance V-Sens (Resonance Velocity Sensitivity) F-Env T1 V-Sens (TVF Envelope Time 1 Velocity Sensitivity) F-Env T4 V-Sens (TVF Envelope Time 4 Velocity Sensitivity) F-Env Level 14 (TVF Envelope Level 14) , , 74 TVATVA EnvRandom Pan Depth Tone Pan (Rhythm Tone Pan) Level V-Sens (Level Velocity Sensitivity) Level V-Curve (Level Velocity Curve) Tone Level (Rhythm Tone level) Alternate Pan Depth A-Env T1 V-Sens (TVA Envelope Time 1 Velocity Sensitivity) A-Env T4 V-Sens (TVA Envelope Time 4 Velocity Sensitivity) A-Env Time 14 (TVA Envelope Time 14) , , A-Env Level 13 (TVA Envelope Level 13) 1 2 4 75 Tone Out Level Tone Out Assign Rhythm Out Assign Output Settings Tone Chorus Send (Send Level (Output=MFX)) Tone Reverb Send (Send Level (Output=MFX)) Tone Chorus Send (Send Level (Output=non MFX)) Tone Reverb Send (Send Level (Output=non MFX)) Setting Effects for a Rhythm Set (Effects/MFX/MFX Control/Chorus/ Reverb) 76 Playing in Performance Mode Screen Displaying Performance Mixer Screen Displaying Performance Layer 77 Functions in the PERFORMANCE Layer/Mixer ScreenMIXER screen LAYER screen 78 Selecting a PerformancePRST (Preset) Selecting Performances from the List Selecting Favorite Performances Selecting from a list display Registering a Favorite Performance Selecting the Sound for a Part Selecting a Part 79 Using the Layer Screen Selecting the Part that You want to Sound 81 Using the Mixer ScreenSelecting a Part Selecting the Sound for a Part About the keyboard switch Selecting the Rhythm Set 82 Editing the Part Settings Selecting a Part to Play Individually (Solo) Silencing the Playback of a Specific Part (Mute) 83 Viewing the Part Settings as a for Each Part (Part Information) Confirming MIDI Information List (Performance Part View) Performing with the Arpeggio/ Rhythm function Performing with the Realtime Controllers and D Beam Controller 84 Creating a PerformanceSolo Switch Keyboard Switch Patch Number Patch Bank Patch Type [1 (Level/Pan)] Each Part Adjusting the Parameters of List (Performance Part View) Viewing the Part Settings as a 85 [2 (Output Effect)]Part Pan Part Level Mute Switch 86 [3 (Pitch)]Part Portamento Time Part Portamento Switch Part Pitch Bend Range Part Legato Switch Part Fine Tune Part Coarse Tune Part Octave Shift Part Mono/Poly 87 Keyboard Range Lower) Keyboard Switch [5 (Key Range)]Part Decay Time Offset Part Release Time Offset Part Attack Time Offset Part Resonance Offset Part Cutoff Offset [4 (Offset)] Keyboard Range Lower ( Part 88 [6 (Scale Tune)]Voice Reserve Part Vibrato Delay Part Vibrato Depth Part Vibrato Rate Part Velocity Sensitivity Offset Keyboard Range Upper) Keyboard Range Upper ( Part 89 Ext Level (External Level) Ext Bank Select LSB (External Bank Select LSB)Ext Bank Select MSB (External Bank Select MSB) Receive Channel Receive Switch [7 (External)] Ext Program Number (External Program Change Number) Equal Temperament Just Temperament (Tonic of C) Arabian Scale Control D Beam (Control D Beam Switch) Control Pedal (Control Pedal Switch) Control Hold Pedal (Control Hold Pedal Switch)Control Modulation (Control Modulation Switch) Control Aftertouch (Control Aftertouch Switch) Control Bender (Control Pitch Bend Switch) Control Switch Settings (Ctrl Switch) 91 Selecting the Parameter Controlled by the Realtime Controllers or D Beam Controller (Control Setting) D Beam (Solo Synth) D Beam (Pad Trigger)Control Knob (Control Knob Switch) 92 Make Settings for the Realtime Controllers and D Beam Controller (Ctrl) 93 D Beam (Assignable) 94 Switch 1/2 (Assignable Switch 12) Switch Knob MFX Ctrl Ch Tempo Setting Effects for a Performance (Effects/MFX/MFX Control/Chorus/ Reverb) 95 Changing the Settings of the Patch Assigned to a Part 96 Initializing Performance Created (Write) Settings (Init) Saving Performance Youve 97 When Changing the Settings for the Patch or Rhythm Set Assigned to a Part in a Performance 98 Modifying the Sound in Real TimeASSIGNABLE (D Beam Controller) Waving Your Hand Over the D Beam to Modify the Sound Making Settings for the D Beam Controller The usable range of the D Beam controller 99 PAD Trigger settings (Pad-related settings) 100 SOLO SYNTHOSC1 Sync Switch* The Pulse Width is activated when SQR is selected with OSC1/2 waveform. 101 Realtime Controller Knob Settings Using Knobs or Buttons to Modify the Sound (Realtime Controller) Making Realtime Controller Settings Assignable Switch Settings 102 Using a Pedal to Modify the Making Control Pedal Settings Sound (Control Pedal) 103 Control Pedal Assign Continuous Hold Pedal Hold Pedal Polarity Control Pedal Polarity 104 Playing Arpeggios (ARPEGGIO/RHYTHM Function) Holding an Arpeggio Turning Arpeggio On and Off Playing Arpeggios About Arpeggio Determining the Tempo for Arpeggio Performances Using in Combination with the Chord Memory Function Turning Arpeggio Switch On and Off 105 Arpeggio Settings Selecting Styles for Arpeggio Performances (Arpeggio Style)About Arpeggio Styles Changing the Beat and Shuffle (Grid) 106 Applying Staccato and Tenuto (Duration) Selecting Ascending/Descending Variations (Different Ways of Playing the Sounds) (Motif) Adjusting the Velocity of the Arpeggio (Arpeggio Velocity)Selecting the Part that Will Play Arpeggios in Performance Mode (Part) 107 Hanging the Range of the Arpeggio (Octave Range) Changing the Accent Strength (Accent Rate) Using the Realtime Control Knobs to Edit the Arpeggio Settings108 Inputting the Data from the Keyboards or Pads Changing the Length of an Arpeggio Style or the Velocity of the Notes You Input Initializing the Arpeggio Style that You are Editing (Init) 109 Saving the Styles You Have Created (WRITE) 110 Using the Chord Memory Function (CHORD MEMORY) Memory Function Performing with the Chord Function About the Chord Memory Turning Chord Memory Function On and Off Using in Combination with the Arpeggio Function Using the Chord Memory Function (CHORD MEMORY)Using the Chord Memory Function (CHORD MEMORY) 111 Creating Your Own Chord Have Created Forms Saving the Chord Forms You 112 Playing Rhythms Turning Rhythm On and Off Playing Rhythm Using Rhythm Groups About Rhythm Patterns Determining the Tempo for Rhythm Pattern Performances Select the Rhythm GroupChanging the Beat and Shuffle (Grid) Selecting Rhythm Patterns 113 Rhythm Pattern Settings114 Applying Staccato and Tenuity (Duration) Turning Rhythm Switch On and Off Changing the velocity of Rhythm Pattern (Rhythm Pattern Velocity) Changing the Accent Strength (Accent Rate) Using the Realtime Control Knobs to Control the Rhythm 115 Creating Your Own Styles (Rhythm Pattern Edit) Inputting the Data from the Keyboards or Pads Changing the Length of a Rhythm Pattern or the Velocity of the Notes You Input Initializing the Rhythm Pattern that You are Editing (Init) 116 Saving the Patterns You Have Created (WRITE) (Rhythm Group Edit) Creating Your Own Styles 117 Saving the Rhythm Group You Have Created (WRITE) 118 Sampling (INPUT SETTING) Making Input Source Settings 119 Input Effect Setup Settings Sampling Procedure Sampling Dividing a Sample During Sampling 121 Sampling Earlier in Time (Skip Back Sampling) 122 Editing a SampleSelecting a Sample (Sample List)Selecting a Sample The sample list shows the current state of the samples. 123 Loading a SampleDeleting a Sample Loading all Samples Unloading a Sample Importing a Audio File 124 Displaying Sample Edit Screen Magnifying/Shrinking the Waveform Display (Zoom In/Out) 125 Setting the Start/End Points of (Sample Parameters) Making Settings for Sample the Sample 126 Assigning Samples to a Pad From Performance Mode From Patch Mode (Assign To Pad) 127 Assigning a Sample as a Patch to a Part (Assign to Keyboard) From Performance Mode From Patch Mode 128 Create a Rhythm Set (Create Rhythm) (Create Multisample) Creating a Multisample 129 Unloading a Sample (Unload) of a Sample (Truncate) Removing Unwanted Portions 130 Boosting or Limiting the High- frequency Range of the Sample (Normalize) Sample (Emphasis) Maximizing the Volume of a 131 Amp Sample (Time Stretch) Stretching or Shrinking a 132 Dividing a Sample into Notes Procedure for Dividing a Sample (Chop) Automatically Dividing a Sample (Auto Chop) Deleting a Dividing Point Moving a Dividing Point Auditioning the Divided Samples 133 Joining Two or More Samples (Combine) 134 Saving a Sample 135 Using the PadsTo hold two or more samples To play other sounds while holding one sound Sounds Using the Roll Function to Play Sustain a Sound Using the Hold Function to 136 Using the Clipboard to Copy (PAD SETTING)Copying Two or More Pad Setting Copying one Pad Setting Pad Settings Adjusting the Pad Settings Using the Pads Multi-Velocity 137 Assigning a Pattern to a Pad Rhythms Using the Pads to Play (RPS Function) 138 Playing Back a Song Consecutively (Chain Play) Playing Back Songs (Quick Play) Playing a Song Immediately Precautions concerning use of memory cards Playing Back a Song 139 Various Playback Methods Fast-Forward and Rewind During Playback Playing Back Correctly from the Middle of the Song (MIDI Update) Muting the Playback of a Specific Instrument Changing the Playback Tempo of a Song 140 Playing a Song Back at a Fixed Tempo (Muting the Tempo Track) Playing Back a S-MRC Format Song Playing Back a Song Repeatedly (Loop Play) Using the D Beam Controller to Start/Stop Song PlaybackUsing a Controller to Change the Playback Tempo Patch/Rhythm set Performance Step Recording (p. 146) Realtime Recording (p. 142) 141 Recording Songs Specify the Time Signature Before You Record a New SongTwo Recording Methods Select the Sound to be Used for Recording Erasing the Song/Pattern from Internal Memory (Song Clear) Overview of the Recording Process Specifying the Time Signature of a Pattern 142 Recording Your Performance as You Play It Basic Operation for Realtime Recording (Realtime Recording) 143 Loop/Punch Tempo Rec Sw (Tempo Recording Switch) Recording Tempo Changes in a Song (Tempo Recording) Loop Recording and Punch-In Recording 144 Using Manual Punch-In Recording Using Auto Punch-In Recording Shuffle Resolution Rate (Shuffle Quantize Rate) 145 Selecting the Sequencer Data that will Be Recorded (Recording Select) Erasing Unwanted Data While You Record (Realtime Erase)Auditioning Sounds or Phrases While Recording (Rehearsal Function) 146 Inputting Data One Step at a Inputting Notes and Rests Time (Step Recording) 149 Editing Songs Edit Loading the Song You Want to Loading Individual Tracks/Patterns of Song Data 150 Assigning a Locate Position Using Different Sound Generators for Each Track Silencing the Playback of a Track (Mute) Assigning Markers (Locate Positions) to a Song Moving to a Locate Position Specifying the Area of a Song that will Repeat (Loop Points) 151 Basic Operation for Track Editing Editing Sequencer Data Over the Specified Range (Track Edit) 152 Aligning a Songs Timing (Quantize)Quantize Type 153 Quantize Template (Quantize Template) Rate (Shuffle Quantize Rate) Resolution (Shuffle Quantize Resolution) Strength (Grid Quantize Strength) Resolution (Grid Quantize Resolution) Timing (Quantize Timing) 154 Erasing Unwanted Performance Data (Erase) Preview Function Deleting Unwanted Measures (Delete)Copy Mode Dst Measure (Destination Measure) Dst Track/ Pattern (Destination Track/Pattern) Src Measure, For (Edit Range) Src Track / Pattern (Source Track / Pattern) 155 Copying Phrases (Copy) 156 Inserting a Blank Measure (Insert) Transpose the Key (Transpose) 157 Changing the Velocity (Volume) (Change Velocity) If You Want to Lower the Bass Sound One Octave... When You Want to Change Percussion Sounds... 158 Changing the MIDI Channel (Change Channel)Src Channel, Dst Channel (MIDI Channel) Modifying the Length of Notes (Change Duration) Magnify Extract Mode Dst Track / Pattern (Destination Track/Pattern) Src Track / Src Pattern (Source Track) Dst Track / Pattern (Destination Track/Pattern) Src Track / Src Pattern (Source Track) 159 Combining Two Phrase Tracks or Patterns into One (Merge) Extracting and Moving a Part of Sequencer Data (Extract) 160 Shifting Performance Data Forward and Back (Shift Clock) Data Thin Time Data Thin Value 161 Thinning Out the Sequencer Data (Data Thin) Swapping Two Phrase Tracks or Patterns (Exchange) Adjusting the Songs Playback Time (Time Fit) Deleting Blank Measures (Truncate)Time Original H/M/S Time H/M/S 162 Editing Individual Items of Sequencer Data (Micro Edit) Editing Sequencer Data (Basic Procedure in the Microscope) Ptn (Pattern Call message) Tune Request System Exclusive messages Channel Aftertouch Polyphonic Aftertouch Pitch Bend Control Change Program Change Note Editing a System Exclusive Message 163 Sequencer Data Handled by a Phrase Track/Pattern Data Handled by the Beat Track Data Handled by the Tempo Track 164 Viewing Sequencer Data (View) 165 Inserting Sequencer Data (Create) Moving Sequencer Data (Move) Erasing Sequencer Data (Erase) 166 Copying Sequencer Data (Copy) Changing the Tempo Midway Through the Song Changing the Time Signature Midway Through the Song 167 Assigning a Name to a Song (Song Name) 168 Saving/Loading a song (SAVE/LOAD) Saving a Song (Save) Saving a Song with Samples (Save Song+Samples) Saving/Loading a song (SAVE/LOAD) 169 Saving a Song (Save Song) Saving Samples (Save All Samples) 170 Saving a Song as an SMF File Loading a Song (Load) (Save as SMF) Saving/Loading a song (SAVE/LOAD) Loading a Song with Samples (Load Song+Samples) Loading a song (Load Song) Loading Samples (Load All Samples) 171 Importing a WAV/AIFF File (Import Audio) 172 Playing a Phrase at the Touch of a Finger (RPS Function) Settings for the RPS Function Record a Pattern Function Before You Use the RPS Playing a Phrase at the Touch of a Finger (RPS Function) Playing a Phrase at the Touch of a Finger (RPS Function) 173 Using the RPS Function While You Perform Playing a Phrase at the Touch of a Finger (RPS Function) 174 Recording a Performance Using the RPS Function 175 Adding Effects (p. 175). For details on the setting, refer to Applying Effects in Patch Mode Making Effect Settings Turning Effects On and Off Specifying How the Sound Will Be Output (Routing)176 Signal Flow Diagram and Parameters Tone Output Assign Patch Output Assign Tone Select Part Select Tone Output Level Tone Chorus Send Level Tone Reverb Send Level MFX Type (Multi-Effects Type) 177 MFX Output Level (Multi-Effects Output Level) Reverb Output Assign Reverb Level Chorus Level Chorus Output Select Chorus Type Chorus Output Assign MFX Chorus Send Level (Multi-Effects Chorus Send Level) MFX Reverb Send Level (Multi-Effects Reverb Send Level) MFX Output Assign (Multi-Effects Output Assign) Reverb Type Chorus Source Reverb Source 178 Applying Effects in Part Output Assign Part Select Signal Flow Diagram and Parameters (p. 175). For details on the setting, refer to Performance Mode Specifying How the Sound Will Be Output (Routing) Part Output MFX Select (Part Output Multi-Effects Select) Part Output Level Part Chorus Send Level Part Reverb Send Level 179 MFX Type (Multi-Effects Type) MFX-13 Source (Multi-Effects 1 Source) Reverb Output Assign Chorus Output Select Chorus TypeAdjusts the volume of the sound that has passed through the multi-effects. MFX Output Level (Multi-Effects Output Level) MFX Chorus Send Level (Multi-Effects Chorus Send Level) MFX Reverb Send Level (Multi-Effects Reverb Send Level) MFX Output Assign (Multi-Effects Output Assign) Chorus Level Chorus Output Assign Reverb Type Reverb Level Chorus Source Type (Multi-Effects Type) Reverb Source 180 Making Multi-Effects Settings (MFX13) When Patch or Rhythm Set Settings Are SelectedWhen Patch or Rhythm Set Settings Are Selected 181 MFX Control Channel (Multi-Effects Control Channel) Sens 14 (Multi-Effects Control Sensitivity 14) Destination 14 (Multi-Effects Control Destination 14) Source 14 (Multi-Effects Control Source 14) Making Multi-Effects Settings (MFX Control) 182 Making Reverb Settings (Reverb)Type (Reverb Type) Specifying the multi-effect Type (Chorus Type) Making Chorus Settings (Chorus) structure (MFX Structure) 183 Split Frequency Low Split Frequency High RATIO THRESHOLD RELEASE ATTACK Mastering Effect About THRESHOLD and RATIO Transferring Data to/from Your Computer via USBTransferring Data to/from Your Computer via USB 185 Importing Audio file Importing a Bitmap File (Import BMP) Background in the Display (Import Audio) Using a Bitmap File as a Transferring Data to/from Your Computer via USBMacintosh Users Windows Me/2000/XP Users 186 Canceling USB Communication File-Related Functions (File Utility) 187 File-Related Functions (File Utility) (Format) Initializing a Memory Card Moving a File (MOVE) Deleting a File (DELETE) Copying a File (COPY) 188 Settings Common to All Modes (System Function) (Write) Saving the System Settings Function Settings How to Make the System 189 Functions of System Parameters Aftertouch Sens (Aftertouch Sensitivity) Keyboard Sens (Keyboard Sensitivity) Keyboard Velocity KeyboardContinuous Hold Pedal Hold Pedal Polarity Control Pedal Polarity Control Pedal Assign D Beam Sens (D Beam Sensitivity) Pedal/D Beam 190 System CtrlTempo Override Sync Output (Sync Output Switch) Sync Mode Background Picture Background Screen Saver Sync/Temp System Control MIDI Clock and MTC 191 Arpeggio/Rhythm Sync Switch MTC Offset Time Frame MTC Offset Time Second MTC Offset Time Minute MTC Offset Time Hour MTC Frame Rate MTC Sync Output (MTC Sync Output Switch) MMC Output (MMC Output Switch) MMC Mode Types of MTC Non-Drop Format and Drop Format MTC Error Level Soft Through (Soft Through Switch) Transmit Edit Data (Transmit Edit Data Switch) Transmit Bank Select (Transmit Bank Select Switch) Performance Control Channel Device ID (Device ID Number) Metronome Sound Metronome Level Metronome Mode 192 MetronomeMIDI Kbd Patch Rx/Tx Ch (Keyboard Patch Receive/Transmit Channel) Pad Patch Rx/Tx Ch (Pad Patch Receive/Transmit Channel) Transmit Program Change (Transmit Program Change Switch) Transmit Active Sensing (Transmit Active Sensing Switch) Remote Keyboard Sw (Remote Keyboard Switch) Patch Remain (Patch Remain Switch) Master Key Shift Mix/Parallel Output Gain Master Tune Local Switch Receive GS Reset (Receive GS Reset Switch) Receive Exclusive (Receive System Exclusive Switch) Receive Bank Select (Receive Bank Select Switch) Master Level Receive Program Change (Receive Program Change Switch) Receive GM System On (Receive GM System On Switch) Receive GM2 System On (Receive GM2 System On Switch) 193 Sound194 PreviewPatch Scale Tune for CB Scale Tune Switch Preview 14 Velocity Preview 14 Note Number Preview Mode Scale Tune Equal Temperament Just Temperament (Tonic of C) Arabian Scale SamplingVersion Info (Version Information) SRX Info (SRX Information) Memory Info (Memory Information) Features SRX/RAM Mode Power Up Mode Preset Default Load Start upSkip Back Time Trimming Switch External Source Select Gap Time Trigger Level Pre Sample Time Default File Type Sample Default Load 195 System Information196 Data Management Functions Reset to Default Factory Settings(Factory Reset)Factory Reset Backed Up (User Restore) Restoring User Data that You (User Backup) Backing Up User Data Basic Procedure 197 Playing in Piano Mode (Open/Close) Changing the Piano Sound Selecting from the Patch List Screen Selecting Patches by Category Selecting a Patch Selecting Piano Mode Cautions for Piano mode Playing in Piano Mode 198 Adjusting the Keyboard Touch Saving a Sound (Patch) Resonance (Resonance) (Key Touch) Adjusting the Depth of 199 Using Fantom-S Editor System Requirements (Windows) Requirements Fantom-S Editor System Using Fantom-S Librarian Making Connections Your Computer Installing Fantom-S Editor into 201 About V-LINK What is V-LINK? V-LINK Settings Connection Examples Turning the V-LINK ON/OFF 202 V-LINK Parameters Resetting the Image Installing the Wave Expansion Board 203 Installing the Wave Expansion Board205 Installation de la carte dexpansion WaveInstallation de la carte dexpansion Wave dexpansion Wave Installation dune carte dexpansion Wave Prcautions prendre lors de linstallation dune carte Installation de la carte dexpansion Wave 206 Vrification des cartes dextension audio aprs installation 207 Expanding the Memory Memory Precautions for Expanding How to Expand the Memory *A hex wrench is included with the Fantom-S88. When removing screws, you must use this hex wrench. Expanding the Memory Removing the Memory 208 Checking that memory is installed correctly Verify that the screen correctly shows the amount of memory you installed. Specifications of the expansion memory (DIMM) that can be used 209 Ajouter de la mmoire Prcautions prendre lors mmoire de lajout de mmoire Installation du module de (French Language for Canadian Safety Standard) Ajouter de la mmoire Retrait du module de mmoire 210 Vrifier que la mmoire est installe correctement 211 TroubleshootingThe sound is interrupted. Pitch is incorrect. The sound is distorted. Specific pitch ranges do not sound A specific Part does not sound There is no sound. Issues Related to SoundThe power does not turn on. Problems Concerning the Entire Fantom-S 213 Issues Related to Saving Data Issues Related to Effects 214 Issues Related to SequencerSound Device Tones Are Switched Arbitrarily Locate Positions set in song have disappeared. Song data does not play back correctly After recording, the song does not sound when I play it back. The tempo is different than the last time I played back the song. Data supposed to be present does not appear in microscope. Performances are sluggish, or have interruptions. 215 Issues Related to SamplingExclusive messages are not received. No Sound from connected MIDI device. Issues Related to MIDI and External Devices When using sequencing software, operating the knobs or other controls does not affect the sound. External input sound cannot be heard/volume is too low 216 I can't use a memory card Cant select data from a memory card Issues Related to a Memory CardCant record a sample Mic sound is not output/is too weak External input sound is not stereo/is not monaural Sampled sound contains excessive noise or distortion Specifications Expansion Slot 217 SpecificationsOthers Sequencer Section Sampling Section Sound Generator Section 218 IndexC B A Numerics 219 E D F 220 L K J I H G M 221 N O 222 P 223 R Q 224 S 225 T 226 W V U Z NOTICE AVIS FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENTCAUTION INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS. 227 IMPORTANT SAFETY INSTRUCTIONS SAVE THESE INSTRUCTIONSInformation 228 /Roland (Switzerland) AG As of July 1, 2003 (Roland) ARGENTINAInstrumentos Musicales S.A. BRAZIL MEXICOCasa Veerkamp, s.a. de c.v. PANAMA U. S. A. VENEZUELA AUSTRALIA Roland Corporation Australia Pty., Ltd. NEW ZEALAND HONG KONGTom Lee Music Co., Ltd. Service Division Parsons Music Ltd. INDIARivera Digitec (India) Pvt. Ltd. INDONESIA MALAYSIA PHILIPPINES G.A. Yupangco & Co. Inc. SINGAPORE TAIWANROLAND TAIWAN ENTERPRISE CO., LTD. THAILAND BAHRAIN VIETNAM JORDAN KUWAITEasa Husain Al Yousifi Est. LEBANON QATARAl Emadi Co. (Badie Studio & Stores) SAUDI ARABIAaDawliah Universal Electronics APL TURKEY Barkat muzik aletleri ithalat ve ihracat Ltd Sti U.A.E.Zak Electronics & Musical Instruments Co. L.L.C. EGYPT REUNION SOUTH AFRICAThat Other Music Shop (PTY) Ltd. Paul Bothner (PTY) Ltd. CYPRUSRadex Sound Equipment Ltd. DENMARK FRANCE FINLANDRoland Scandinavia As, Filial Finland GERMANY Roland Elektronische Musikinstrumente HmbH. GREECESTOLLAS S.A. Music Sound Light HUNGARY IRELAND ITALY NORWAYRoland Scandinavia Avd. Kontor Norge POLAND PORTUGALTecnologias Musica e Audio, Roland Portugal, S.A. RUSSIA SPAINRoland Electronics de Espaa, S. A. SWITZERLAND SWEDEN Roland Scandinavia A/S SWEDISH SALES OFFICE UKRAINE UNITED KINGDOM KOREA AUSTRIARoland Austria GES.M.B.H. BELGIUM/HOLLAND/ LUXEMBOURG AFRICA EUROPE AUSTRALIA/ NEW ZEALAND ASIA CENTRAL/LATIN AMERICA NORTH AMERICA MIDDLE EAST AFRICA OMNI MUSIC ROMANIA PARAGUAY COSTA RICAJUAN Bansbach CRISTOFORI MUSIC PTE LTD IRAN ISRAELHalilit P. Greenspoon & Sons Ltd. SYRIATechnical Light & Sound Center CANADA (Head Office) (Toronto Office) CHINA(BEIJING OFFICE) (GUANGZHOU OFFICE) Thank you, and congratulations on your choice of the Roland . /
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