MR16 Owner’s Manual (Track bouncing)
Mixing signals of inputs A through D
The MR16 can mix input signals of [INPUT A] through [INPUT D].
The following diagram shows an example of mixing signals of INPUT A through INPUT D when bouncing tracks 1 through 8 to tracks 9/10. As you can see, the signals of INPUT A through INPUT D are mixed to the L/R stereo buss together with the bounced signals.
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| Delay |
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| Reverb |
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| Track 1 Playback |
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| Track 2 Playback |
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| Track 3 Playback |
| Mastering |
| Track 4 Playback | Mixing | |
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| Track 5 Playback |
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| Track 6 Playback |
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| Track 7Playback |
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INPUT A | Track 8Playback |
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TRIM |
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INPUT B |
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INPUT C |
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INPUT D |
| Bouncing |
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| Track 9 Recording | STEREO OUT (L, R) | |
| Track 10 Recording | ||
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Connecting sound sources to INPUT A through INPUT D
Before starting track bouncing, connect the desired sound source(s) to any desired input(s) between INPUT A and INPUT D.
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INPUT A |
| INPUT B | INPUT C | INPUT D |
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BAL |
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| BAL |
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UNBAL | INSERT | UNBAL | UNBAL | UNBAL |
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/GUITAR |
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| TRIM |
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DISTORTION | PEAK |
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MIN MAX | LINE | MIC | LINE | MIC | LINE | MIC | LINE | MIC | [TRIM] control |
GUITAR |
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Adjust the input level of each input using the [TRIM] control to match the balance with the bounced track levels.
Also, you can adjust panning of each input for ste- reo mix. See the next page for details about how to set panning.
[TO STEREO BUSS] key setting
To send an input signal of any of the [INPUT A] through [INPUT D] to the stereo L/R buss, turn on the corresponding [TO STEREO BUSS] key and ad- just the send level using the [LEVEL] control.
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| TO STEREO BUSS LEVEL | |
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| MIN | MAX |
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| [TO STEREO BUSS] key |
| [LEVEL] control | |||||
When the [TO STEREO BUSS] key is turned on, the key illuminates in green. That is, when the key il- luminates, input signal is sent to the stereo L/R buss. (Note that when the key flashes, the corre- sponding input is assigned to any recording track.)
<Note>: If you press the [TO STEREO BUSS] key when make recording other than track bounc- ing, the key lamp may flash. This shows the input signal is routed to the armed track. That is, the input signal will be recorded to the armed track, in stead of mixed to the stereo buss.
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