MR16 Owner’s Manual (Application examples)

Application example 2 (Live)

As example 1, this example also uses the AUX OUT and TO STEREO BUSS functions. It is assumed that you want to do the following.

(1)You want to use the MR16 in the live performance of a band, which uses synchronization between the recorder tracks and keyboard live playing.

(2)The backing tracks (tracks 3 through 16) are played back by the MR16, while two keyboards are played live.

(3)A click (recorded on tracks 1 and 2) is fed to the keyboard players.

Connection between the MR16 and external units

To PA system

Keyboard 1

Keyboard 2

 

INPUT A

 

INPUT B

INPUT C

INPUT D

L

STEREO OUT

R

 

BAL

 

BAL

 

BAL

 

 

BAL

 

 

 

 

 

 

 

 

 

 

 

 

 

 

1

AUX OUT

2

UNBAL

INSERT

UNBAL

UNBAL

UNBAL

 

 

 

 

/GUITAR

 

 

 

 

 

 

 

 

 

 

 

 

 

 

1

PHONES

2

 

 

TRIM

 

TRIM

 

TRIM

 

 

TRIM

 

VOLUME

 

DISTORTION

PEAK

 

PEAK

 

PEAK

 

 

PEAK

 

 

MIN

MAX

LINE

MIC

LINE

MIC

LINE

MIC

LINE

MIC

 

MIN

MAX

 

GUITAR

 

 

 

 

 

 

 

 

 

 

 

 

 

INPUT A

 

INPUT B

INPUT C

INPUT D

 

 

 

 

TO STEREO BUSS LEVEL

MIN MAX

ROOM

HALL

PLATE

DELAY

BOUNCE MODE

15/16 > STEREO WAV FILE

INPUT EQ

EFFECT

BOUNCE

MIN

MAX

 

REVERB / DELAY TIME

 

Headphone amplifier

 

Headphone amplifier

 

 

 

POWER

MENU / ENTER

Operation procedure

•Set the output source of AUX OUT 1 to track "1".

•Set the output source of AUX OUT 2 to track "2".

See page 146 for details about how to make settings above.

•Set the panpot of INPUT A to "L10".

•Set the panpot of INPUT B to "R10".

•Set the panpot of INPUT C to "L10".

•Set the panpot of INPUT D to "R10".

See page 86 for details about how to make settings above.

•Turn on the [TO STEREO BUSS] keys for [INPUT A] through [INPUT D].

•Use the [To STEREO BUSS LEVEL] control to adjust the keyboard sound levels.

•Use the faders for tracks 3 through 16 to adjust the track signal levels.

•Turn down the faders for tracks 1 and 2 (because tracks 1 and 2 are click tracks).

<Notes>

•You can independently assign any one of tracks 1 through 16, the effect send and the internal click to AUX OUT 1 and AUX OUT 2 (you cannot assign more than one signal to each AUX OUT).

•You can set pan for each of INPUT A through D at the desired position between L10 and R10.

•The mixing levels of INPUTs A through D are collectively controlled by the [TO STEREO BUSS LEVEL] control.

•The balance among INPUTs A through D is adjusted using the TRIM control for each input channel or the output level control of each external device. If you do not want to mix any of the input channels, you can mute it.

•The input channel which is assigned to a recorder track for recording is not mixed.

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Fostex MR16 owner manual Application example 2 Live, 151
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MR16 specifications

The Fostex MR16 is a portable multi-track recorder that has gained popularity among musicians, sound engineers, and audio enthusiasts alike. This versatile device is designed for high-quality audio recording and playback, appealing to both professionals and hobbyists.

One of the standout features of the MR16 is its ability to record up to 16 tracks simultaneously. This makes it an ideal choice for band recordings, live performances, and studio sessions, allowing for a comprehensive capture of all instruments and vocals. With a 24-bit/96 kHz recording resolution, the device ensures superior sound quality, giving users the freedom to create rich and dynamic recordings.

The MR16 incorporates advanced digital technology, offering a user-friendly interface that facilitates quick navigation through its various functions. Floating menu systems make it easy to access recording settings, track management, and editing features. The built-in LCD screen displays essential information, including track levels, recording time, and battery life, ensuring users can monitor their sessions efficiently.

In terms of connectivity, the Fostex MR16 is equipped with multiple inputs and outputs, including XLR/TRS combo jacks for microphones and instruments, as well as digital I/O options. This flexibility allows users to connect various audio sources, whether it be guitars, keyboards, or microphones, making it suitable for diverse recording scenarios. The unit also features built-in effects, including reverb and EQ, enabling users to enhance their recordings on the fly.

The device is powered by either AC or battery, making it highly portable. Weighing only a few pounds, it can easily be transported to different locations, making it a preferred choice for musicians who perform in different venues. Additionally, the MR16 features a durable construction, ensuring it withstands the rigors of frequent use.

Another innovative aspect of the MR16 is its ability to integrate with computers. Users can easily transfer recorded tracks to their digital audio workstation for further editing or mixing. This compatibility opens the door for greater creative possibilities and allows for professional-level production.

Overall, the Fostex MR16 stands out as a powerful multi-track recorder with an impressive array of features and technologies. Its combination of portability, high-quality recording capabilities, and user-friendly design makes it an excellent choice for anyone looking to elevate their audio recording experience. Whether for personal projects or professional use, the MR16 continues to be a reliable tool in the music and sound industry.
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