Harman-Kardon AVR 235 owner manual Operation, Surround Mode Chart, Features, Delay Time Range

Operation

Surround Mode Chart

MODE	FEATURES	DELAY TIME RANGE
DTS Neo:6 Cinema	These two modes are available when any analog source is playing to create a six-channel	Delay time not adjustable
DTS Neo:6 Music	surround presentation from conventional Matrix-encoded and traditional Stereo sources. Select
	the Cinema version of Neo:6 when a program with any type of analog Matrix surround encoding
	is present. Select the Music version of Neo:6 for optimal processing when a nonencoded,
	two-channel stereo program is being played.
Dolby Virtual Speaker	Dolby Virtual Speaker technology uses a next-generation advanced algorithm to reproduce the	No surround channels
Reference	dynamics and surround sound effects of a precisely placed 5.1-channel speaker system using only
Wide	front left and right speakers. In the Reference Mode, the apparent width of the sound across
	the front image is defined by the distance between the two speakers. The Wide Mode
	provides a wider, more spacious front image when the two speakers areclose together.
THEATER	The THEATER mode creates a sound field that resembles the acoustic feeling of a	Delay time not adjustable
	standard live performance theater, with stereo and even pure mono sources.
HALL 1	The two Hall modes create sound fields that resemble a small (HALL1) or	Delay time not adjustable
HALL 2	medium sized (HALL 2) concert hall, with stereo and even pure mono sources.
VMAx Near	When only the two front-channel loudspeakers are used, Harman’s patented VMAx mode	No surround channels
VMAx Far	delivers a three-dimensional sound space with the illusion of “phantom speakers” at the
	center and surround positions. The VMAx N, or “Near Field” mode should be selected when
	your listening position is less than 1,5 m from the speakers. The VMAx F, or “Far Field” mode
	may be selected when your listening position is greater than 1,5 m from the speakers.
	The VMAx modes are also available using the Headphones Output 4. When headphones
	are being used, the Far Field mode will push the sound field away from your ears,
	reducing the “inside the head” sensation often experienced when using headphones.
5-Channel Stereo	This mode takes advantage of multiple speakers to place a stereo signal at both the front and	No delay available in
7-Channel Stereo	back of a room. Depending on whether the AVR has been configured for either 5.1 or 6.1/7.1	these modes
	operation, one of these modes, but not both, is available at any time. Ideal for playing music in
	situations such as a party, this mode places the same signal at the front-left and surround-left,
	and at the front-right and surround-right speakers. The center channel is fed a summed mono
	mix of the in-phase material of the left and right channels.
Surround Off (Stereo)	These modes turn off all surround processing and present the pure left- and right-channel	No surround channels
Surround Off (Bypass)	presentation of two-channel stereo programs. The Surround Off (Bypass) mode may only be
DSP Surround Off	used with analog source inputs, as it preserves the analog format of the audio signal for its
	entire path of travel through the receiver to the speaker and subwoofer outputs, bypassing
	all digital processing. Digital bass management is not available in Surround Off mode. The
	DSP Surround Off mode can be used with either an analog or digital input, as the signal
	undergoes digital bass management to optimize the distribution of the low frequencies
	between the main speakers and a subwoofer.
Dolby Headphone	Dolby Headphone enables ordinary stereo headphones to portray the sound of a five-speaker	No surround channels
DH1	surround-playback system. The DH1 mode creates headphone presentation that resembles a small,
DH2	well-damped room and is appropriate for use with both movies and music-only recordings.
DH3	The DH2 mode creates a more acoustically live room particularly suited to music listening.
	The DH3 mode creates a larger room, more like a concert hall or movie theater.

OPERATION 27