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1. Open all “light” images to be stacked in Maxim DL Essentials. Do this with
the Open command in the File menu.
2. Click on one of the opened images, and select Dark Subtract from the
Process menu. The averaged dark frame has now been subtracted from
the selected “light” image. Repeat this process for all of the “light” images
opened in Maxim DL Essentials.
3. Before these images are ready for stacking, they must be converted from
raw format to color format. To do this, click on one of the opened images
and select Covert Raw to Color from the Process menu. For convenience,
there is a button on the toolbar that you can click instead of using the
menu. Now, click the Reset Background Level and the Reset Scaling but-
ton (scaling can be used to fine-tune the color balance later on). Make sure
the Anti-Alias Filter box is not selected. Click OK. Repeat this for all the
open images.
You can save each image after dark frame subtraction and color conversion
(using Save from the File menu), or you can just save the final combined image
once the individual images have been stacked using the Combine function.
Note that the Light Color 1x1 mode is really just for quick previewing how
an image might look, and is generally not often used. For most astronomical
imaging, the Light Raw 1x1 is the mode that should be used; this allows for
Dark Raw 1x1 frame subtraction, with subsequent color conversion with the
Convert Raw to Color command.
Light and Dark Mono 2x2 Modes
For added convenience and versatility, the SSDSI-II’s individual pixels (light-
detecting sites) can be “binned” into units of two-by-two pixels (i.e. four indi-
vidual pixels create one binned 2x2 pixel). This creates larger and more sensi-
tive pixels, but with decreased resolution. This can be useful for some types
of astronomical imaging, such as capturing faint nebulae. It can also be useful
for quick-checking the aiming of the telescope or framing of objects within the
field of view of the camera before using the normal Light Raw 1x1 mode to
actually capture images.
To use in “2x2” mode, select Light Mono 2x2 mode for capturing “light”
images, and Dark Mono 2x2 mode to capture dark frames for averaging and
subtracting. Images can be combined and processed in the same way as Light
Raw 1x1 images, except the Convert Raw to Color command does not apply
(as the 2x2 images are monochrome only).
Image Processing
After you have captured and combined individual images (with or without dark
frame subtraction) into a single resultant image, you may want to perform
some additional image processing to bring out subtle details or to make the
image appear more pleasing overall. Maxim DL Essentials contains several
functions which serve to do this. These can be found in the Process menu
Make Pixels Square
This command provides a one-step adjustment of the image aspect ratio.
It uses the pixel aspect ratio determined by the file header and interpolates
the image to make the aspect ratio 1:1. This generally has a very mild affect
when applied to images. For best results, this function should be applied to
individual images before stacking (for best image alignment), but can be used
after stacking as well.
To use this function, simply select Make Pixels Square from the Process menu
for any image currently opened in Maxim DL Essentials.
Filter
Filtering an image is an operation that emphasizes certain characteristics of
an image while suppressing others. MaxIm DL Essentials supports two kinds
of filters: Unsharp Mask and Gaussian Blur. In the Filter window (Image 14)
select which one of these filter types you would like to apply
Unsharp Mask is a method of sharpening or high-pass filtering an image. It
amounts to subtracting a low-pass filtered version of an image from itself. The
low-pass filtered version is called the mask. The Low-Pass Filter itself can
be set to Mild or Strong for different effect. Use Mask Weight to control the
strength of the mask applied to the image. The Mask Weight is in percent; the
higher the number, the stronger the mask.
Gaussian Blur is a method of blurring an image. It can be used to suppress
noise in an image at the expense of sharpness. The Radius setting controls
the amount of blurring applied to the image. Increasing the radius increases
the amount of blur applied.
For best results, turn on the Auto Full Screen preview button, and adjust the
settings. This allows you to rapidly adjust the settings until you are satisfied
with the results. Then, click OK to actually apply the filter settings to the
image.
It is best to use a light touch with this command, to avoid over-processing the
image. Over-processing can create artifacts; i.e. features in the image that are
not real. It also amplifies the noise in the image.