System limitations of MDs

The recording system in your MD deck has the limitations described below. Note, however, that these limitations are due to the inherent nature of the MD recording system itself, not to mechanical causes.

“Disc Full” lights up before the MD has reached the maximum recording time (60 or 74 minutes)

When 255 tracks have been recorded on the MD, “Disc Full” lights up regardless of the total recorded time. More than 255 tracks cannot be recorded on the MD. To continue recording, erase unnecessary tracks or use another recordable MD.

“Disc Full” lights up before the maximum number of tracks (255) is reached

Fluctuations in emphasis within tracks are sometimes interpreted as track intervals, increasing the track count and causing “Disc Full” to light up.

The remaining recording time does not increase even after erasing numerous short tracks

Tracks shorter than 12 seconds are not counted, so erasing them may not increase the recording time.

Some tracks cannot be combined with others

Track combination may become impossible when tracks are shorter than 12 seconds.

The total recorded time and the remaining time on the MD do not add up to the maximum recording time (60 or 74 minutes)

Recording is done in minimum units of 2 seconds each, no matter how short the material. The recorded contents may be shorter than the maximum recording capacity. Disc space may also be reduced by scratches.

The sound may drop-out while searching the edited tracks

Tracks created through editing may exhibit sound dropout during searching because high-speed playback requires time to search for the position on the disc when the tracks are not in order.

Track numbers cannot be marked

When “LevelSync ON” (page 43) is displayed during analog recording, the track numbers may not be marked at the beginning of the track:

•if the input signal is below a certain fixed level for less than two seconds between tracks.

•if the input signal is below a certain fixed level for more than two seconds in the middle of the track.

Guide to the Serial Copy

Management System

Digital audio components, such as CDs, MDs, and DATs let you copy music easily with high quality, for these digital products process music as a digital signal.

To protect the copyrighted music programs, this system uses the Serial Copy Management System that allows you to make only a single copy of a digitally recorded source through digital-to-digital connections.

You can make only a first generation copy* through a digital-to-digital connection.

For example:

1 You can make a copy of a commercially available digital sound program (for example, a CD or MD), but you cannot make a second copy from the first- generation copy.

2 You can make a copy of a digital signal from a digitally recorded analog sound program (for example, an analog record or a music cassette tape) or from a digital satellite broadcast program, but you cannot make a second copy.

*A first-generation copy means a digital recording of a digital signal made on digital audio equipment. For example, if you record from this system’s CD player to the MD deck, you make a first-generation copy.

Notes

•This copy management system doesn’t apply when you make a recording through analog-to- analog connections.

•This system‘s MD deck supports 32 kHz or 48 kHz sampling frequency of the DAT deck or digital satellite broadcast programs as well as 44.1 kHz sampling rate of the MD deck. You can make a second copy from a digital recording of the satellite broadcast program.

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