Die Mehrkanal-Surroundanzeigen
Kanalanzeigen
Die Buchstaben (L, C, R usw.) zeigen die in der Signalquelle enthaltenen Kanäle an. An der Umrandung kann erkannt werden, ob und wie der Receiver die Kanäle (abhängig von der Lautsprecherkonfiguration) herunterrechnet. In den Modi HALL, JAZZ CLUB usw. wird Nachhall hinzugefügt.
Die folgende Tabelle zeigt die Anzeigen im Falle des AUTO FORMAT 
“ gekennzeichnet sind.
Aufzeichnungsformat
Anzeige der Signalquelle und der Ausgangskanäle
Wiedergabe mit Surroundklang
(Frontkanal/ | Eingangskanalanzeige | Alle Lautsprecher | Keine |
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| Kein |
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| Keine |
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Rückkanal) |
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| vorhanden |
| Rücklautsprecher | Centerlautsprecher | Centerlautsprecher | |||||||||||
1/0 | DOLBY DIGITAL [1/0] | aDIGITAL |
| C |
| aDIGITAL |
| C |
| aDIGITAL |
| C |
| aDIGITAL |
| C |
|
DTS [1/0] |
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| C |
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| C |
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| C |
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| C |
| |
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| dts |
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| dts |
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| dts |
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| dts |
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| |
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| DOLBY DIGITAL [2/0] |
| L |
| R |
| L |
| R |
| L |
| R |
| L |
| R |
2/0* |
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| |
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| L |
| R |
| L |
| R |
| L |
| R |
| L |
| R | |
| DTS [2/0] |
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| dts |
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| dts |
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| dts |
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| dts |
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3/0 | DOLBY DIGITAL [3/0] | aDIGITAL | L | C | R | aDIGITAL | L | C | R | aDIGITAL | L | C | R | aDIGITAL | L | C | R |
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| L C R |
| L C R |
| L C R |
| L C R | |||||||||
| DTS [3/0] |
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| dts |
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| dts |
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| dts |
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| dts |
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2/1 | DOLBY DIGITAL [2/1] | aDIGITAL | L | S | R | aDIGITAL | L | S | R | aDIGITAL | L | S | R | aDIGITAL | L | S | R |
DTS [2/1] |
| L |
| R |
| L |
| R |
| L |
| R |
| L |
| R | |
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| dts |
| S |
| dts |
| S |
| dts |
| S |
| dts |
| S |
| |
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| DOLBY DIGITAL [3/1] | aDIGITAL | L C R | aDIGITAL | L | C | R | aDIGITAL | L | C | R | aDIGITAL | L | C | R | ||
3/1 |
|
| S |
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| S |
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| S |
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| S |
| |
DTS [3/1] |
| L C R |
| L C R |
| L C R |
| L C R | |||||||||
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| dts |
| S |
| dts |
| S |
| dts |
| S |
| dts |
| S |
| |
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| DOLBY DIGITAL [2/2] | aDIGITAL | L |
| R | aDIGITAL | L |
| R | aDIGITAL | L |
| R | aDIGITAL | L |
| R |
2/2 |
| LS |
| RS |
| LS |
| RS |
| LS |
| RS |
| LS |
| RS | |
|
| L |
| R |
| L |
| R |
| L |
| R |
| L |
| R | |
| DTS [2/2] |
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| dts | LS |
| RS | dts | LS |
| RS | dts | LS |
| RS | dts | LS |
| RS | |
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| DOLBY DIGITAL [3/2] | aDIGITAL | L C R | aDIGITAL | L | C | R | aDIGITAL | L | C | R | aDIGITAL | L | C | R | ||
3/2 |
| LS |
| RS |
| LS |
| RS |
| LS |
| RS |
| LS |
| RS | |
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| L C R |
| L C R |
| L C R |
| L C R | |||||||||
| DTS [3/2] |
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| dts | LS |
| RS | dts | LS |
| RS | dts | LS |
| RS | dts | LS |
| RS | |
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2/0** | DOLBY DIGITAL [2/0] |
| L C R |
| L C R |
| L C R |
| L C R | ||||||||
PRO LOGIC |
| S |
| PRO LOGIC |
| S |
| PRO LOGIC |
| S |
| PRO LOGIC |
| S |
| ||
| DOLBY PROLOGIC |
| L C R |
| L C R |
| L C R |
| L C R | ||||||||
| PRO LOGIC |
| S |
| PRO LOGIC |
| S |
| PRO LOGIC |
| S |
| PRO LOGIC |
| S |
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| PCM XX kHz*** |
| L |
| R |
| L |
| R |
| L |
| R |
| L |
| R |
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*Signal, bei dem das Dolby
**Signale, bei denen das Dolby
***Die Abtastfrequenz wird angezeigt.
Hinweise
•Der Receiver führt eine Pro
•Bei Verwendung von
