A sound field is defined as the "characteristic sound reflections of a
particular space." In concert halls and other music venues, we hear
early reflections and reverberations as well as the direct sound
produced by the artist(s). The variations in the early reflections and
other reverberations among the different music venues is what gives
each venue its special and recognizable sound quality.
YAMAHA sent teams of sound engineers all around the world to
measure the sound reflections of famous concert halls and music
venues, and collect detailed sound field information such as the
direction, strength, range, and delay time of those reflections. Then
we stored this enormous amount of data in the ROM chips of this unit.
•Recreating a sound field
Recreating the sound field of a concert hall or an opera house requires localizing the virtual sound sources in your
listening room. The traditional stereo system that uses only two speakers is not capable of recreating a realistic sound
field. YAMAHA's DSP requires four effect speakers to recreate sound fields based on the measured sound field data.
The processor controls the strength and delay time of the signals output from the four effect speakers to localize the
virtual sound sources and fully encompass the listener.
The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in
mind that most of these are precise digital recreations of actual acoustic environments.
No. |
| Program |
|
|
|
|
|
|
|
|
|
|
|
| Features |
|
|
|
|
|
|
|
|
|
| |||
1 | CONCERT | HALL | A large | round | concert | hall | with | a rich | surround | effect. | Pronounced | reflections | from | all directions | ||||||||||||||
|
|
|
| emphasize | the | extension | of | sounds. | The sound | field | has | a great | deal | of | presence, | and | your | virtual | ||||||||||
|
|
|
| seat | is near | the | center, | close | to | the | stage. |
|
|
|
|
|
|
|
|
|
|
|
|
| ||||
2 | JAZZ | CLUB |
| This | is | the | sound | field | at | stage | front | in | "The | Bottom | Line", | a famous | New | York | jazz | club, | that | |||||||
|
|
|
| seats | up | to | 300 | people. Its | wide | left | to | right | seating | arrangement | offers | a real | and | vibrant | sound. | |||||||||
3 | ROCK | CONCERT | The | ideal program | for | lively, | dynamic | rock | music. | The | data | for | this | program | was | recorded | at | |||||||||||
|
|
|
| LA's | "hottest" | rock club. | The | listener's | virtual | seat | is at the |
| of | the | hall. |
|
|
4ENTERTAINMENT/This program recreates the acoustic environment of a lively disco in the heart of a big city. The
Disco | sound is dense and highly concentrated. | It is also characterized | by a | "immediate" |
| sound. |
|
|
|
ENTERTAINMENT/Using this program increases the listening position range. This is a sound field suitable for
6Ch Stereobackground music at parties, etc.
3O