TO RECORD A SOURCE TO TAPE (OR MD)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

4

 

 

1

 

2

 

NATURAL SOUND AV RECEIVER

 

 

CINEMA DSP

 

 

 

 

 

 

 

DIGITAL/

 

MOVIE

 

TV

 

 

EFFECT

 

 

 

 

 

 

 

 

 

 

PRO LOGIC

ENHANCED

THEATER

SPORTS

STADIUM

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

DISCO

ROCK

JAZZ CLUB

CHURCH

CONCERT

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

CONCERT

HALL

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

VOLUME

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

l6

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

VCR

TV/DBS

 

DVD/LD

20

l2

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

28

8

STANDBY/ON

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

TAPE/MD

 

 

VIDEO AUX

40

4

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

MONITOR

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

TUNER

PHONO

 

 

CD

60

2

 

 

A/B/C/D/E

1

2

 

 

3

 

4

 

 

5

6

 

7

8

 

 

 

 

 

 

0

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

–dB

PHONES

SPEAKERS

BASS

TONE

 

BASS

 

TREBLE

BALANCE

FM/AM

DOWN TUNING

DELAY/CENTER

SET

 

VIDEO AUX

 

A

B

EXTENSION BYPASS

 

l

0

l

 

l

0

l

l

0

l

UP /REAR/SWFR

MENU

 

 

 

 

 

 

 

 

2

 

 

2

2

 

 

2

2

 

2

 

TUNING

 

 

 

 

 

 

 

 

 

 

3

 

 

3

3

 

 

3

3

 

3

MEMORY

EDIT MODE

 

 

 

 

 

 

ON

OFF

ON

OFF

4

 

 

4

4

 

 

4

4

 

4

 

 

 

 

 

 

 

 

 

 

 

 

 

 

5

 

5

 

5

 

5

L 5

 

5 R

MAN’L/AUTO FM

AUTO/MAN’L MONO

 

 

S VIDEO

VIDEO

L AUDIO R

Note: If you will use the remote control transmitter, be sure to use it with the lid open.

1 Select the source to be recorded.

Front panel

 

Remote control

TV/DBS

DVD/LD

 

 

 

 

DVD/LD

 

 

or

 

 

VIDEO

 

 

2 Play the source and then turn the VOLUME control up
to confirm the input source. (For detailed information
on the tuning operations, refer to the page 32.)

 

Front panel

 

Remote control

 

VOLUME

 

 

 

l6

 

MASTER VOLUME

 

20

l2

 

28

 

8

 

40

 

or

MUTE

 

4

 

602

0

–dB

3 Begin recording on the tape deck (or MD recorder etc.) or VCR connected to this unit.

4 If the tape deck (or MD recorder etc.) is used for recording, you can monitor the sounds being recorded by pressing TAPE/MD MONITOR so that the “TAPE MONITOR” indicator lights up on the display.

Front panel

Remote control

TAPE/MD

MONITOR

TAPE

or

TUNER PHONO

REC/PAUSE

 

A/B

A

4

 

 

 

TAPE

 

 

 

 

CD

 

 

 

 

TUNER

 

A

DIR

B

VCR

 

STOP

 

DISC

B

 

 

 

 

DVD/LD

1

 

 

 

TV/DBS

 

 

 

C

 

PRESET

 

A/B/C/D/E

 

 

DIGITAL/

ENHANCED

MOVIE

 

 

PRO LOGIC

THEATER

 

 

1

2

3

V-AUX

 

TV

STADIUM

DISCO

 

 

SPORTS

 

 

4

5

6

PHONO

 

ROCK

JAZZ CLUB

CHURCH

 

 

7

8

9

EFFECT

 

HALL

+10

TEST

ON/OFF

 

 

 

0

 

 

 

 

TIME/LEVEL

 

 

DELAY

 

 

 

 

CENTER

 

 

 

 

REAR

 

 

 

 

SWFR

 

 

 

 

 

SET MENU

 

 

2

SLEEP

 

 

 

 

SYSTEM

MASTER VOLUME

 

 

TV

POWER ON

 

MUTE

VCR

STANDBY

Notes

The settings of DSP and the VOLUME, BASS, TREBLE, BALANCE controls and the BASS EXTENSION switch have no effect on the material being recorded.

Composite video and S video signals pass independently through this unit’s video circuits. Therefore, when recording or dubbing video signals, if your video source unit is connected to provide only a S video (or only a composite video) signal, you can record only a S video (or only a composite video) signal on your VCR.

A source that is connected to this unit between digital terminals only cannot be recorded by a tape deck or VCR connected to this unit.

Please check the copyright laws in your country to record from records, compact discs, radio, etc. Recording of copyright material may infringe copyright laws.

If you watch a video software that uses scramble or encoded signals to prevent it from being dubbed, there may be a case that display information superimposed on the picture and/or the picture itself is disturbed due to those signals.

30