Operation
Table 4-1. Aspect Ratio Settings (continued)
Aspect Ratio |
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Cinema |
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| Select Cinema to view 2.35 source material |
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| in its native aspect ratio. |
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| With a 16:9 screen and a |
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| 2.35:1 Image on |
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| projector (no anamorphic lens), the upper |
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| and lower portions of the screen are | |
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| 16:9 Screen |
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| (without CineWide) |
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| masked, but the geometry of the active |
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| image area is unchanged. |
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| With a 2.35:1 screen and a |
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| 2.35:1 Image on |
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| Controller vertically stretches the 2.35 |
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| 2.35:1 Screen |
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| image so that the active image area fills the |
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| (with CineWide) |
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| 16:9 chip surface, eliminating the black |
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| bars. The secondary anamorphic lens then |
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| stretches the image back to 2.35:1. |
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Virtualwide 2.35 |
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| A 16:9 image is scaled |
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| on the sides than in the center) to fit a |
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| 16:9 IImage on |
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| 2.35:1 screen. |
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| 22..35:1 Screen |
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| Virtualwide 2.35 is available only on the |
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| 16:9 Image on |
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| analog inputs (HD/RGB, SD Component, |
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| 2.35:1 Screen with |
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| Composite and |
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| VirtualWide 2.35 |
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Use the controls in the Picture Menu to calibrate your
The
All signal types require separate processing. Therefore, you need to calibrate each input separately.
When you change a picture quality setting, save the change to a
Note preset afterwards. Otherwise, the change will be lost when a different input is selected. (Picture quality settings are saved for each input and resolution separately.) For information about saving settings, refer to ISF Presets on page 58.
Picture
Picture
Brightness
Contrast
Color
Tint
Sharpness
Runco | 53 |