Shure DP11EQ manual Delay for Solving Remote Speaker Alignment

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DELAY

There are some potential problems with the arrival of sound in systems utilizing multiple loudspeakers. The DP11EQ Delay is designed to solve two of these problems: remote speaker alignment and phase cancellation.

Delay for Solving Remote Speaker Alignment

AMPLIFIER

A

AMPLIFIER

DP11EQ

WITH DELAY

B

AMPLIFIER

MIXER

AMPLIFIER

MIXER

Problem: Illustration A Ð Some larger sound systems may utilize loudspeaker fill systems. One loudspeaker may not be enough for a large hall because of power limitations, so a fill loudspeaker may be placed farther in front of the main speaker to augment the sound from the main loudspeaker. This may cause the sound from the fill loudspeaker to arrive at the listener earlier than that from the main loudspeaker. To the audience, it will seem like the sound is coming from the wrong place when the sound from the fill loudspeaker arrives first.

Solution: Illustration B Ð The delay in the DP11EQ can be used to solve this problem. Place a DP11EQ along the audio path to the amplifier of the fill loudspeaker, then set it to the proper amount of delay. The DP11EQ with Delay will hold that audio signal in memory, releasing it to the fill loudspeaker only when it is in time with the sound from the main loudspeaker, so the sound from both loudspeakers will arrive at the audience at the same time. Now, the audience will perceive the sound coming from the correct place.

Delay for Solving Phase Cancellation Problems

A

MIXER

AMPLIFIER

B

MIXER

AMPLIFIER

DP11EQ AMPLIFIER

WITH DELAY

AMPLIFIER

Problem: Illustration A Ð Phase cancellation can occur when two loudspeakers are near each other but not precisely time aligned. The two speakers can be seen in the illustration above. The waves represent the sound coming from each. The sound waves coming from the main and remote loudspeakers are out of phase. Because they are out of phase, the sounds interfere with each other, degrading audio quality. The illustration above shows how sound waves cross, causing phase cancellations.

Solution: Illustration B Ð The DP11EQ Delay can be used to stall the signal to loudspeaker B just long enough so that when it does come out, it is in phase with the sound from the loudspeaker A. When in phase, the waves reinforce each other to maintain audio quality. Illustration B shows how the DP11EQ delay works in a sound system.

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Contents DP11EQ Table of Contents Software Features Hardware FeaturesIntroduction Front Panel DP11EQ HardwareOverview BackDIP Switches Shure Link Device IDMain Amplifier Audio ConnectionsSubgroup Insert Input Insert DP11EQ Software Connecting the DP11EQ to a Computer via the RS-232 COM PortSoftware Installation IntroductionAccessing the Connected DP11EQs Configuring the Computer Serial PortShure Program Group Overview Main Controls Processor Select ButtonsDynamics Processor Dynamics Parameters Gate Dynamics ProcessesExpander AGC Leveler Compressor LimiterSnapshots Editing Dynamics ProcessesParametric Equalizer Parametric Equalizer Edit Boxes and Controls Setting and Adjusting Parametric FiltersHigh- and Low-Frequency Shelf/Cut Filters Response Graph Cutting, Copying, and Pasting Parametric FiltersIN/OUT Meters and Output Control Meter CalibrationDelay for Solving Remote Speaker Alignment DelayDelay for Solving Phase Cancellation Problems Setting Delay by Time Reversing the Output Signal PolaritySetting Delay by Distance Shure Link Options Shure Link NetworksShure Link Connections Shure Link Device MenuMaintenance ScenesTo Recall Settings from Disk SettingsTo Save Settings to Disk Customizing Graph ColorsLocking Out the Front Panel Appendix A. SpecificationsPrinting DP11EQ Settings Exiting the DP11EQ ApplicationDelay Dual-Mounted Units Appendix B. Rack Mounting the DP11EQSingle Unit Mounting in an Equipment RackAudio Connectors Appendix C. Connectors and CablesAudio Cables In. Balanced to 1/4 -in. Unbalanced In. to 1/4 -in. BalancedIn. to 1/4 -in. Unbalanced XLR male to 1/4 -in. BalancedXLR female to 1/4 -in. Unbalanced XLR female to 1/4 -in. BalancedRCA to 1/4 -in. Unbalanced Computer Interface Ð 9-Pin to 25-Pin RS-232 Cable Digital Connectors and CablesComputer Interface Ð 9-Pin to 9-Pin RS-232 Cable Shure Link Cable Ð 5-Pin DIN Cable MIDI-compatible cableAppendix D. Keyboard Controls General ControlsIN/OUT Meters and Output Slider Controls Parametric Equalizer Controls