Menu Screen Explanations | EN27 | |||||||
|
|
| ||||||
|
|
|
|
|
|
| ||
|
|
| FADER/WIPE | Refer to “Fade/Wipe Effects” ( pg. 34, 35). |
| |||
|
|
|
|
| ||||
|
|
|
|
|
|
| ||
|
|
| P.AE/EFFECT | Refer to “Programme AE With Special Effects” ( pg. 36). |
|
| ||
|
|
|
|
|
|
| ||
|
|
| W.BALANCE | Refer to “White Balance Adjustment” and “Manual White Balance Operation” |
|
| ||
|
|
|
|
| ||||
|
|
|
|
| ( pg. 39). |
|
|
|
|
|
|
|
|
|
| ||
|
|
| REC MODE | Allows you to set the recording mode (SP or LP) depending on your |
|
| ||
|
|
|
|
| preference ( pg. 11). |
|
|
|
|
|
|
|
|
|
| ||
|
|
| SOUND | 12 BIT | Enables video recording of stereo sound on four separate channels, and is |
|
| |
|
|
| MODE |
| recommended for use when performing audio dubbing. (Equivalent to the 32 |
| ||
|
|
|
|
| kHz mode of previous models) |
|
|
|
|
|
|
| 16 BIT | Enables video recording of stereo sound on two separate channels. (Equivalent |
|
| |
|
|
|
|
| to the 48 kHz mode of previous models) |
| ||
|
|
|
|
|
|
| ||
|
|
| ZOOM | 10X | When set to “10X” while using digital zoom, the zoom magnification will |
|
| |
|
|
|
|
| reset to 10X since digital zoom will be disengaged. |
| ||
|
|
|
|
|
|
| ||
|
|
|
| 40X | Allows you to use the Digital Zoom. By digitally processing and magnifying |
|
| |
|
|
|
|
| images, zooming is possible from 10X (the optical zoom limit), to a maximum |
| ||
|
|
|
|
| of 40X digital magnification. |
|
|
|
|
|
|
| 200X | Allows you to use the Digital Zoom. By digitally processing and magnifying |
|
| |
|
|
|
|
| images, zooming is possible from 10X (the optical zoom limit), to a maximum |
| ||
MENU |
|
| of 200X digital magnification. |
|
|
| ||
|
|
|
|
|
| |||
SNAP | FULL | Refer to “Snapshot (For Video Recording)” ( pg. 18). |
|
| ||||
|
|
|
| |||||
|
|
| MODE |
|
|
|
|
|
CAMERA |
|
|
|
| ||||
|
|
|
|
| ||||
|
|
|
| |||||
GAIN UP | AGC | The overall appearance may be grainy, but the image is bright. |
|
| ||||
|
|
| OFF | Allows you to shoot dark scenes with no picture brightness adjustment. |
| |||
|
|
|
|
|
|
|
|
|
|
|
|
| AUTO | The shutter speed is automatically adjusted (1/25 — 1/200 sec.). Shooting a |
|
| |
|
|
|
|
| subject in low or poor lighting at 1/25 sec. shutter speed provides a brighter |
| ||
|
|
|
|
| image than in the AGC mode, but the subject’s movements are not smooth or |
| ||
|
|
|
|
| natural. The overall appearance may be grainy. When shooting a subject in |
| ||
|
|
|
|
| low lighting in this mode, “ | ” is displayed. |
| |
|
|
| BEEP/ | ON: MEL. | The tally lamp comes on to signal the start of recording. Instead of a beep, a |
|
| |
|
|
| TALLY |
| melody sounds when any operation is performed. It also activates the shutter |
| ||
|
|
|
|
| sound effect ( pg. 18, 19). |
|
|
|
|
|
|
| ON:BEEP | The tally lamp comes on to signal the start of recording. |
| ||
|
|
|
|
| The beep sounds when the power is turned on or off, and at the beginning and end |
| ||
|
|
|
|
| of recording. Also to activate the shutter sound effect ( pg. 18, 19). |
| ||
|
|
|
|
|
|
| ||
|
|
|
| OFF | The tally lamp remains off at all times. |
|
| |
|
|
|
|
| Even though not heard while shooting, shutter sound is recorded on the tape. |
| ||
|
|
|
|
|
|
| ||
|
|
| ID | This number is necessary when connecting the camcorder to a device such as a computer |
|
| ||
|
|
| NUMBER | using the J terminal (JLIP). The numbers range from 01 to 99. Factory setting is 06. |
| |||
|
|
|
|
|
|
|
|
|
:
NOTE:
The “ CAMERA MENU” settings are effective when the Operation Switch is set to both “ ” and “ ”.
CONTINUED ON NEXT PAGE