42 EN | RECORDING MENUS (cont.) | ||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Makes evening scenes look more natural. White Balance |
|
|
|
|
|
|
| ( pg. 42, 56) is automatically set to “ ”, but can be changed to |
|
|
|
|
|
| TWILIGHT | your desired setting. When Twilight is chosen, the camcorder |
|
|
|
|
|
| automatically adjusts the focus from approx. 10 m to infinity. From | |
|
|
|
|
|
|
| |
|
|
|
|
|
|
| less than 10 m, adjust the focus manually. The flash does not fire in |
|
|
|
|
|
|
| this mode. |
|
|
|
|
|
|
|
|
|
|
|
|
|
| SEPIA | Recorded scenes have a brownish tint like old photos. Combine this |
|
|
|
|
|
| with the Cinema mode for a classic look. | |
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
| MONOTONE | Like classic black and white films, your footage is shot in B/W. Used |
|
|
|
|
|
| together with the Cinema mode, it enhances the “classic film” effect. | |
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
| CLASSIC FILM* | Gives recorded scenes a strobe effect. |
|
|
|
|
|
|
|
|
|
|
|
|
|
| STROBE* | Your recording looks like a series of consecutive snapshots. |
|
|
|
|
|
|
|
|
|
|
|
|
|
| MIRROR* | Creates a mirror image on the left half of the screen, juxtaposed to |
|
|
|
|
|
| ||
|
|
|
|
|
| the normal image on the other half. | |
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
* Available only when the VIDEO/MEMORY Switch is set to “VIDEO”.
White Balance Adjustment
|
|
|
|
|
| W. BALANCE | ( |
| : | |
|
|
|
|
|
|
| ||||
For details, refer to “White Balance Adjustment” ( pg. 56). |
|
| ||||||||
|
|
|
|
|
|
|
|
|
|
|
| — | AUTO |
| White balance is adjusted automatically. |
|
| ||||
|
|
|
|
|
| MWB |
| Adjust the white balance manually when shooting under various types of lighting. | ||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| FINE |
| Outdoors on a sunny day. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| CLOUD |
| Outdoors on a cloudy day. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| HALOGEN |
| A video light or similar type of lighting is used. |
|
|
|
|
|
|
|
|
|
|
|
|
|