Roland VM-7200, VM-7100 manual Paramètres Multi

Page 38

Equipement MIDI

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00 00 03 28 - 46 Input ATT(0dB:64[40H]) -24dB,,,+6dB ——————————+—————————+———————————————————————————————————————————————————

00 00 04 00 - 01 Input Phase SwNorm,Inv ——————————+—————————+———————————————————————————————————————————————————

00 00 05 00 - 01 Input Phase Delay SwOff,On ——————————+—————————+———————————————————————————————————————————————————

00 00

06

0aaaaaaa

Input Phase Delay Time (*4)

00 00

07#

0bbbbbbb

 

0,,,14400sample

——————————+—————————+———————————————————————————————————————————————————

00 00

08

0aaaaaaa

Input Feedback Delay Time (*4)

00 00

09#

0bbbbbbb

 

2,,,14400sample

——————————+—————————+———————————————————————————————————————————————————

00 00 0A 00 - 01 Input Feedback Delay SwOff,On ——————————+—————————+———————————————————————————————————————————————————

00 00 0B 00 - 7F Input Feedback Delay Fb Level

0,,,127

——————————+—————————+———————————————————————————————————————————————————

00 00 0C 00 - 01 Input Feedback Delay Fb PhaseNorm,Inv ——————————+—————————+———————————————————————————————————————————————————

00 00 0D 00 - 7F Input Feedback Delay Eff Level

0,,,127

——————————+—————————+———————————————————————————————————————————————————

00 00 0E 00 - 01 Input Feedback Delay Eff Phase Norm,Inv ——————————+—————————+———————————————————————————————————————————————————

00 00 0F 00 - 7F Input Feedback Delay Dir Level

0,,,127

——————————+—————————+———————————————————————————————————————————————————

00 00 10

04 - 4C

Input Feedback Delay HFD Gain (*2)

-30.0dB,,,+6.0dB

——————————+—————————+——————————————————————————————————————————————————— 00 00 11 2C - 7C Input Feedback Delay HFD Freq (*1) 200,,,20kHz ——————————+—————————+———————————————————————————————————————————————————

00 00 12

04 - 4C

Input Feedback Delay LFD Gain (*2)

-30.0dB,,,+6.0dB

——————————+—————————+———————————————————————————————————————————————————

00 00 13 04 - 54 Input Feedback Delay LFD Freq (*1) 20,,,2kHz ——————————+—————————+———————————————————————————————————————————————————

00 00 14 00 - 01 Input HPF SwOff,On ——————————+—————————+———————————————————————————————————————————————————

00 00 15 04 - 54 Input HPF Cut Off Freq (*1)20,,,2kHz ——————————+—————————+———————————————————————————————————————————————————

00 00 16 00 - 01 Input EQ SwOff,On ——————————+—————————+———————————————————————————————————————————————————

00 00 17 22 - 5E Input EQ Hi Gain (*2) -15.0dB,,,+15.0dB ——————————+—————————+———————————————————————————————————————————————————

00 00 18 48 - 7C Input EQ Hi Freq (*1)1k,,,20kHz ——————————+—————————+———————————————————————————————————————————————————

00 00 19 22 - 5E Input EQ HiMid Gain (*2) -15.0dB,,,+15.0dB ——————————+—————————+———————————————————————————————————————————————————

00 00 1A 38 - 7C Input EQ HiMid Freq (*1)400,,,20kHz ——————————+—————————+———————————————————————————————————————————————————

00 00 1B 00 - 21 Input EQ HiMid Q (*3)

0.355,,,16.0

——————————+—————————+———————————————————————————————————————————————————

00 00 1C

00 - 05

Input EQ LoMid Type

Off,LPF,BPF,HPF,

 

Notch,Peak

——————————+—————————+———————————————————————————————————————————————————

00 00 1D 22 - 5E Input EQ LoMid Gain (*2) -15.0dB,,,+15.0dB ——————————+—————————+———————————————————————————————————————————————————

00 00 1E 04 - 6C Input EQ LoMid Freq (*1)20,,,8kHz ——————————+—————————+———————————————————————————————————————————————————

00 00 1F 00 - 21 Input EQ LoMid Q (*3)

0.355,,,16.0

——————————+—————————+———————————————————————————————————————————————————

00 00 20 00 - 7F Input EQ LoMid Resonance

0,,,127

——————————+—————————+———————————————————————————————————————————————————

00 00 21 22 - 5E Input EQ Lo Gain (*2) -15.0dB,,,+15.0dB ——————————+—————————+———————————————————————————————————————————————————

00 00 22 04 - 54 Input EQ Lo Freq (*1)20,,,2kHz ——————————+—————————+———————————————————————————————————————————————————

00 00 23 00 - 01 Input Mute SwNorm,Mute ——————————+—————————+———————————————————————————————————————————————————

00 00 24 00 - 7F Input Master Fader Level

0,,,127

——————————+—————————+———————————————————————————————————————————————————

00 00 25 00 - 01 Input Main Send SwOff,On ——————————+—————————+———————————————————————————————————————————————————

00 00 26 01 - 7F Input Main Send Pan

L63,,,R63

——————————+—————————+———————————————————————————————————————————————————

00 00 27 00

-

02

Input Cue Send Sw

PreEQ,PreFader,PostFader

(40

-

42)

 

bit6 : 0:Off,1:On

——————————+—————————+———————————————————————————————————————————————————

00 00 28 00 - 7F Input Cue Send Level

0,,,127

——————————+—————————+———————————————————————————————————————————————————

00 00 29 01 - 7F Input Cue Send Pan

L63,,,R63

——————————+—————————+———————————————————————————————————————————————————

00 00 2A 00 - 01 Input Cue Send Pan SlaveOff,On ——————————+—————————+———————————————————————————————————————————————————

00 00

2B

00

- 02

Input Bus 1 Send Sw

PreEQ,PreFader,PostFader

 

(40

- 42)

bit6 : 0:Off,1:On

 

:

 

 

:

:

 

 

00 00

36

00

- 02

Input Bus 12 Send Sw

PreEQ,PreFader,PostFader

 

(40

- 42)

bit6 : 0:Off,1:On

——————————+—————————+———————————————————————————————————————————————————

00 00 37

00

-

7F

Input

Bus 1 Send Level

0,,,127

 

:

 

 

:

 

 

 

:

 

00 00 42

00

-

7F

Input

Bus 12 Send Level

——————————+—————————+———————————————————————————————————————————————————

00 00

43

01

-

7F

Input

Bus 1 Send Pan

L63,,,R63

 

 

:

 

 

:

 

 

 

:

 

00 00

4E

01

-

7F

Input

Bus 12 Send Pan

——————————+—————————+———————————————————————————————————————————————————

00 00

4F

00

-

01

Input

Bus 1 Send Pan Slave

Off,On

 

 

:

 

 

:

 

 

 

:

 

00 00

5A

00

-

01

Input

Bus 12 Send Pan Slave

——————————+—————————+———————————————————————————————————————————————————

00 00 5B 00

-

02

Patch Bay Send Sw

PreEQ,PreFader,PostFader

(40

-

42)

 

bit6 : 0:Off,1:On

——————————+—————————+———————————————————————————————————————————————————

00 00 5C 00

(Réservé)

:

:

 

+————————————————————————————————————————————————————————————————————————+

(

1)

Référe

-vous à “Données MIDI - Ta

le de fréquences d’égalisation du mixer”

(

2)

Référe

-vous à “Données MIDI - Ta

le des gains d’égalisation du mixer”

(

3)

Référe

-vous à “Données MIDI - Ta

le des andes Q d’égalisation du mixer”

(

4)

(Phase Delay Time) + (Feed ack Delay Time) ne peut dépasser 15000.

❍2-3. Paramètres Multi In

+————————————————————————————————————————————————————————————————————————+

Adresse

 

Offset

Données

Contenus et remarques

==========+=========+===================================================

00 00 00 00 - 01 MultiIn Channel Link SwOff,On ——————————+—————————+———————————————————————————————————————————————————

00 00 01 00

-

17 MultiIn Group Fader Assign

Ch1,,,Ch24

(40

-

57)

bit6 : 0:Off,1:On

——————————+—————————+———————————————————————————————————————————————————

00 00 02 00

-

17 MultiIn Select

Tr1,,,Tr24

(40

-

57)

bit6 : 0:Off,1:On

——————————+—————————+———————————————————————————————————————————————————

00 00 03 28 - 46 MultiIn ATT(0dB:64[40H]) -24dB,,,+6dB ——————————+—————————+———————————————————————————————————————————————————

00 00 04 00 - 01 MultiIn Phase SwNorm,Inv ——————————+—————————+———————————————————————————————————————————————————

00 00 05 00 - 01 MultiIn Phase Delay SwOff,On ——————————+—————————+———————————————————————————————————————————————————

00 00

06

0aaaaaaa MultiIn Phase Delay Time (*4)

00 00

07#

0bbbbbbb

0,,,14400sample

——————————+—————————+———————————————————————————————————————————————————

00 00

08

0aaaaaaa MultiIn Feedback Delay Time (*4)

00 00

09#

0bbbbbbb

2,,,14400sample

——————————+—————————+———————————————————————————————————————————————————

00 00 0A 00 - 01 MultiIn Feedback Delay SwOff,On ——————————+—————————+———————————————————————————————————————————————————

00 00 0B 00 - 7F MultiIn Feedback Delay Fb Level

0,,,127

——————————+—————————+———————————————————————————————————————————————————

00 00 0C 00 - 01 MultiIn Feedback Delay Fb Phase Norm,Inv ——————————+—————————+———————————————————————————————————————————————————

00 00 0D 00 - 7F MultiIn Feedback Delay Eff Level

0,,,127

——————————+—————————+———————————————————————————————————————————————————

00 00 0E 00 - 01 MultiIn Feedback Delay Eff Phase Norm,Inv ——————————+—————————+———————————————————————————————————————————————————

00 00 0F 00 - 7F MultiIn Feedback Delay Dir Level

0,,,127

——————————+—————————+———————————————————————————————————————————————————

00 00 10

04 - 4C

MultiIn Feedback Delay HFD Gain (*2)

-30.0dB,,,+6.0dB

——————————+—————————+——————————————————————————————————————————————————— 00 00 11 2C - 7C MultiIn Feedback Delay HFD Freq (*1) 200,,,20kHz ——————————+—————————+———————————————————————————————————————————————————

00 00 12

04 - 4C

MultiIn Feedback Delay LFD Gain (*2)

-30.0dB,,,+6.0dB

38

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Contents Mode D’EMPLOI RolandPour le Canada Consignes DE Securité Precautions Fonctions principales Installation des optionsSommaire Connexions de baseAlimentation électrique EmplacementMaintenance Précautions additionnellesUne panoplie complète de connecteurs d’entrée/sortie Jusqu’à 9 groupes d’effets stéréo avec la VS8F-2 installéeUn concept révolutionnaire systèmes indépendants Permet d’utiliser jusqu’à 9 effets stéréo étonnantsPrises d’entrée analogique Différences entre VM-7200 et VM-7100Equipé d’un analyseur de spectre Prises de sortie analogiqueFace avant InputCtrl Control Servir lorsque Digital a in est utiliséServir lorsque Digital B in est utilisé Face arrièreRecevoir et émettre des signaux audio analogiques Cache arrière VM-24C RolandPrécautions à prendre lors de l’installation des options Installation d’un processeur d’effets VS8F-2Installation des connecteurs VM-24E du R-BUS RMDB2 Installation des optionsArrière. Conserve le cache arrière en lieu s r Installation du kit Cascade VM-24C 0965Changement du système de montage en rack RO-7000 Connexion à la console VM-LINK Connexion à la VM-C7200Connexion à la VM-C7100 02eChe Mute ALL Outputs Mise sous tensionCoupure Extinction Mise hors tension 07eDifférentes configurations de connexion Précautions pour connecter des microphonesEmploi d’effets externes Insert ’étape07e Connexion du DIF-AT Roland Connexion R-BUS RMDB2 Connexion de l’adat AlesisConnexion de la gamme DA Tascam 09eConnexion de deux processeurs Connexion en cascade 10eConnexion pour transmission de Word Clock 11eLe son souffre de bruit ou de distorsion Pas de sonPas de son d’une voie spécifique ’effet ne s’applique pas Impossible de faire la connexion en cascadePression polyphonique Données transmises et reconnues Réception de donnéesMessage de voix par canal Changement de contrôleurCe message est reçu dans les cas suivants Ce message est transmis dans les cas suivantsCe message est transmis dans le cas suivant Pitch bendEntrée de donnée MSB/LSB Augmentation de la valeurPropos de l’identification de modèle Model ID Messages de système exclusifMessages exclusifs universels Propos de l’identification d’unité Device IDTransfert de données RQ1, DT1 Données Midi Table des bandes Q d’égalisation du mixer Tableau d’adressage pour le transfert des donnéesDonnées Midi Table de fréquences d’égalisation du mixer Données Midi Table de gains d’égalisation du mixerParamètres d’entrée Input Bloc MixerParamètres du pré-ampli Paramètres Multi Paramètres d’intercommunication Talkback Paramètres des busParamètres du Fader Group Master Paramètres des sorties OutputParamètres Solo Paramètres de la section d’effetsParamètres de diffusion Dither Paramètres de la section Master EffectParamètres de mise en cascade Paramètres GEN/OSCBloc d’effets Adresse de base Paramètres Level Meter / AnalyzerParamètres divers 38Stero 2Band Dynamics 39Dual Mono Dynamics NameParameter Area See Below 39Dual Mono Dynamics +---------+ Algorithme 1 Delay Algorithme 0 ReverbAlgorithme 2 Stereo Delay Chorus Algorithme 3 Stereo Pitch Shifter DelayAlgorithme 5 2CH RSS Algorithme 6 Delay RSSAlgorithme 4 Vocoder Individuel Algorithme 8 Guitar Multi Algorithme 7 Chorus RSSCommuns aux algorithmes 8, 9, 10 Guitar Multi 1, 2 Algorithme 11 Vocal Multi Individuel Algorithme 9 Guitar MultiIndividual Algorithm 10 Guitar Multi Algorithme 13 Guitar AMP Simulator Algorithme 14 Stereo PhaserAlgorithme 12 Rotary Algorithme 16 Dual Compressor/Limiter Algorithme 15 Stereo FlangerAlgorithme 18 Multi Tap Delay Algorithme 17 Gate ReverbAlgorithme 19 Stereo Multi Algorithme 20 Reverb Algorithme 21 Space ChorusAlgorithme 22 Lo-Fi Processor Algorithme 23 4 Band Parametric EQAlgorithme 24 10 Band Graphic EQ Algorithme 25 Hum CancelerAlgorithme 26 Vocal Canceler Algorithme 27 Voice Transformer FX1, FX3, FX5 ou FX7 Algorithme 28 Vocoder 2 FX1, FX3, FX5 ou FX7Algorithme 29 Mic Simulator Algorithme 30 3 Band IsolatorAlgorithme 34 FFT FX1, FX3, FX5 ou FX7 Algorithme 33 Analog PhaserAlgorithme 31 Tape Echo Algorithme 32 Analog FlangerAlgorithme 36 Mastering Tool Kit FX1, FX3, FX5 ou FX7 Algorithme 37 31Band Graphic Equalizer FX1, FX3, FX5 ou FX7 Algorithme 38 Stereo 2Band Dynamics Algorithme 39 Dual Mono DynamicsEffet Master Algorithme 0 Speaker Modeling Effet Masetr Algorithme 1 10Band Parametric Equalizer Effet Master Algorithme 2 3Band DynamicsMidi Machine Control MMC Midi Machine Control DétailsFormat 1 Locate I/F Format 2 Locate TargetAppendices Modèle VM-7200, VM-7100Tableau déquipement Midi Voies Traitement du signalImpédance en charge recommandée Fréquence d’échantillonnageConnecteurs et prises DimensionsAccessoires Alimentation électriqueClass B Afrique

VM-7200, VM-7100 specifications

The Roland VM-7100 and VM-7200 are advanced video switchers designed for professional live production and broadcast environments. These models are part of Roland’s celebrated video mixing series, known for their reliability and innovative features that meet the demands of both small and large-scale operations.

One of the standout features of the VM-7100 and VM-7200 is their high-definition video processing capability. Both models support up to 4K resolution, providing crystal-clear image quality essential for modern video production. This allows users to seamlessly switch between multiple sources, including cameras, graphics, and video playback devices, all while maintaining high fidelity.

In terms of connectivity, the VM-7100 and VM-7200 are versatile, equipped with various input and output options. With multiple HDMI and SDI inputs, these switchers can handle a variety of video sources. The VM-7200 goes a step further with additional support for multi-view outputs, enabling operators to monitor all sources in one comprehensive view. This feature enhances workflow efficiency during live broadcasts.

The user interface of both models is designed to be intuitive, featuring a responsive touchscreen panel that allows for quick navigation and control. Customizable buttons provide users with the ability to streamline their operations by assigning frequently used functions at their fingertips. This level of customization is especially beneficial in fast-paced environments where time is of the essence.

Both switchers also incorporate advanced video effects and transitions that can significantly enhance live production. Users can take advantage of built-in transitions like wipes and fades, as well as picture-in-picture (PiP) effects, to create dynamic visual presentations. The ability to add overlays and graphics further enriches the audience's viewing experience.

Incorporating Roland’s proprietary technologies, the VM-7100 and VM-7200 offer low latency switching ensuring that transitions between video sources are smooth and free of delays. This is particularly crucial during live events where timing is critical.

In conclusion, the Roland VM-7100 and VM-7200 are powerful tools for any professional video production setting. Their high-definition capabilities, extensive connectivity options, intuitive interface, and advanced effects make them essential for broadcasters looking to elevate their live production quality. With these features, Roland continues to lead the way in innovative video solutions, catering to the evolving needs of the industry.
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