Roland VM-7100, VM-7200 manual Algorithme 0 Reverb, Algorithme 1 Delay

Page 45

Equipement MIDI

00 08

0D

20 - 7E

Master Effector Name -12

 

——————————+—————————+———————————————————————————————————————————————————

——————————+—————————+———————————————————————————————————————————————————

00 00 36

0aaaaaaa Reverb: LF Damp Gain

 

00 08

0E

20 - 7E

Master Effector Parameter Area (See Below)

00 00 37#

0bbbbbbb

 

-36,,,0dB

 

 

:

 

 

:

:

 

 

 

——————————+—————————+———————————————————————————————————————————————————

00 08

7F

20 - 7E

 

 

 

00 00 38

0aaaaaaa Reverb: HF Damp Frequency

+——————————+—————————+———————————————————————————————————————————————————+

00 00 39#

0bbbbbbb

 

10,,,200 = 1.0,,,20.0kHz

 

 

 

 

 

 

 

 

 

 

——————————+—————————+———————————————————————————————————————————————————

(

1)

“27

Voice Transformer,” “28 Vocoder2”, “34 FFT”, “36

Mstering Tool Kit” ou “237 31

00 00 3A

0aaaaaaa Reverb: HF Damp Gain

 

 

 

Band Graphic Equali

er” ne sont pas sélectionna

les pour FX-2, 4, 6, ou 8.

 

00 00 3B#

0bbbbbbb

 

-36,,,0dB

(

2)

Si “27

Voice Transformer”, “28 Vocoder2”, “34

FFT”, “36 Mstering Tool Kit” ou

——————————+—————————+———————————————————————————————————————————————————

 

 

“37

31Band Graphic Equali er” est sélectionné comme FX-1, 3, 5, 7, FX-2, 4, 6, 8 ne sont

00 00 3C

0aaaaaaa Reverb: HI Cut Frequency

 

 

pas disponi les.

 

 

 

 

00 00 3D#

0bbbbbbb

 

2,,,200 = 0.2,,,20.0kHz

(

)

Les paramètres d’effet changeront en fonction du choix de l’algorithme d’effet. Voir les

——————————+—————————+———————————————————————————————————————————————————

 

 

ta leaux suivants.

 

 

 

 

00 00 3E

0aaaaaaa Reverb: Effect Level

 

(

)

Si vous change d’algorithme, tous les paramètres seront copiés depuis les données du

00 00 3F#

0bbbbbbb

 

-100,,,100

 

 

patch preset qui contient l’algorithme.

 

 

 

——————————+—————————+———————————————————————————————————————————————————

 

 

 

 

 

 

 

 

 

 

00 00 40

0aaaaaaa Reverb: Direct Level

 

❍Algorithme 0 Reverb

 

 

 

00 00 41#

0bbbbbbb

 

-100,,,100

+——————————+—————————+———————————————————————————————————————————————————+

——————————+—————————+———————————————————————————————————————————————————

00 00

0E

0aaaaaaa

EQ SW

 

 

00 00 42

00

(Réservé)

 

00 00

0F# 0bbbbbbb

 

 

0,1 = Off,On

:

 

:

 

 

——————————+—————————+———————————————————————————————————————————————————

00 00 7F

00

 

00 00

10

0aaaaaaa

EQ: Low EQ Type

 

 

+——————————+—————————+———————————————————————————————————————————————————+

00 00

11# 0bbbbbbb

 

0,1 = Shelving, Peaking

 

 

 

 

 

——————————+—————————+———————————————————————————————————————————————————

❍Algorithme 1 Delay

 

 

00 00

12

0aaaaaaa

EQ: Low EQ Gain

 

 

+——————————+—————————+———————————————————————————————————————————————————+

00 00

13# 0bbbbbbb

 

 

-12,,,12dB

00 00 0E

0aaaaaaa Delay SW

 

——————————+—————————+———————————————————————————————————————————————————

00 00 0F#

0bbbbbbb

 

0,1 = Off,On

00 00

14

0aaaaaaa

EQ: Low EQ Frequency

 

 

——————————+—————————+———————————————————————————————————————————————————

00 00

15# 0bbbbbbb

 

2,,,200 = 20,,,2000Hz

00 00 10

0aaaaaaa EQ SW

 

——————————+—————————+———————————————————————————————————————————————————

00 00 11#

0bbbbbbb

 

0,1 = Off,On

00 00

16

0aaaaaaa

EQ: Low EQ Q

 

 

——————————+—————————+———————————————————————————————————————————————————

00 00

17# 0bbbbbbb

 

 

3,,,100 = 0.3,,,10.0

00 00 12

0aaaaaaa Delay: Delay Time

 

——————————+—————————+———————————————————————————————————————————————————

00 00 13#

0bbbbbbb

 

0,,,1200ms

00 00

18

0aaaaaaa

EQ: Mid EQ Gain

 

 

——————————+—————————+———————————————————————————————————————————————————

00 00

19# 0bbbbbbb

 

 

-12,,,12dB

00 00 14

0aaaaaaa Delay: Shift

 

——————————+—————————+———————————————————————————————————————————————————

00 00 15#

0bbbbbbb

-1200,,,1200 = L1200,,,R1200ms

00 00

1A

0aaaaaaa

EQ: Mid EQ Frequency

 

 

——————————+—————————+———————————————————————————————————————————————————

00 00

1B# 0bbbbbbb

 

20,,,800 = 200,,,8000Hz

00 00 16

0aaaaaaa Delay: Lch Feedback Level

——————————+—————————+———————————————————————————————————————————————————

00 00 17#

0bbbbbbb

 

-100,,,100

00 00

1C

0aaaaaaa

EQ: Mid EQ Q

 

 

——————————+—————————+———————————————————————————————————————————————————

00 00

1D# 0bbbbbbb

 

 

3,,,100 = 0.3,,,10.0

00 00 18

0aaaaaaa Delay: Rch Feedback Level

——————————+—————————+———————————————————————————————————————————————————

00 00 19#

0bbbbbbb

 

-100,,,100

00 00

1E

0aaaaaaa

EQ: High EQ Type

 

 

——————————+—————————+———————————————————————————————————————————————————

00 00

1F# 0bbbbbbb

 

0,1 = Shelving, Peaking

00 00 1A

0aaaaaaa Delay: Lch Level

 

——————————+—————————+———————————————————————————————————————————————————

00 00 1B#

0bbbbbbb

 

-100,,,100

00 00

20

0aaaaaaa

EQ: High EQ Gain

 

 

——————————+—————————+———————————————————————————————————————————————————

00 00

21# 0bbbbbbb

 

 

-12,,,12dB

00 00 1C

0aaaaaaa Delay: Rch Level

 

——————————+—————————+———————————————————————————————————————————————————

00 00 1D#

0bbbbbbb

 

-100,,,100

00 00

22

0aaaaaaa

EQ: High EQ Frequency

 

 

——————————+—————————+———————————————————————————————————————————————————

00 00

23# 0bbbbbbb

 

14,,,200 = 1.4,,,20.0kHz

00 00 1E

0aaaaaaa Delay: LF Damp Frequency

——————————+—————————+———————————————————————————————————————————————————

00 00 1F#

0bbbbbbb

 

5,,,400 = 50,,,4000Hz

00 00

24

0aaaaaaa

EQ: High EQ Q

 

 

——————————+—————————+———————————————————————————————————————————————————

00 00

25# 0bbbbbbb

 

 

3,,,100 = 0.3,,,10.0

00 00 20

0aaaaaaa Delay: LF Damp Gain

 

——————————+—————————+———————————————————————————————————————————————————

00 00 21#

0bbbbbbb

 

-36,,,0dB

00 00

26

0aaaaaaa

EQ: Out Level

 

 

——————————+—————————+———————————————————————————————————————————————————

00 00

27# 0bbbbbbb

 

 

 

0,,,100

00 00 22

0aaaaaaa Delay: HF Damp Frequency

——————————+—————————+———————————————————————————————————————————————————

00 00 23#

0bbbbbbb

 

10,,,200 = 1.0,,,20.0kHz

00 00

28

0aaaaaaa

Reverb: Room Size

 

 

——————————+—————————+———————————————————————————————————————————————————

00 00

29# 0bbbbbbb

 

 

 

5,,,40m

00 00 24

0aaaaaaa Delay: HF Damp Gain

 

——————————+—————————+———————————————————————————————————————————————————

00 00 25#

0bbbbbbb

 

-36,,,0dB

00 00

2A

0aaaaaaa

Reverb: Reverb Time

 

 

——————————+—————————+———————————————————————————————————————————————————

00 00

2B# 0bbbbbbb

 

1,,,320 = 0.1,,,32.0s

00 00 26

0aaaaaaa Delay: Direct Level

 

——————————+—————————+———————————————————————————————————————————————————

00 00 27#

0bbbbbbb

 

-100,,,100

00 00

2C

0aaaaaaa

Reverb: Pre Delay

 

 

——————————+—————————+———————————————————————————————————————————————————

00 00

2D# 0bbbbbbb

 

 

0,,,200 = 0,,,200ms

00 00 28

0aaaaaaa EQ: Low EQ Type

 

——————————+—————————+———————————————————————————————————————————————————

00 00 29#

0bbbbbbb

 

0,1 = Shelving, Peaking

00 00

2E

0aaaaaaa

Reverb: Diffusion

 

 

——————————+—————————+———————————————————————————————————————————————————

00 00

2F# 0bbbbbbb

 

 

 

0,,,100

00 00 2A

0aaaaaaa EQ: Low EQ Gain

 

——————————+—————————+———————————————————————————————————————————————————

00 00 2B#

0bbbbbbb

 

-12,,,12dB

00 00

30

0aaaaaaa

Reverb: Density

 

 

——————————+—————————+———————————————————————————————————————————————————

00 00

31# 0bbbbbbb

 

 

 

0,,,100

00 00 2C

0aaaaaaa EQ: Low EQ Frequency

 

——————————+—————————+———————————————————————————————————————————————————

00 00 2D#

0bbbbbbb

 

2,,,200 = 20,,,2000Hz

00 00

32

0aaaaaaa

Reverb: Early Reflection Level

 

——————————+—————————+———————————————————————————————————————————————————

00 00

33# 0bbbbbbb

 

 

 

0,,,100

00 00 2E

0aaaaaaa EQ: Low EQ Q

 

——————————+—————————+———————————————————————————————————————————————————

00 00 2F#

0bbbbbbb

 

3,,,100 = 0.3,,,10.0

00 00

34

0aaaaaaa

Reverb: LF Damp Frequency

 

——————————+—————————+———————————————————————————————————————————————————

00 00

35# 0bbbbbbb

 

5,,,400 = 50,,,4000Hz

00 00 30

0aaaaaaa EQ: Mid EQ Gain

 

Equipement MIDI

45

Page 44 Page 46
Image 45
Page 44 Page 46
Contents Roland Mode D’EMPLOIPour le Canada Consignes DE Securité Precautions Sommaire Installation des optionsFonctions principales Connexions de baseMaintenance EmplacementAlimentation électrique Précautions additionnellesUn concept révolutionnaire systèmes indépendants Jusqu’à 9 groupes d’effets stéréo avec la VS8F-2 installéeUne panoplie complète de connecteurs d’entrée/sortie Permet d’utiliser jusqu’à 9 effets stéréo étonnantsEquipé d’un analyseur de spectre Différences entre VM-7200 et VM-7100Prises d’entrée analogique Prises de sortie analogiqueInput Face avantServir lorsque Digital a in est utilisé Ctrl ControlFace arrière Recevoir et émettre des signaux audio analogiquesServir lorsque Digital B in est utilisé VM-24C Roland Cache arrièreInstallation d’un processeur d’effets VS8F-2 Précautions à prendre lors de l’installation des optionsInstallation des options Installation des connecteurs VM-24E du R-BUS RMDB2Arrière. Conserve le cache arrière en lieu s r 0965 Installation du kit Cascade VM-24CChangement du système de montage en rack RO-7000 Connexion à la VM-C7200 Connexion à la console VM-LINK02e Connexion à la VM-C7100Mise sous tension CoupureChe Mute ALL Outputs 07e Extinction Mise hors tensionPrécautions pour connecter des microphones Différentes configurations de connexion’étape Emploi d’effets externes Insert07e Connexion de l’adat Alesis Connexion du DIF-AT Roland Connexion R-BUS RMDB209e Connexion de la gamme DA Tascam10e Connexion de deux processeurs Connexion en cascade11e Connexion pour transmission de Word ClockPas de son Pas de son d’une voie spécifiqueLe son souffre de bruit ou de distorsion Impossible de faire la connexion en cascade ’effet ne s’applique pasMessage de voix par canal Données transmises et reconnues Réception de donnéesPression polyphonique Changement de contrôleurCe message est transmis dans les cas suivants Ce message est reçu dans les cas suivantsEntrée de donnée MSB/LSB Pitch bendCe message est transmis dans le cas suivant Augmentation de la valeurMessages exclusifs universels Messages de système exclusifPropos de l’identification de modèle Model ID Propos de l’identification d’unité Device IDTransfert de données RQ1, DT1 Données Midi Table de fréquences d’égalisation du mixer Tableau d’adressage pour le transfert des donnéesDonnées Midi Table des bandes Q d’égalisation du mixer Données Midi Table de gains d’égalisation du mixerBloc Mixer Paramètres du pré-ampliParamètres d’entrée Input Paramètres Multi Paramètres des bus Paramètres d’intercommunication TalkbackParamètres Solo Paramètres des sorties OutputParamètres du Fader Group Master Paramètres de la section d’effetsParamètres de mise en cascade Paramètres de la section Master EffectParamètres de diffusion Dither Paramètres GEN/OSCParamètres Level Meter / Analyzer Paramètres diversBloc d’effets Adresse de base Name Parameter Area See Below38Stero 2Band Dynamics 39Dual Mono Dynamics 39Dual Mono Dynamics +---------+ Algorithme 0 Reverb Algorithme 1 DelayAlgorithme 3 Stereo Pitch Shifter Delay Algorithme 2 Stereo Delay ChorusAlgorithme 6 Delay RSS Algorithme 4 VocoderAlgorithme 5 2CH RSS Algorithme 7 Chorus RSS Communs aux algorithmes 8, 9, 10 Guitar Multi 1, 2Individuel Algorithme 8 Guitar Multi Individuel Algorithme 9 Guitar Multi Individual Algorithm 10 Guitar MultiAlgorithme 11 Vocal Multi Algorithme 14 Stereo Phaser Algorithme 12 RotaryAlgorithme 13 Guitar AMP Simulator Algorithme 15 Stereo Flanger Algorithme 16 Dual Compressor/LimiterAlgorithme 17 Gate Reverb Algorithme 18 Multi Tap DelayAlgorithme 19 Stereo Multi Algorithme 21 Space Chorus Algorithme 20 ReverbAlgorithme 23 4 Band Parametric EQ Algorithme 22 Lo-Fi ProcessorAlgorithme 25 Hum Canceler Algorithme 26 Vocal CancelerAlgorithme 24 10 Band Graphic EQ Algorithme 28 Vocoder 2 FX1, FX3, FX5 ou FX7 Algorithme 27 Voice Transformer FX1, FX3, FX5 ou FX7Algorithme 30 3 Band Isolator Algorithme 29 Mic SimulatorAlgorithme 31 Tape Echo Algorithme 33 Analog PhaserAlgorithme 34 FFT FX1, FX3, FX5 ou FX7 Algorithme 32 Analog FlangerAlgorithme 36 Mastering Tool Kit FX1, FX3, FX5 ou FX7 Algorithme 37 31Band Graphic Equalizer FX1, FX3, FX5 ou FX7 Algorithme 39 Dual Mono Dynamics Algorithme 38 Stereo 2Band DynamicsEffet Master Algorithme 0 Speaker Modeling Effet Master Algorithme 2 3Band Dynamics Effet Masetr Algorithme 1 10Band Parametric EqualizerMidi Machine Control Détails Midi Machine Control MMCFormat 2 Locate Target Format 1 Locate I/FAppendices Modèle VM-7200, VM-7100Tableau déquipement Midi Impédance en charge recommandée Traitement du signalVoies Fréquence d’échantillonnageAccessoires DimensionsConnecteurs et prises Alimentation électriqueClass B Afrique

VM-7200, VM-7100 specifications

The Roland VM-7100 and VM-7200 are advanced video switchers designed for professional live production and broadcast environments. These models are part of Roland’s celebrated video mixing series, known for their reliability and innovative features that meet the demands of both small and large-scale operations.

One of the standout features of the VM-7100 and VM-7200 is their high-definition video processing capability. Both models support up to 4K resolution, providing crystal-clear image quality essential for modern video production. This allows users to seamlessly switch between multiple sources, including cameras, graphics, and video playback devices, all while maintaining high fidelity.

In terms of connectivity, the VM-7100 and VM-7200 are versatile, equipped with various input and output options. With multiple HDMI and SDI inputs, these switchers can handle a variety of video sources. The VM-7200 goes a step further with additional support for multi-view outputs, enabling operators to monitor all sources in one comprehensive view. This feature enhances workflow efficiency during live broadcasts.

The user interface of both models is designed to be intuitive, featuring a responsive touchscreen panel that allows for quick navigation and control. Customizable buttons provide users with the ability to streamline their operations by assigning frequently used functions at their fingertips. This level of customization is especially beneficial in fast-paced environments where time is of the essence.

Both switchers also incorporate advanced video effects and transitions that can significantly enhance live production. Users can take advantage of built-in transitions like wipes and fades, as well as picture-in-picture (PiP) effects, to create dynamic visual presentations. The ability to add overlays and graphics further enriches the audience's viewing experience.

Incorporating Roland’s proprietary technologies, the VM-7100 and VM-7200 offer low latency switching ensuring that transitions between video sources are smooth and free of delays. This is particularly crucial during live events where timing is critical.

In conclusion, the Roland VM-7100 and VM-7200 are powerful tools for any professional video production setting. Their high-definition capabilities, extensive connectivity options, intuitive interface, and advanced effects make them essential for broadcasters looking to elevate their live production quality. With these features, Roland continues to lead the way in innovative video solutions, catering to the evolving needs of the industry.
Top Page Image Contents