Roland VM-7100, VM-7200 manual Algorithme 22 Lo-Fi Processor, Algorithme 23 4 Band Parametric EQ

Page 55

Equipement MIDI

00 00 7F 00 +——————————+—————————+———————————————————————————————————————————————————+

Algorithme 22 Lo-Fi Processor

+——————————+—————————+———————————————————————————————————————————————————+

00 00

0E

0aaaaaaa

Lo-Fi Processor SW

00 00

0F#

0bbbbbbb

 

0,1 = Off,On

——————————+—————————+———————————————————————————————————————————————————

00 00

10

0aaaaaaa

Realtime Modify Filter SW

00 00

11#

0bbbbbbb

 

0,1 = Off,On

——————————+—————————+———————————————————————————————————————————————————

00 00

12

0aaaaaaa

Lo-Fi Processor: Pre Filter SW

00 00

13#

0bbbbbbb

 

0,1 = Off,On

——————————+—————————+———————————————————————————————————————————————————

00 00

14

0aaaaaaa

Lo-Fi Processor: Rate

00 00

15#

0bbbbbbb

 

0,,,31 = 0ff,1/2,,,1/32

——————————+—————————+———————————————————————————————————————————————————

00 00

16

0aaaaaaa

Lo-Fi Processor: Number of Bit

00 00

17#

0bbbbbbb

0,,,15 = Off,15,,,1bit

——————————+—————————+———————————————————————————————————————————————————

00 00

18

0aaaaaaa

Lo-Fi Processor: Post Filter SW

00 00

19#

0bbbbbbb

 

0,1 = Off,On

——————————+—————————+———————————————————————————————————————————————————

00 00

1A

0aaaaaaa

Lo-Fi Processor: Effect Level

00 00

1B#

0bbbbbbb

 

0,,,100

——————————+—————————+———————————————————————————————————————————————————

00 00

1C

0aaaaaaa

Lo-Fi Processor: Direct Level

00 00

1D#

0bbbbbbb

 

0,,,100

——————————+—————————+———————————————————————————————————————————————————

00 00

1E

0aaaaaaa

Realtime Modify Filter: Filter Type

00 00

1F#

0bbbbbbb

0,,,2 = LPF,BPF,HPF

——————————+—————————+———————————————————————————————————————————————————

00 00

20

0aaaaaaa

Realtime Modify Filter: Cut Off

00 00

21#

0bbbbbbb

 

0,,,100

——————————+—————————+———————————————————————————————————————————————————

00 00

22

0aaaaaaa

Realtime Modify Filter: Resonance

00 00

23#

0bbbbbbb

 

0,,,100

——————————+—————————+———————————————————————————————————————————————————

00 00

24

0aaaaaaa

Realtime Modify Filter: Gain

00 00

25#

0bbbbbbb

 

0,,,24dB

——————————+—————————+———————————————————————————————————————————————————

00 00

26

0aaaaaaa

Noise Suppressor: Threshold

00 00

27#

0bbbbbbb

 

0,,,100

——————————+—————————+———————————————————————————————————————————————————

00 00

28

0aaaaaaa

Noise Suppressor: Release

00 00

29#

0bbbbbbb

 

0,,,100

——————————+—————————+———————————————————————————————————————————————————

00 00

2A

00

(Réservé)

 

 

:

 

 

 

:

 

00 00

7F

00

 

+——————————+—————————+———————————————————————————————————————————————————+

Algorithme 23 4 Band Parametric EQ

+——————————+—————————+———————————————————————————————————————————————————+

00 00

0E

0aaaaaaa

Parametric EQ Link SW

00 00

0F#

0bbbbbbb

 

0,1 = Off,On

——————————+—————————+———————————————————————————————————————————————————

00 00

10

0aaaaaaa

Parametric EQ Ach SW

00 00

11#

0bbbbbbb

 

0,1 = Off,On

——————————+—————————+———————————————————————————————————————————————————

00 00

12

0aaaaaaa

Parametric EQ Bch SW

00 00

13#

0bbbbbbb

 

0,1 = Off,On

——————————+—————————+———————————————————————————————————————————————————

00 00

14

0aaaaaaa

EQ Ach: Input Level

00 00

15#

0bbbbbbb

 

-60,,,12dB

——————————+—————————+———————————————————————————————————————————————————

00 00

16

0aaaaaaa

EQ Ach: Low EQ Type

00 00

17#

0bbbbbbb

 

0,1 = Shelving, Peaking

——————————+—————————+———————————————————————————————————————————————————

00 00

18

0aaaaaaa

EQ Ach: Low EQ Gain

00 00

19#

0bbbbbbb

 

-12,,,12dB

——————————+—————————+———————————————————————————————————————————————————

00 00

1A

0aaaaaaa

EQ Ach: Low EQ Frequency

00 00

1B#

0bbbbbbb

 

2,,,200 = 20,,,2000Hz

——————————+—————————+———————————————————————————————————————————————————

00 00

1C

0aaaaaaa

EQ Ach: Low EQ Q

00 00

1D#

0bbbbbbb

 

3,,,100 = 0.3,,,10.0

——————————+—————————+———————————————————————————————————————————————————

00 00

1E

0aaaaaaa EQ Ach: Low Mid EQ Gain

00 00

1F#

0bbbbbbb

-12,,,12dB

——————————+—————————+———————————————————————————————————————————————————

00 00

20

0aaaaaaa

EQ Ach: Low Mid EQ Frequency

00 00

21#

0bbbbbbb

20,,,800 = 200,,,8000Hz

——————————+—————————+———————————————————————————————————————————————————

00 00

22

0aaaaaaa EQ Ach: Low Mid EQ Q

00 00

23#

0bbbbbbb

3,,,100 = 0.3,,,10.0

——————————+—————————+———————————————————————————————————————————————————

00 00

24

0aaaaaaa EQ Ach: High Mid EQ Gain

00 00

25#

0bbbbbbb

-12,,,12dB

——————————+—————————+———————————————————————————————————————————————————

00 00

26

0aaaaaaa

EQ Ach: High Mid EQ Frequency

00 00

27#

0bbbbbbb

20,,,800 = 200,,,8000Hz

——————————+—————————+———————————————————————————————————————————————————

00 00

28

0aaaaaaa EQ Ach: High Mid EQ Q

00 00

29#

0bbbbbbb

3,,,100 = 0.3,,,10.0

——————————+—————————+———————————————————————————————————————————————————

00 00

2A

0aaaaaaa EQ Ach: High EQ Type

00 00

2B#

0bbbbbbb

0,1 = Shelving, Peaking

——————————+—————————+———————————————————————————————————————————————————

00 00

2C

0aaaaaaa EQ Ach: High EQ Gain

00 00

2D#

0bbbbbbb

-12,,,12dB

——————————+—————————+———————————————————————————————————————————————————

00 00

2E

0aaaaaaa EQ Ach: High EQ Frequency

00 00

2F#

0bbbbbbb

14,,,200 = 1.4,,,20.0kHz

——————————+—————————+———————————————————————————————————————————————————

00 00

30

0aaaaaaa EQ Ach: High EQ Q

00 00

31#

0bbbbbbb

3,,,100 = 0.3,,,10.0

——————————+—————————+———————————————————————————————————————————————————

00 00

32

0aaaaaaa EQ Ach: Output Level

00 00

33#

0bbbbbbb

-60,,,12dB

——————————+—————————+———————————————————————————————————————————————————

00 00

34

0aaaaaaa EQ Bch: Input Level

00 00

35#

0bbbbbbb

-60,,,12dB

——————————+—————————+———————————————————————————————————————————————————

00 00

36

0aaaaaaa EQ Bch: Low EQ Type

00 00

37#

0bbbbbbb

0,1 = Shelving, Peaking

——————————+—————————+———————————————————————————————————————————————————

00 00

38

0aaaaaaa EQ Bch: Low EQ Gain

00 00

39#

0bbbbbbb

-12,,,12dB

——————————+—————————+———————————————————————————————————————————————————

00 00

3A

0aaaaaaa EQ Bch: Low EQ Frequency

00 00

3B#

0bbbbbbb

2,,,200 = 20,,,2000Hz

——————————+—————————+———————————————————————————————————————————————————

00 00

3C

0aaaaaaa EQ Bch: Low EQ Q

00 00

3D#

0bbbbbbb

3,,,100 = 0.3,,,10.0

——————————+—————————+———————————————————————————————————————————————————

00 00

3E

0aaaaaaa EQ Bch: Low Mid EQ Gain

00 00

3F#

0bbbbbbb

-12,,,12dB

——————————+—————————+———————————————————————————————————————————————————

00 00

40

0aaaaaaa

EQ Bch: Low Mid EQ Frequency

00 00

41#

0bbbbbbb

20,,,800 = 200,,,8000Hz

——————————+—————————+———————————————————————————————————————————————————

00 00

42

0aaaaaaa EQ Bch: Low Mid EQ Q

00 00

43#

0bbbbbbb

3,,,100 = 0.3,,,10.0

——————————+—————————+———————————————————————————————————————————————————

00 00

44

0aaaaaaa EQ Bch: High Mid EQ Gain

00 00

45#

0bbbbbbb

-12,,,12dB

——————————+—————————+———————————————————————————————————————————————————

00 00

46

0aaaaaaa

EQ Bch: High Mid EQ Frequency

00 00

47#

0bbbbbbb

20,,,800 = 200,,,8000Hz

——————————+—————————+———————————————————————————————————————————————————

00 00

48

0aaaaaaa EQ Bch: High Mid EQ Q

00 00

49#

0bbbbbbb

3,,,100 = 0.3,,,10.0

——————————+—————————+———————————————————————————————————————————————————

00 00

4A

0aaaaaaa EQ Bch: High EQ Type

00 00

4B#

0bbbbbbb

0,1 = Shelving, Peaking

——————————+—————————+———————————————————————————————————————————————————

00 00

4C

0aaaaaaa EQ Bch: High EQ Gain

00 00

4D#

0bbbbbbb

-12,,,12dB

——————————+—————————+———————————————————————————————————————————————————

00 00

4E

0aaaaaaa EQ Bch: High EQ Frequency

00 00

4F#

0bbbbbbb

14,,,200 = 1.4,,,20.0kHz

——————————+—————————+———————————————————————————————————————————————————

00 00

50

0aaaaaaa EQ Bch: High EQ Q

00 00

51#

0bbbbbbb

3,,,100 = 0.3,,,10.0

——————————+—————————+———————————————————————————————————————————————————

00 00 52 0aaaaaaa EQ Bch: Output Level

Equipement MIDI

55

Image 55
Contents Roland Mode D’EMPLOIPour le Canada Consignes DE Securité Precautions Connexions de base Installation des optionsSommaire Fonctions principalesPrécautions additionnelles EmplacementMaintenance Alimentation électriquePermet d’utiliser jusqu’à 9 effets stéréo étonnants Jusqu’à 9 groupes d’effets stéréo avec la VS8F-2 installéeUn concept révolutionnaire systèmes indépendants Une panoplie complète de connecteurs d’entrée/sortiePrises de sortie analogique Différences entre VM-7200 et VM-7100Equipé d’un analyseur de spectre Prises d’entrée analogiqueInput Face avantServir lorsque Digital a in est utilisé Ctrl ControlRecevoir et émettre des signaux audio analogiques Face arrièreServir lorsque Digital B in est utilisé VM-24C Roland Cache arrièreInstallation d’un processeur d’effets VS8F-2 Précautions à prendre lors de l’installation des optionsInstallation des options Installation des connecteurs VM-24E du R-BUS RMDB2Arrière. Conserve le cache arrière en lieu s r 0965 Installation du kit Cascade VM-24CChangement du système de montage en rack RO-7000 Connexion à la VM-C7200 Connexion à la console VM-LINK02e Connexion à la VM-C7100Coupure Mise sous tensionChe Mute ALL Outputs 07e Extinction Mise hors tensionPrécautions pour connecter des microphones Différentes configurations de connexion’étape Emploi d’effets externes Insert07e Connexion de l’adat Alesis Connexion du DIF-AT Roland Connexion R-BUS RMDB209e Connexion de la gamme DA Tascam10e Connexion de deux processeurs Connexion en cascade11e Connexion pour transmission de Word ClockPas de son d’une voie spécifique Pas de sonLe son souffre de bruit ou de distorsion Impossible de faire la connexion en cascade ’effet ne s’applique pasChangement de contrôleur Données transmises et reconnues Réception de donnéesMessage de voix par canal Pression polyphoniqueCe message est transmis dans les cas suivants Ce message est reçu dans les cas suivantsAugmentation de la valeur Pitch bendEntrée de donnée MSB/LSB Ce message est transmis dans le cas suivantPropos de l’identification d’unité Device ID Messages de système exclusifMessages exclusifs universels Propos de l’identification de modèle Model IDTransfert de données RQ1, DT1 Données Midi Table de gains d’égalisation du mixer Tableau d’adressage pour le transfert des donnéesDonnées Midi Table de fréquences d’égalisation du mixer Données Midi Table des bandes Q d’égalisation du mixerParamètres du pré-ampli Bloc MixerParamètres d’entrée Input Paramètres Multi Paramètres des bus Paramètres d’intercommunication TalkbackParamètres de la section d’effets Paramètres des sorties OutputParamètres Solo Paramètres du Fader Group MasterParamètres GEN/OSC Paramètres de la section Master EffectParamètres de mise en cascade Paramètres de diffusion DitherParamètres divers Paramètres Level Meter / AnalyzerBloc d’effets Adresse de base Parameter Area See Below Name38Stero 2Band Dynamics 39Dual Mono Dynamics 39Dual Mono Dynamics +---------+ Algorithme 0 Reverb Algorithme 1 DelayAlgorithme 3 Stereo Pitch Shifter Delay Algorithme 2 Stereo Delay ChorusAlgorithme 4 Vocoder Algorithme 6 Delay RSSAlgorithme 5 2CH RSS Communs aux algorithmes 8, 9, 10 Guitar Multi 1, 2 Algorithme 7 Chorus RSSIndividuel Algorithme 8 Guitar Multi Individual Algorithm 10 Guitar Multi Individuel Algorithme 9 Guitar MultiAlgorithme 11 Vocal Multi Algorithme 12 Rotary Algorithme 14 Stereo PhaserAlgorithme 13 Guitar AMP Simulator Algorithme 15 Stereo Flanger Algorithme 16 Dual Compressor/LimiterAlgorithme 17 Gate Reverb Algorithme 18 Multi Tap DelayAlgorithme 19 Stereo Multi Algorithme 21 Space Chorus Algorithme 20 ReverbAlgorithme 23 4 Band Parametric EQ Algorithme 22 Lo-Fi ProcessorAlgorithme 26 Vocal Canceler Algorithme 25 Hum CancelerAlgorithme 24 10 Band Graphic EQ Algorithme 28 Vocoder 2 FX1, FX3, FX5 ou FX7 Algorithme 27 Voice Transformer FX1, FX3, FX5 ou FX7Algorithme 30 3 Band Isolator Algorithme 29 Mic SimulatorAlgorithme 32 Analog Flanger Algorithme 33 Analog PhaserAlgorithme 31 Tape Echo Algorithme 34 FFT FX1, FX3, FX5 ou FX7Algorithme 36 Mastering Tool Kit FX1, FX3, FX5 ou FX7 Algorithme 37 31Band Graphic Equalizer FX1, FX3, FX5 ou FX7 Algorithme 39 Dual Mono Dynamics Algorithme 38 Stereo 2Band DynamicsEffet Master Algorithme 0 Speaker Modeling Effet Master Algorithme 2 3Band Dynamics Effet Masetr Algorithme 1 10Band Parametric EqualizerMidi Machine Control Détails Midi Machine Control MMCFormat 2 Locate Target Format 1 Locate I/FAppendices Modèle VM-7200, VM-7100Tableau déquipement Midi Fréquence d’échantillonnage Traitement du signalImpédance en charge recommandée VoiesAlimentation électrique DimensionsAccessoires Connecteurs et prisesClass B Afrique

VM-7200, VM-7100 specifications

The Roland VM-7100 and VM-7200 are advanced video switchers designed for professional live production and broadcast environments. These models are part of Roland’s celebrated video mixing series, known for their reliability and innovative features that meet the demands of both small and large-scale operations.

One of the standout features of the VM-7100 and VM-7200 is their high-definition video processing capability. Both models support up to 4K resolution, providing crystal-clear image quality essential for modern video production. This allows users to seamlessly switch between multiple sources, including cameras, graphics, and video playback devices, all while maintaining high fidelity.

In terms of connectivity, the VM-7100 and VM-7200 are versatile, equipped with various input and output options. With multiple HDMI and SDI inputs, these switchers can handle a variety of video sources. The VM-7200 goes a step further with additional support for multi-view outputs, enabling operators to monitor all sources in one comprehensive view. This feature enhances workflow efficiency during live broadcasts.

The user interface of both models is designed to be intuitive, featuring a responsive touchscreen panel that allows for quick navigation and control. Customizable buttons provide users with the ability to streamline their operations by assigning frequently used functions at their fingertips. This level of customization is especially beneficial in fast-paced environments where time is of the essence.

Both switchers also incorporate advanced video effects and transitions that can significantly enhance live production. Users can take advantage of built-in transitions like wipes and fades, as well as picture-in-picture (PiP) effects, to create dynamic visual presentations. The ability to add overlays and graphics further enriches the audience's viewing experience.

Incorporating Roland’s proprietary technologies, the VM-7100 and VM-7200 offer low latency switching ensuring that transitions between video sources are smooth and free of delays. This is particularly crucial during live events where timing is critical.

In conclusion, the Roland VM-7100 and VM-7200 are powerful tools for any professional video production setting. Their high-definition capabilities, extensive connectivity options, intuitive interface, and advanced effects make them essential for broadcasters looking to elevate their live production quality. With these features, Roland continues to lead the way in innovative video solutions, catering to the evolving needs of the industry.