Roland VM-7200, VM-7100 manual Algorithme 20 Reverb, Algorithme 21 Space Chorus

Page 54

Equipement MIDI

00 00 27#

0bbbbbbb

 

10,,,100 = 1.0,,,10.0kHz

00 00

20

0aaaaaaa

Reverb 2: Direct Level

 

——————————+—————————+———————————————————————————————————————————————————

00 00

21#

0bbbbbbb

 

 

0,,,100

00 00 28

0aaaaaaa

Enhancer: MIX Level

——————————+—————————+———————————————————————————————————————————————————

00 00 29#

0bbbbbbb

 

0,,,100

00 00

22

0aaaaaaa

Reverb 2: Gate SW

 

——————————+—————————+———————————————————————————————————————————————————

00 00

23#

0bbbbbbb

 

 

0,1 = Off,On

00 00 2A

0aaaaaaa

Enhancer: Level

——————————+—————————+———————————————————————————————————————————————————

00 00 2B#

0bbbbbbb

 

0,,,100

00 00

24

0aaaaaaa

Reverb 2: Gate Mode

 

——————————+—————————+———————————————————————————————————————————————————

00 00

25#

0bbbbbbb

 

 

0,1 = Gate,Ducking

00 00 2C

0aaaaaaa

EQ: Low EQ Type

——————————+—————————+———————————————————————————————————————————————————

00 00 2D#

0bbbbbbb

 

0,1 = Shelving, Peaking

00 00

26

0aaaaaaa

Reverb 2: Gate Threshold

 

——————————+—————————+———————————————————————————————————————————————————

00 00

27#

0bbbbbbb

 

 

0,,,100

00 00 2E

0aaaaaaa

EQ: Low EQ Gain

——————————+—————————+———————————————————————————————————————————————————

00 00 2F#

0bbbbbbb

 

-12,,,12dB

00 00

28

0aaaaaaa

Reverb 2: Gate Attack Time

 

——————————+—————————+———————————————————————————————————————————————————

00 00

29#

0bbbbbbb

 

 

1,,,100

00 00 30

0aaaaaaa

EQ: Low EQ Frequency

——————————+—————————+———————————————————————————————————————————————————

00 00 31#

0bbbbbbb

 

2,,,200 = 20,,,2000Hz

00 00

2A

0aaaaaaa

Reverb 2: Gate Release Time

——————————+—————————+———————————————————————————————————————————————————

00 00

2B#

0bbbbbbb

 

 

1,,,100

00 00 32

0aaaaaaa

EQ: Low EQ Q

——————————+—————————+———————————————————————————————————————————————————

00 00 33#

0bbbbbbb

 

3,,,100 = 0.3,,,10.0

00 00

2C

0aaaaaaa

Reverb 2: Gate Hold Time

 

——————————+—————————+———————————————————————————————————————————————————

00 00

2D#

0bbbbbbb

 

 

1,,,100

00 00 34

0aaaaaaa

EQ: Mid EQ Gain

——————————+—————————+———————————————————————————————————————————————————

00 00 35#

0bbbbbbb

 

-12,,,12dB

00 00

2E

0aaaaaaa

EQ: Low EQ Type

 

——————————+—————————+———————————————————————————————————————————————————

00 00

2F#

0bbbbbbb

 

 

0,1 = Shelving, Peaking

00 00 36

0aaaaaaa

EQ: Mid EQ Frequency

——————————+—————————+———————————————————————————————————————————————————

00 00 37#

0bbbbbbb

 

20,,,800 = 200,,,8000Hz

00 00

30

0aaaaaaa

EQ: Low EQ Gain

 

——————————+—————————+———————————————————————————————————————————————————

00 00

31#

0bbbbbbb

 

 

-12,,,12dB

00 00 38

0aaaaaaa

EQ: Mid EQ Q

——————————+—————————+———————————————————————————————————————————————————

00 00 39#

0bbbbbbb

 

3,,,100 = 0.3,,,10.0

00 00

32

0aaaaaaa

EQ: Low EQ Frequency

 

——————————+—————————+———————————————————————————————————————————————————

00 00

33#

0bbbbbbb

 

 

2,,,200 = 20,,,2000Hz

00 00 3A

0aaaaaaa

EQ: High EQ Type

——————————+—————————+———————————————————————————————————————————————————

00 00 3B#

0bbbbbbb

 

0,1 = Shelving, Peaking

00 00

34

0aaaaaaa

EQ: Low EQ Q

 

——————————+—————————+———————————————————————————————————————————————————

00 00

35#

0bbbbbbb

 

 

3,,,100 = 0.3,,,10.0

00 00 3C

0aaaaaaa

EQ: High EQ Gain

——————————+—————————+———————————————————————————————————————————————————

00 00 3D#

0bbbbbbb

 

-12,,,12dB

00 00

36

0aaaaaaa

EQ: Mid EQ Gain

 

——————————+—————————+———————————————————————————————————————————————————

00 00

37#

0bbbbbbb

 

 

-12,,,12dB

00 00 3E

0aaaaaaa

EQ: High EQ Frequency

——————————+—————————+———————————————————————————————————————————————————

00 00 3F#

0bbbbbbb

 

14,,,200 = 1.4,,,20.0kHz

00 00

38

0aaaaaaa

EQ: Mid EQ Frequency

 

——————————+—————————+———————————————————————————————————————————————————

00 00

39#

0bbbbbbb

 

 

20,,,800 = 200,,,8000Hz

00 00 40

0aaaaaaa

EQ: High EQ Q

——————————+—————————+———————————————————————————————————————————————————

00 00 41#

0bbbbbbb

 

3,,,100 = 0.3,,,10.0

00 00

3A

0aaaaaaa

EQ: Mid EQ Q

 

——————————+—————————+———————————————————————————————————————————————————

00 00

3B#

0bbbbbbb

 

 

3,,,100 = 0.3,,,10.0

00 00 42

0aaaaaaa

EQ: Out Level

——————————+—————————+———————————————————————————————————————————————————

00 00 43#

0bbbbbbb

 

0,,,100

00 00

3C

0aaaaaaa

EQ: High EQ Type

 

——————————+—————————+———————————————————————————————————————————————————

00 00

3D#

0bbbbbbb

 

 

0,1 = Shelving, Peaking

00 00 44

00

(Réservé)

——————————+—————————+———————————————————————————————————————————————————

:

 

 

:

 

00 00

3E

0aaaaaaa

EQ: High EQ Gain

 

00 00 7F

00

 

00 00

3F#

0bbbbbbb

 

 

-12,,,12dB

+——————————+—————————+———————————————————————————————————————————————————+

——————————+—————————+———————————————————————————————————————————————————

 

 

 

 

 

00 00

40

0aaaaaaa

EQ: High EQ Frequency

 

❍Algorithme 20 Reverb 2

 

00 00

41#

0bbbbbbb

 

14,,,200 = 1.4,,,20.0kHz

+——————————+—————————+———————————————————————————————————————————————————+

——————————+—————————+———————————————————————————————————————————————————

00 00 0E

0aaaaaaa

Reverb SW

00 00

42

0aaaaaaa

EQ: High EQ Q

 

00 00 0F#

0bbbbbbb

 

0,1 = Off,On

00 00

43#

0bbbbbbb

 

 

3,,,100 = 0.3,,,10.0

——————————+—————————+———————————————————————————————————————————————————

——————————+—————————+———————————————————————————————————————————————————

00 00 10

0aaaaaaa

EQ SW

00 00

44

0aaaaaaa

EQ: Out Level

 

00 00 11#

0bbbbbbb

 

0,1 = Off,On

00 00

45#

0bbbbbbb

 

 

0,,,100

——————————+—————————+———————————————————————————————————————————————————

——————————+—————————+———————————————————————————————————————————————————

00 00 12

0aaaaaaa

Reverb 2: Reverb Type

00 00

46

00

(Réservé)

 

00 00 13#

0bbbbbbb

0,,,4 = Room1,Room2,Hall1,Hall2,Plate

 

:

 

 

 

:

 

 

——————————+—————————+———————————————————————————————————————————————————

00 00

7F

00

 

 

00 00 14

0aaaaaaa

Reverb 2: Reverb Time

+——————————+—————————+———————————————————————————————————————————————————+

00 00 15#

0bbbbbbb

 

1,,,100 = 0.1,,,10.0sec

 

 

 

 

 

 

 

 

——————————+—————————+———————————————————————————————————————————————————

❍Algorithme 21 Space Chorus

 

 

00 00 16

0aaaaaaa

Reverb 2: Pre Delay

+——————————+—————————+———————————————————————————————————————————————————+

00 00 17#

0bbbbbbb

 

0,,,200msec

00 00

0E

0aaaaaaa Chorus SW

 

——————————+—————————+———————————————————————————————————————————————————

00 00

0F#

0bbbbbbb

 

 

0,1 = Off,On

00 00 18

0aaaaaaa

Reverb 2: Density

——————————+—————————+———————————————————————————————————————————————————

00 00 19#

0bbbbbbb

 

0,,,100

00 00

10

0aaaaaaa Chorus: Input Mode

 

——————————+—————————+———————————————————————————————————————————————————

00 00

11#

0bbbbbbb

 

 

0,1 = Mono,Stereo

00 00 1A

0aaaaaaa

Reverb 2: High Pass Filter

——————————+—————————+———————————————————————————————————————————————————

00 00 1B#

0bbbbbbb

1,,,200 = Thru,20,,,2000Hz

00 00

12

0aaaaaaa Chorus: Mode

 

——————————+—————————+———————————————————————————————————————————————————

00 00

13#

0bbbbbbb

0,,,6 = 1,2,3,4,1+4,2+4,3+4

00 00 1C

0aaaaaaa

Reverb 2: Low Pass Filter

——————————+—————————+———————————————————————————————————————————————————

00 00 1D#

0bbbbbbb

10,,,201 = 1.0,,,20,0kHz,Thru

00 00

14

0aaaaaaa Chorus: Mix Balance

 

——————————+—————————+———————————————————————————————————————————————————

00 00

15#

0bbbbbbb

 

 

0,,,100

00 00 1E

0aaaaaaa

Reverb 2: Effect Level

——————————+—————————+———————————————————————————————————————————————————

00 00 1F#

0bbbbbbb

 

0,,,100

00 00

16

00

(Réservé)

 

——————————+—————————+———————————————————————————————————————————————————

 

:

 

 

 

:

 

 

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Contents Mode D’EMPLOI RolandPour le Canada Consignes DE Securité Precautions Fonctions principales Installation des optionsSommaire Connexions de baseAlimentation électrique EmplacementMaintenance Précautions additionnellesUne panoplie complète de connecteurs d’entrée/sortie Jusqu’à 9 groupes d’effets stéréo avec la VS8F-2 installéeUn concept révolutionnaire systèmes indépendants Permet d’utiliser jusqu’à 9 effets stéréo étonnantsPrises d’entrée analogique Différences entre VM-7200 et VM-7100Equipé d’un analyseur de spectre Prises de sortie analogiqueFace avant InputCtrl Control Servir lorsque Digital a in est utiliséFace arrière Recevoir et émettre des signaux audio analogiquesServir lorsque Digital B in est utilisé Cache arrière VM-24C RolandPrécautions à prendre lors de l’installation des options Installation d’un processeur d’effets VS8F-2Installation des connecteurs VM-24E du R-BUS RMDB2 Installation des optionsArrière. Conserve le cache arrière en lieu s r Installation du kit Cascade VM-24C 0965Changement du système de montage en rack RO-7000 Connexion à la console VM-LINK Connexion à la VM-C7200Connexion à la VM-C7100 02eMise sous tension CoupureChe Mute ALL Outputs Extinction Mise hors tension 07eDifférentes configurations de connexion Précautions pour connecter des microphonesEmploi d’effets externes Insert ’étape07e Connexion du DIF-AT Roland Connexion R-BUS RMDB2 Connexion de l’adat AlesisConnexion de la gamme DA Tascam 09eConnexion de deux processeurs Connexion en cascade 10eConnexion pour transmission de Word Clock 11ePas de son Pas de son d’une voie spécifiqueLe son souffre de bruit ou de distorsion ’effet ne s’applique pas Impossible de faire la connexion en cascadePression polyphonique Données transmises et reconnues Réception de donnéesMessage de voix par canal Changement de contrôleurCe message est reçu dans les cas suivants Ce message est transmis dans les cas suivantsCe message est transmis dans le cas suivant Pitch bendEntrée de donnée MSB/LSB Augmentation de la valeurPropos de l’identification de modèle Model ID Messages de système exclusifMessages exclusifs universels Propos de l’identification d’unité Device IDTransfert de données RQ1, DT1 Données Midi Table des bandes Q d’égalisation du mixer Tableau d’adressage pour le transfert des donnéesDonnées Midi Table de fréquences d’égalisation du mixer Données Midi Table de gains d’égalisation du mixerBloc Mixer Paramètres du pré-ampliParamètres d’entrée Input Paramètres Multi Paramètres d’intercommunication Talkback Paramètres des busParamètres du Fader Group Master Paramètres des sorties OutputParamètres Solo Paramètres de la section d’effetsParamètres de diffusion Dither Paramètres de la section Master EffectParamètres de mise en cascade Paramètres GEN/OSCParamètres Level Meter / Analyzer Paramètres diversBloc d’effets Adresse de base Name Parameter Area See Below38Stero 2Band Dynamics 39Dual Mono Dynamics 39Dual Mono Dynamics +---------+ Algorithme 1 Delay Algorithme 0 ReverbAlgorithme 2 Stereo Delay Chorus Algorithme 3 Stereo Pitch Shifter DelayAlgorithme 6 Delay RSS Algorithme 4 VocoderAlgorithme 5 2CH RSS Algorithme 7 Chorus RSS Communs aux algorithmes 8, 9, 10 Guitar Multi 1, 2Individuel Algorithme 8 Guitar Multi Individuel Algorithme 9 Guitar Multi Individual Algorithm 10 Guitar MultiAlgorithme 11 Vocal Multi Algorithme 14 Stereo Phaser Algorithme 12 RotaryAlgorithme 13 Guitar AMP Simulator Algorithme 16 Dual Compressor/Limiter Algorithme 15 Stereo FlangerAlgorithme 18 Multi Tap Delay Algorithme 17 Gate ReverbAlgorithme 19 Stereo Multi Algorithme 20 Reverb Algorithme 21 Space ChorusAlgorithme 22 Lo-Fi Processor Algorithme 23 4 Band Parametric EQAlgorithme 25 Hum Canceler Algorithme 26 Vocal CancelerAlgorithme 24 10 Band Graphic EQ Algorithme 27 Voice Transformer FX1, FX3, FX5 ou FX7 Algorithme 28 Vocoder 2 FX1, FX3, FX5 ou FX7Algorithme 29 Mic Simulator Algorithme 30 3 Band IsolatorAlgorithme 34 FFT FX1, FX3, FX5 ou FX7 Algorithme 33 Analog PhaserAlgorithme 31 Tape Echo Algorithme 32 Analog FlangerAlgorithme 36 Mastering Tool Kit FX1, FX3, FX5 ou FX7 Algorithme 37 31Band Graphic Equalizer FX1, FX3, FX5 ou FX7 Algorithme 38 Stereo 2Band Dynamics Algorithme 39 Dual Mono DynamicsEffet Master Algorithme 0 Speaker Modeling Effet Masetr Algorithme 1 10Band Parametric Equalizer Effet Master Algorithme 2 3Band DynamicsMidi Machine Control MMC Midi Machine Control DétailsFormat 1 Locate I/F Format 2 Locate TargetAppendices Modèle VM-7200, VM-7100Tableau déquipement Midi Voies Traitement du signalImpédance en charge recommandée Fréquence d’échantillonnageConnecteurs et prises DimensionsAccessoires Alimentation électriqueClass B Afrique

VM-7200, VM-7100 specifications

The Roland VM-7100 and VM-7200 are advanced video switchers designed for professional live production and broadcast environments. These models are part of Roland’s celebrated video mixing series, known for their reliability and innovative features that meet the demands of both small and large-scale operations.

One of the standout features of the VM-7100 and VM-7200 is their high-definition video processing capability. Both models support up to 4K resolution, providing crystal-clear image quality essential for modern video production. This allows users to seamlessly switch between multiple sources, including cameras, graphics, and video playback devices, all while maintaining high fidelity.

In terms of connectivity, the VM-7100 and VM-7200 are versatile, equipped with various input and output options. With multiple HDMI and SDI inputs, these switchers can handle a variety of video sources. The VM-7200 goes a step further with additional support for multi-view outputs, enabling operators to monitor all sources in one comprehensive view. This feature enhances workflow efficiency during live broadcasts.

The user interface of both models is designed to be intuitive, featuring a responsive touchscreen panel that allows for quick navigation and control. Customizable buttons provide users with the ability to streamline their operations by assigning frequently used functions at their fingertips. This level of customization is especially beneficial in fast-paced environments where time is of the essence.

Both switchers also incorporate advanced video effects and transitions that can significantly enhance live production. Users can take advantage of built-in transitions like wipes and fades, as well as picture-in-picture (PiP) effects, to create dynamic visual presentations. The ability to add overlays and graphics further enriches the audience's viewing experience.

Incorporating Roland’s proprietary technologies, the VM-7100 and VM-7200 offer low latency switching ensuring that transitions between video sources are smooth and free of delays. This is particularly crucial during live events where timing is critical.

In conclusion, the Roland VM-7100 and VM-7200 are powerful tools for any professional video production setting. Their high-definition capabilities, extensive connectivity options, intuitive interface, and advanced effects make them essential for broadcasters looking to elevate their live production quality. With these features, Roland continues to lead the way in innovative video solutions, catering to the evolving needs of the industry.
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