Roland VM-7200, VM-7100 manual Algorithme 29 Mic Simulator, Algorithme 30 3 Band Isolator

Page 58

Equipement MIDI

00 00 3B#

0bbbbbbb

 

0,,,100

00 00

28

0aaaaaaa

Distance Ach: Proximity Effect

——————————+—————————+———————————————————————————————————————————————————

00 00

29#

0bbbbbbb

 

-12,,,+12

00 00 3C

0aaaaaaa

Vocoder: Voice Char Level 18

——————————+—————————+———————————————————————————————————————————————————

00 00 3D#

0bbbbbbb

 

0,,,100

00 00

2A

0aaaaaaa

Distance Ach: Timelag

——————————+—————————+———————————————————————————————————————————————————

00 00

2B#

0bbbbbbb

0,,,1000 = 0,,,3000cm

00 00 3E

0aaaaaaa

Vocoder: Voice Char Level 19

——————————+—————————+———————————————————————————————————————————————————

00 00 3F#

0bbbbbbb

 

0,,,100

00 00

2C

0aaaaaaa

Limiter Ach: Detect HPF Frequency

——————————+—————————+———————————————————————————————————————————————————

00 00

2D#

0bbbbbbb

1,,,200 = Thru,20,,,2000Hz

00 00 40

0aaaaaaa

Vocoder: Mic High Pass Filter

——————————+—————————+———————————————————————————————————————————————————

00 00 41#

0bbbbbbb

9,,,200 = Thru,1.0,,,20.0kHz

00 00

2E

0aaaaaaa

Limiter Ach: Level

——————————+—————————+———————————————————————————————————————————————————

00 00

2F#

0bbbbbbb

 

-60,,,24dB

00 00 42

0aaaaaaa

Vocoder: Mic High Pass Filter Pan

——————————+—————————+———————————————————————————————————————————————————

00 00 43#

0bbbbbbb

1,,,127 = L63,,,R63

00 00

30

0aaaaaaa

Limiter Ach: Threshold

——————————+—————————+———————————————————————————————————————————————————

00 00

31#

0bbbbbbb

 

-60,,,0dB

00 00 44

0aaaaaaa

Vocoder: Mic Mix

——————————+—————————+———————————————————————————————————————————————————

00 00 45#

0bbbbbbb

 

0,,,100

00 00

32

0aaaaaaa

Limiter Ach: Attack

——————————+—————————+———————————————————————————————————————————————————

00 00

33#

0bbbbbbb

 

0,,,100

00 00 46

0aaaaaaa

Vocoder: Noise Suppressor Threshold

——————————+—————————+———————————————————————————————————————————————————

00 00 47#

0bbbbbbb

 

0,,,100

00 00

34

0aaaaaaa

Limiter Ach: Release

——————————+—————————+———————————————————————————————————————————————————

00 00

35#

0bbbbbbb

 

0,,,100

00 00 48

0aaaaaaa

Chorus: Rate

——————————+—————————+———————————————————————————————————————————————————

00 00 49#

0bbbbbbb

1,,,100 = 0.1,,,10.0Hz

00 00

36

0aaaaaaa

Mic Converter Bch: Input

——————————+—————————+———————————————————————————————————————————————————

00 00

37#

0bbbbbbb

0,,,4 = DR-20,SmlDy,HedDy,MinCn,Flat

00 00 4A

0aaaaaaa

Chorus: Depth

——————————+—————————+———————————————————————————————————————————————————

00 00 4B#

0bbbbbbb

 

0,,,100

00 00

38

0aaaaaaa

Mic Converter Bch: Output

——————————+—————————+———————————————————————————————————————————————————

00 00

39#

0bbbbbbb

0,,,6 = SmlDy,VocDy,LrgDy,SmlCn,LrgCn,VntCn,Flat

00 00 4C

0aaaaaaa

Chorus: Pre Delay

——————————+—————————+———————————————————————————————————————————————————

00 00 4D#

0bbbbbbb

 

0,,,50ms

00 00

3A

0aaaaaaa

Mic Converter Bch: Phase

——————————+—————————+———————————————————————————————————————————————————

00 00

3B#

0bbbbbbb

0,1 = Normal,Inverse

00 00 4E

0aaaaaaa

Chorus: Mix Balance

——————————+—————————+———————————————————————————————————————————————————

00 00 4F#

0bbbbbbb

 

0,,,100

00 00

3C

0aaaaaaa

Bass Cut Bch: Bass Cut Frequency

——————————+—————————+———————————————————————————————————————————————————

00 00

3D#

0bbbbbbb

1,,,200 = Thru,20,,,2000Hz

00 00 50

00

(Réservé)

——————————+—————————+———————————————————————————————————————————————————

:

 

 

:

 

00 00

3E

0aaaaaaa

Distance Bch: Proximity Effect

00 00 7F

00

 

00 00

3F#

0bbbbbbb

 

-12,,,+12

+——————————+—————————+———————————————————————————————————————————————————+

——————————+—————————+———————————————————————————————————————————————————

 

 

 

 

 

00 00

40

0aaaaaaa

Distance Bch: Timelag

❍Algorithme 29 Mic Simulator

 

00 00

41#

0bbbbbbb

0,,,1000 = 0,,,3000cm

+——————————+—————————+———————————————————————————————————————————————————+

——————————+—————————+———————————————————————————————————————————————————

00 00 0E

0aaaaaaa

Link SW

00 00

42

0aaaaaaa

Limiter Bch: Detect HPF Frequency

00 00 0F#

0bbbbbbb

 

0,1 = Off,On

00 00

43#

0bbbbbbb

1,,,200 = Thru,20,,,2000Hz

——————————+—————————+———————————————————————————————————————————————————

——————————+—————————+———————————————————————————————————————————————————

00 00 10

0aaaaaaa

Mic Converter Ach SW

00 00

44

0aaaaaaa

Limiter Bch: Level

00 00 11#

0bbbbbbb

 

0,1 = Off,On

00 00

45#

0bbbbbbb

 

-60,,,24dB

——————————+—————————+———————————————————————————————————————————————————

——————————+—————————+———————————————————————————————————————————————————

00 00 12

0aaaaaaa

Bass Cut Ach SW

00 00

46

0aaaaaaa

Limiter Bch: Threshold

00 00 13#

0bbbbbbb

 

0,1 = Off,On

00 00

47#

0bbbbbbb

 

-60,,,0dB

——————————+—————————+———————————————————————————————————————————————————

——————————+—————————+———————————————————————————————————————————————————

00 00 14

0aaaaaaa

Distance Ach SW

00 00

48

0aaaaaaa

Limiter Bch: Attack

00 00 15#

0bbbbbbb

 

0,1 = Off,On

00 00

49#

0bbbbbbb

 

0,,,100

——————————+—————————+———————————————————————————————————————————————————

——————————+—————————+———————————————————————————————————————————————————

00 00 16

0aaaaaaa

Limiter Ach SW

00 00

4A

0aaaaaaa

Limiter Bch: Release

00 00 17#

0bbbbbbb

 

0,1 = Off,On

00 00

4B#

0bbbbbbb

 

0,,,100

——————————+—————————+———————————————————————————————————————————————————

——————————+—————————+———————————————————————————————————————————————————

00 00 18

0aaaaaaa

Mic Converter Bch SW

00 00

4C

00

(Réservé)

00 00 19#

0bbbbbbb

 

0,1 = Off,On

 

:

 

 

 

:

 

——————————+—————————+———————————————————————————————————————————————————

00 00

7F

00

 

00 00 1A

0aaaaaaa

Bass Cut Bch SW

+——————————+—————————+———————————————————————————————————————————————————+

00 00 1B#

0bbbbbbb

 

0,1 = Off,On

 

 

 

 

 

 

 

——————————+—————————+———————————————————————————————————————————————————

Quand Mic Converter Input = MinCn, Output est réglé sur SmlDy ou LrgCn.

00 00 1C

0aaaaaaa

Distance Bch SW

Quand Link SW = On, Bch correspond à Ach.

 

00 00 1D#

0bbbbbbb

 

0,1 = Off,On

 

 

 

 

 

 

 

——————————+—————————+———————————————————————————————————————————————————

❍Algorithme 30 3 Band Isolator

 

00 00 1E

0aaaaaaa

Limiter Bch SW

+——————————+—————————+———————————————————————————————————————————————————+

00 00 1F#

0bbbbbbb

 

0,1 = Off,On

00 00

0E

0aaaaaaa Isolator SW

——————————+—————————+———————————————————————————————————————————————————

00 00

0F#

0bbbbbbb

 

0,1 = Off,On

00 00 20

0aaaaaaa

Mic Converter Ach: Input

——————————+—————————+———————————————————————————————————————————————————

00 00 21#

0bbbbbbb

0,,,4 = DR-20,SmlDy,HedDy,MinCn,Flat

00 00

10

0aaaaaaa Isolator High Volume

——————————+—————————+———————————————————————————————————————————————————

00 00

11#

0bbbbbbb

 

-60,,,+4dB

00 00 22

0aaaaaaa

Mic Converter Ach: Output

——————————+—————————+———————————————————————————————————————————————————

00 00 23#

0bbbbbbb

0,,,6 = SmlDy,VocDy,LrgDy,SmlCn,LrgCn,VntCn,Flat

00 00

12

0aaaaaaa Isolator Middle Volume

——————————+—————————+———————————————————————————————————————————————————

00 00

13#

0bbbbbbb

 

-60,,,+4dB

00 00 24

0aaaaaaa

Mic Converter Ach: Phase

——————————+—————————+———————————————————————————————————————————————————

00 00 25#

0bbbbbbb

0,1 = Normal,Inverse

00 00

14

0aaaaaaa Isolator Low Volume

——————————+—————————+———————————————————————————————————————————————————

00 00

15#

0bbbbbbb

 

-60,,,+4dB

00 00 26

0aaaaaaa

Bass Cut Ach: Bass Cut Frequency

——————————+—————————+———————————————————————————————————————————————————

00 00 27#

0bbbbbbb

1,,,200 = Thru,20,,,2000Hz

00 00

16

0aaaaaaa Isolator Anti Phase Middle Switch

——————————+—————————+———————————————————————————————————————————————————

00 00

17#

0bbbbbbb

 

0,1 = Off,On

58

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Contents Mode D’EMPLOI RolandPour le Canada Consignes DE Securité Precautions Fonctions principales Installation des optionsSommaire Connexions de baseAlimentation électrique EmplacementMaintenance Précautions additionnellesUne panoplie complète de connecteurs d’entrée/sortie Jusqu’à 9 groupes d’effets stéréo avec la VS8F-2 installéeUn concept révolutionnaire systèmes indépendants Permet d’utiliser jusqu’à 9 effets stéréo étonnantsPrises d’entrée analogique Différences entre VM-7200 et VM-7100Equipé d’un analyseur de spectre Prises de sortie analogiqueFace avant InputCtrl Control Servir lorsque Digital a in est utiliséRecevoir et émettre des signaux audio analogiques Face arrièreServir lorsque Digital B in est utilisé Cache arrière VM-24C RolandPrécautions à prendre lors de l’installation des options Installation d’un processeur d’effets VS8F-2Installation des connecteurs VM-24E du R-BUS RMDB2 Installation des optionsArrière. Conserve le cache arrière en lieu s r Installation du kit Cascade VM-24C 0965Changement du système de montage en rack RO-7000 Connexion à la console VM-LINK Connexion à la VM-C7200Connexion à la VM-C7100 02eCoupure Mise sous tensionChe Mute ALL Outputs Extinction Mise hors tension 07eDifférentes configurations de connexion Précautions pour connecter des microphonesEmploi d’effets externes Insert ’étape07e Connexion du DIF-AT Roland Connexion R-BUS RMDB2 Connexion de l’adat AlesisConnexion de la gamme DA Tascam 09eConnexion de deux processeurs Connexion en cascade 10eConnexion pour transmission de Word Clock 11ePas de son d’une voie spécifique Pas de sonLe son souffre de bruit ou de distorsion ’effet ne s’applique pas Impossible de faire la connexion en cascadePression polyphonique Données transmises et reconnues Réception de donnéesMessage de voix par canal Changement de contrôleurCe message est reçu dans les cas suivants Ce message est transmis dans les cas suivantsCe message est transmis dans le cas suivant Pitch bendEntrée de donnée MSB/LSB Augmentation de la valeurPropos de l’identification de modèle Model ID Messages de système exclusifMessages exclusifs universels Propos de l’identification d’unité Device IDTransfert de données RQ1, DT1 Données Midi Table des bandes Q d’égalisation du mixer Tableau d’adressage pour le transfert des donnéesDonnées Midi Table de fréquences d’égalisation du mixer Données Midi Table de gains d’égalisation du mixerParamètres du pré-ampli Bloc MixerParamètres d’entrée Input Paramètres Multi Paramètres d’intercommunication Talkback Paramètres des busParamètres du Fader Group Master Paramètres des sorties OutputParamètres Solo Paramètres de la section d’effetsParamètres de diffusion Dither Paramètres de la section Master EffectParamètres de mise en cascade Paramètres GEN/OSCParamètres divers Paramètres Level Meter / AnalyzerBloc d’effets Adresse de base Parameter Area See Below Name38Stero 2Band Dynamics 39Dual Mono Dynamics 39Dual Mono Dynamics +---------+ Algorithme 1 Delay Algorithme 0 ReverbAlgorithme 2 Stereo Delay Chorus Algorithme 3 Stereo Pitch Shifter DelayAlgorithme 4 Vocoder Algorithme 6 Delay RSSAlgorithme 5 2CH RSS Communs aux algorithmes 8, 9, 10 Guitar Multi 1, 2 Algorithme 7 Chorus RSSIndividuel Algorithme 8 Guitar Multi Individual Algorithm 10 Guitar Multi Individuel Algorithme 9 Guitar MultiAlgorithme 11 Vocal Multi Algorithme 12 Rotary Algorithme 14 Stereo PhaserAlgorithme 13 Guitar AMP Simulator Algorithme 16 Dual Compressor/Limiter Algorithme 15 Stereo FlangerAlgorithme 18 Multi Tap Delay Algorithme 17 Gate ReverbAlgorithme 19 Stereo Multi Algorithme 20 Reverb Algorithme 21 Space ChorusAlgorithme 22 Lo-Fi Processor Algorithme 23 4 Band Parametric EQAlgorithme 26 Vocal Canceler Algorithme 25 Hum CancelerAlgorithme 24 10 Band Graphic EQ Algorithme 27 Voice Transformer FX1, FX3, FX5 ou FX7 Algorithme 28 Vocoder 2 FX1, FX3, FX5 ou FX7Algorithme 29 Mic Simulator Algorithme 30 3 Band IsolatorAlgorithme 34 FFT FX1, FX3, FX5 ou FX7 Algorithme 33 Analog PhaserAlgorithme 31 Tape Echo Algorithme 32 Analog FlangerAlgorithme 36 Mastering Tool Kit FX1, FX3, FX5 ou FX7 Algorithme 37 31Band Graphic Equalizer FX1, FX3, FX5 ou FX7 Algorithme 38 Stereo 2Band Dynamics Algorithme 39 Dual Mono DynamicsEffet Master Algorithme 0 Speaker Modeling Effet Masetr Algorithme 1 10Band Parametric Equalizer Effet Master Algorithme 2 3Band DynamicsMidi Machine Control MMC Midi Machine Control DétailsFormat 1 Locate I/F Format 2 Locate TargetAppendices Modèle VM-7200, VM-7100Tableau déquipement Midi Voies Traitement du signalImpédance en charge recommandée Fréquence d’échantillonnageConnecteurs et prises DimensionsAccessoires Alimentation électriqueClass B Afrique

VM-7200, VM-7100 specifications

The Roland VM-7100 and VM-7200 are advanced video switchers designed for professional live production and broadcast environments. These models are part of Roland’s celebrated video mixing series, known for their reliability and innovative features that meet the demands of both small and large-scale operations.

One of the standout features of the VM-7100 and VM-7200 is their high-definition video processing capability. Both models support up to 4K resolution, providing crystal-clear image quality essential for modern video production. This allows users to seamlessly switch between multiple sources, including cameras, graphics, and video playback devices, all while maintaining high fidelity.

In terms of connectivity, the VM-7100 and VM-7200 are versatile, equipped with various input and output options. With multiple HDMI and SDI inputs, these switchers can handle a variety of video sources. The VM-7200 goes a step further with additional support for multi-view outputs, enabling operators to monitor all sources in one comprehensive view. This feature enhances workflow efficiency during live broadcasts.

The user interface of both models is designed to be intuitive, featuring a responsive touchscreen panel that allows for quick navigation and control. Customizable buttons provide users with the ability to streamline their operations by assigning frequently used functions at their fingertips. This level of customization is especially beneficial in fast-paced environments where time is of the essence.

Both switchers also incorporate advanced video effects and transitions that can significantly enhance live production. Users can take advantage of built-in transitions like wipes and fades, as well as picture-in-picture (PiP) effects, to create dynamic visual presentations. The ability to add overlays and graphics further enriches the audience's viewing experience.

Incorporating Roland’s proprietary technologies, the VM-7100 and VM-7200 offer low latency switching ensuring that transitions between video sources are smooth and free of delays. This is particularly crucial during live events where timing is critical.

In conclusion, the Roland VM-7100 and VM-7200 are powerful tools for any professional video production setting. Their high-definition capabilities, extensive connectivity options, intuitive interface, and advanced effects make them essential for broadcasters looking to elevate their live production quality. With these features, Roland continues to lead the way in innovative video solutions, catering to the evolving needs of the industry.
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