Roland VM-7100 Algorithme 31 Tape Echo, Algorithme 33 Analog Phaser, Algorithme 32 Analog Flanger

Page 59

Equipement MIDI

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00 00 16

0aaaaaaa Analog Flanger Modulation Depth

 

00 00 18 0aaaaaaa

Isolator Anti Phase Middle Level

00 00 17#

0bbbbbbb

 

0,,,100

00 00 19# 0bbbbbbb

 

0,,,100

——————————+—————————+———————————————————————————————————————————————————

——————————+—————————+———————————————————————————————————————————————————

00 00 18

0aaaaaaa Analog Flanger Modulation Frequency

00 00 1A 0aaaaaaa

Isolator Anti Phase Low Switch

00 00 19#

0bbbbbbb

 

0,,,100

00 00 1B# 0bbbbbbb

 

0,1 = Off,On

——————————+—————————+———————————————————————————————————————————————————

——————————+—————————+———————————————————————————————————————————————————

00 00 1A

0aaaaaaa Analog Flanger Channel B Modulation

00 00 1C 0aaaaaaa

Isolator Anti Phase Low Level

00 00 1B#

0bbbbbbb

 

0,1 = Nor,Inv

00 00 1D# 0bbbbbbb

 

0,,,100

——————————+—————————+———————————————————————————————————————————————————

——————————+—————————+———————————————————————————————————————————————————

00 00 1C

0aaaaaaa Analog Flanger Channel A Phase

 

00 00 1E

00

(Réservé)

00 00 1D#

0bbbbbbb

 

0,1 = Nor,Inv

:

 

 

:

 

——————————+—————————+———————————————————————————————————————————————————

00 00 7F

00

 

00 00 1E

0aaaaaaa Analog Flanger Channel B Phase

 

+——————————+—————————+———————————————————————————————————————————————————+

00 00 1F#

0bbbbbbb

 

0,1 = Nor,Inv

 

 

 

 

 

——————————+—————————+———————————————————————————————————————————————————

❍Algorithme 31 Tape Echo 201

 

00 00 20

00

(Réservé)

 

+——————————+—————————+———————————————————————————————————————————————————+

:

 

:

 

 

00 00 0E 0aaaaaaa

Tape Echo SW

00 00 7F

00

 

00 00 0F# 0bbbbbbb

 

0,1 = Off,On

+——————————+—————————+———————————————————————————————————————————————————+

——————————+—————————+———————————————————————————————————————————————————

 

 

 

 

 

00 00 10 0aaaaaaa

Tape Echo Mode Select

❍Algorithme 33 Analog Phaser

 

 

00 00 11# 0bbbbbbb

 

0,,,6 = 1,,,7

+——————————+—————————+———————————————————————————————————————————————————+

——————————+—————————+———————————————————————————————————————————————————

00 00 0E

0aaaaaaa Analog Phaser SW

 

00 00 12 0aaaaaaa

Tape Echo Repeat Rate

00 00 0F#

0bbbbbbb

 

0,1 = Off,On

00 00 13# 0bbbbbbb

 

0,,,100

——————————+—————————+———————————————————————————————————————————————————

——————————+—————————+———————————————————————————————————————————————————

00 00 10

0aaaaaaa Analog Phaser Mode

 

00 00 14 0aaaaaaa

Tape Echo Intensity

00 00 11#

0bbbbbbb

0,1 = 4STAGE,8STAGE

00 00 15# 0bbbbbbb

 

0,,,100

——————————+—————————+———————————————————————————————————————————————————

——————————+—————————+———————————————————————————————————————————————————

00 00 12

0aaaaaaa Analog Phaser Frequency

 

00 00 16 0aaaaaaa

Tape Echo Effect Level

00 00 13#

0bbbbbbb

 

0,,,100

00 00 17# 0bbbbbbb

 

0,,,100

——————————+—————————+———————————————————————————————————————————————————

——————————+—————————+———————————————————————————————————————————————————

00 00 14

0aaaaaaa Analog Phaser Resonance

 

00 00 18 0aaaaaaa

Tape Echo Direct Level

00 00 15#

0bbbbbbb

 

0,,,100

00 00 19# 0bbbbbbb

 

0,,,100

——————————+—————————+———————————————————————————————————————————————————

——————————+—————————+———————————————————————————————————————————————————

00 00 16

0aaaaaaa Analog Phaser LFO 1 Rate

 

00 00 1A 0aaaaaaa

Tape Echo Tone Bass

00 00 17#

0bbbbbbb

 

0,,,100

00 00 1B# 0bbbbbbb

 

-100,,,100

——————————+—————————+———————————————————————————————————————————————————

——————————+—————————+———————————————————————————————————————————————————

00 00 18

0aaaaaaa Analog Phaser LFO 1 Depth

 

00 00 1C 0aaaaaaa

Tape Echo Tone Treble

00 00 19#

0bbbbbbb

 

0,,,100

00 00 1D# 0bbbbbbb

 

-100,,,100

——————————+—————————+———————————————————————————————————————————————————

——————————+—————————+———————————————————————————————————————————————————

00 00 1A

0aaaaaaa Analog Phaser LFO 1 Channel B Mod

00 00 1E 0aaaaaaa

Tape Echo Tape Head S Pan

00 00 1B#

0bbbbbbb

 

0,1 = Nor,Inv

00 00 1F# 0bbbbbbb

1,,,127 = L63,,,R63

——————————+—————————+———————————————————————————————————————————————————

——————————+—————————+———————————————————————————————————————————————————

00 00 1C

0aaaaaaa Analog Phaser LFO 2 Rate

 

00 00 20 0aaaaaaa

Tape Echo Tape Head M Pan

00 00 1D#

0bbbbbbb

 

0,,,100

00 00 21# 0bbbbbbb

1,,,127 = L63,,,R63

——————————+—————————+———————————————————————————————————————————————————

——————————+—————————+———————————————————————————————————————————————————

00 00 1E

0aaaaaaa Analog Phaser LFO 2 Depth

 

00 00 22 0aaaaaaa

Tape Echo Tape Head L Pan

00 00 1F#

0bbbbbbb

 

0,,,100

00 00 23# 0bbbbbbb

1,,,127 = L63,,,R63

——————————+—————————+———————————————————————————————————————————————————

——————————+—————————+———————————————————————————————————————————————————

00 00 20

0aaaaaaa Analog Phaser LFO 2 Channel B Mod

00 00 24 0aaaaaaa

Tape Echo Tape Distortion

00 00 21#

0bbbbbbb

 

0,1 = Nor,Inv

00 00 25# 0bbbbbbb

 

0,,,100

——————————+—————————+———————————————————————————————————————————————————

——————————+—————————+———————————————————————————————————————————————————

00 00 22

00

(Réservé)

 

00 00 26 0aaaaaaa

Tape Echo Wah Flutter Rate

:

 

:

 

 

00 00 27# 0bbbbbbb

 

0,,,100

00 00 7F

00

 

——————————+—————————+———————————————————————————————————————————————————

+——————————+—————————+———————————————————————————————————————————————————+

00 00 28 0aaaaaaa

Tape Echo Wah Flutter Depth

 

 

 

 

 

00 00 29# 0bbbbbbb

 

0,,,100

 

 

 

 

 

——————————+—————————+———————————————————————————————————————————————————

❍Algorithme 34 FFT (FX1, FX3, FX5 ou FX7)

 

 

00 00 2A 00

(Réservé)

+——————————+—————————+———————————————————————————————————————————————————+

:

 

 

:

 

00 00 0E

00

(Réservé)

 

00 00 7F 00

 

:

 

:

 

 

+——————————+—————————+———————————————————————————————————————————————————+

00 00 7F

00

 

 

 

 

 

 

+——————————+—————————+———————————————————————————————————————————————————+

❍Algorithme 32 Analog Flanger

 

 

 

 

 

 

+——————————+—————————+———————————————————————————————————————————————————+

❍Algorithme 35 Speaker Modeling / Master Effect Algorithme 0

00 00 0E 0aaaaaaa

Analog Flanger SW

+————————————————————————————————————————————————————————————————————————+

00 00 0F# 0bbbbbbb

 

0,1 = Off,On

00 00 0E

0aaaaaaa Speaker Modeling SW

 

——————————+—————————+———————————————————————————————————————————————————

00 00 0F#

0bbbbbbb

 

0,1 = Off,On

00 00 10 0aaaaaaa

Analog Flanger Mode

——————————+—————————+———————————————————————————————————————————————————

00 00 11# 0bbbbbbb

0,,,3 = FL1,FL2,FL3,CHO

00 00 10

0aaaaaaa Bass Cut SW

 

——————————+—————————+———————————————————————————————————————————————————

00 00 11#

0bbbbbbb

 

0,1 = Off,On

00 00 12 0aaaaaaa

Analog Flanger Feedback

——————————+—————————+———————————————————————————————————————————————————

00 00 13# 0bbbbbbb

 

0,,,100

00 00 12

0aaaaaaa Low Frequency Trimmer SW

 

——————————+—————————+———————————————————————————————————————————————————

00 00 13#

0bbbbbbb

 

0,1 = Off,On

00 00 14 0aaaaaaa

Analog Flanger Modulation Rate

——————————+—————————+———————————————————————————————————————————————————

00 00 15# 0bbbbbbb

 

0,,,100

00 00 14

0aaaaaaa High Frequency Trimmer SW

 

——————————+—————————+———————————————————————————————————————————————————

00 00 15#

0bbbbbbb

 

0,1 = Off,On

Equipement MIDI

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Contents Roland Mode D’EMPLOIPour le Canada Consignes DE Securité Precautions Connexions de base Installation des optionsSommaire Fonctions principalesPrécautions additionnelles EmplacementMaintenance Alimentation électriquePermet d’utiliser jusqu’à 9 effets stéréo étonnants Jusqu’à 9 groupes d’effets stéréo avec la VS8F-2 installéeUn concept révolutionnaire systèmes indépendants Une panoplie complète de connecteurs d’entrée/sortiePrises de sortie analogique Différences entre VM-7200 et VM-7100Equipé d’un analyseur de spectre Prises d’entrée analogiqueInput Face avantServir lorsque Digital a in est utilisé Ctrl ControlServir lorsque Digital B in est utilisé Face arrièreRecevoir et émettre des signaux audio analogiques VM-24C Roland Cache arrièreInstallation d’un processeur d’effets VS8F-2 Précautions à prendre lors de l’installation des optionsInstallation des options Installation des connecteurs VM-24E du R-BUS RMDB2Arrière. Conserve le cache arrière en lieu s r 0965 Installation du kit Cascade VM-24CChangement du système de montage en rack RO-7000 Connexion à la VM-C7200 Connexion à la console VM-LINK02e Connexion à la VM-C7100Che Mute ALL Outputs Mise sous tensionCoupure 07e Extinction Mise hors tensionPrécautions pour connecter des microphones Différentes configurations de connexion’étape Emploi d’effets externes Insert07e Connexion de l’adat Alesis Connexion du DIF-AT Roland Connexion R-BUS RMDB209e Connexion de la gamme DA Tascam10e Connexion de deux processeurs Connexion en cascade11e Connexion pour transmission de Word ClockLe son souffre de bruit ou de distorsion Pas de sonPas de son d’une voie spécifique Impossible de faire la connexion en cascade ’effet ne s’applique pasChangement de contrôleur Données transmises et reconnues Réception de donnéesMessage de voix par canal Pression polyphoniqueCe message est transmis dans les cas suivants Ce message est reçu dans les cas suivantsAugmentation de la valeur Pitch bendEntrée de donnée MSB/LSB Ce message est transmis dans le cas suivantPropos de l’identification d’unité Device ID Messages de système exclusifMessages exclusifs universels Propos de l’identification de modèle Model IDTransfert de données RQ1, DT1 Données Midi Table de gains d’égalisation du mixer Tableau d’adressage pour le transfert des donnéesDonnées Midi Table de fréquences d’égalisation du mixer Données Midi Table des bandes Q d’égalisation du mixerParamètres d’entrée Input Bloc MixerParamètres du pré-ampli Paramètres Multi Paramètres des bus Paramètres d’intercommunication TalkbackParamètres de la section d’effets Paramètres des sorties OutputParamètres Solo Paramètres du Fader Group MasterParamètres GEN/OSC Paramètres de la section Master EffectParamètres de mise en cascade Paramètres de diffusion DitherBloc d’effets Adresse de base Paramètres Level Meter / AnalyzerParamètres divers 38Stero 2Band Dynamics 39Dual Mono Dynamics NameParameter Area See Below 39Dual Mono Dynamics +---------+ Algorithme 0 Reverb Algorithme 1 DelayAlgorithme 3 Stereo Pitch Shifter Delay Algorithme 2 Stereo Delay ChorusAlgorithme 5 2CH RSS Algorithme 6 Delay RSSAlgorithme 4 Vocoder Individuel Algorithme 8 Guitar Multi Algorithme 7 Chorus RSSCommuns aux algorithmes 8, 9, 10 Guitar Multi 1, 2 Algorithme 11 Vocal Multi Individuel Algorithme 9 Guitar MultiIndividual Algorithm 10 Guitar Multi Algorithme 13 Guitar AMP Simulator Algorithme 14 Stereo PhaserAlgorithme 12 Rotary Algorithme 15 Stereo Flanger Algorithme 16 Dual Compressor/LimiterAlgorithme 17 Gate Reverb Algorithme 18 Multi Tap DelayAlgorithme 19 Stereo Multi Algorithme 21 Space Chorus Algorithme 20 ReverbAlgorithme 23 4 Band Parametric EQ Algorithme 22 Lo-Fi ProcessorAlgorithme 24 10 Band Graphic EQ Algorithme 25 Hum CancelerAlgorithme 26 Vocal Canceler Algorithme 28 Vocoder 2 FX1, FX3, FX5 ou FX7 Algorithme 27 Voice Transformer FX1, FX3, FX5 ou FX7Algorithme 30 3 Band Isolator Algorithme 29 Mic SimulatorAlgorithme 32 Analog Flanger Algorithme 33 Analog PhaserAlgorithme 31 Tape Echo Algorithme 34 FFT FX1, FX3, FX5 ou FX7Algorithme 36 Mastering Tool Kit FX1, FX3, FX5 ou FX7 Algorithme 37 31Band Graphic Equalizer FX1, FX3, FX5 ou FX7 Algorithme 39 Dual Mono Dynamics Algorithme 38 Stereo 2Band DynamicsEffet Master Algorithme 0 Speaker Modeling Effet Master Algorithme 2 3Band Dynamics Effet Masetr Algorithme 1 10Band Parametric EqualizerMidi Machine Control Détails Midi Machine Control MMCFormat 2 Locate Target Format 1 Locate I/FAppendices Modèle VM-7200, VM-7100Tableau déquipement Midi Fréquence d’échantillonnage Traitement du signalImpédance en charge recommandée VoiesAlimentation électrique DimensionsAccessoires Connecteurs et prisesClass B Afrique

VM-7200, VM-7100 specifications

The Roland VM-7100 and VM-7200 are advanced video switchers designed for professional live production and broadcast environments. These models are part of Roland’s celebrated video mixing series, known for their reliability and innovative features that meet the demands of both small and large-scale operations.

One of the standout features of the VM-7100 and VM-7200 is their high-definition video processing capability. Both models support up to 4K resolution, providing crystal-clear image quality essential for modern video production. This allows users to seamlessly switch between multiple sources, including cameras, graphics, and video playback devices, all while maintaining high fidelity.

In terms of connectivity, the VM-7100 and VM-7200 are versatile, equipped with various input and output options. With multiple HDMI and SDI inputs, these switchers can handle a variety of video sources. The VM-7200 goes a step further with additional support for multi-view outputs, enabling operators to monitor all sources in one comprehensive view. This feature enhances workflow efficiency during live broadcasts.

The user interface of both models is designed to be intuitive, featuring a responsive touchscreen panel that allows for quick navigation and control. Customizable buttons provide users with the ability to streamline their operations by assigning frequently used functions at their fingertips. This level of customization is especially beneficial in fast-paced environments where time is of the essence.

Both switchers also incorporate advanced video effects and transitions that can significantly enhance live production. Users can take advantage of built-in transitions like wipes and fades, as well as picture-in-picture (PiP) effects, to create dynamic visual presentations. The ability to add overlays and graphics further enriches the audience's viewing experience.

Incorporating Roland’s proprietary technologies, the VM-7100 and VM-7200 offer low latency switching ensuring that transitions between video sources are smooth and free of delays. This is particularly crucial during live events where timing is critical.

In conclusion, the Roland VM-7100 and VM-7200 are powerful tools for any professional video production setting. Their high-definition capabilities, extensive connectivity options, intuitive interface, and advanced effects make them essential for broadcasters looking to elevate their live production quality. With these features, Roland continues to lead the way in innovative video solutions, catering to the evolving needs of the industry.
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