Roland VM-7100, VM-7200 manual Algorithme 19 Stereo Multi

Page 53

Equipement MIDI

00 00 21# 0bbbbbbb1,,,127 = L63,,,R63 ——————————+—————————+———————————————————————————————————————————————————

00 00

22

0aaaaaaa

M.Tap Delay: Time 4

00 00

23#

0bbbbbbb

 

0,,,1200ms

——————————+—————————+———————————————————————————————————————————————————

00 00

24

0aaaaaaa

M.Tap Delay: Level 4

00 00

25#

0bbbbbbb

 

0,,,100

——————————+—————————+———————————————————————————————————————————————————

00 00

26

0aaaaaaa

M.Tap Delay: Pan 4

00 00

27#

0bbbbbbb

 

1,,,127 = L63,,,R63

——————————+—————————+———————————————————————————————————————————————————

00 00

28

0aaaaaaa

M.Tap Delay: Time 5

00 00

29#

0bbbbbbb

 

0,,,1200ms

——————————+—————————+———————————————————————————————————————————————————

00 00

2A

0aaaaaaa

M.Tap Delay: Level 5

00 00

2B#

0bbbbbbb

 

0,,,100

——————————+—————————+———————————————————————————————————————————————————

00 00

2C

0aaaaaaa

M.Tap Delay: Pan 5

00 00

2D#

0bbbbbbb

 

1,,,127 = L63,,,R63

——————————+—————————+———————————————————————————————————————————————————

00 00

2E

0aaaaaaa

M.Tap Delay: Time 6

00 00

2F#

0bbbbbbb

 

0,,,1200ms

——————————+—————————+———————————————————————————————————————————————————

00 00

30

0aaaaaaa

M.Tap Delay: Level 6

00 00

31#

0bbbbbbb

 

0,,,100

——————————+—————————+———————————————————————————————————————————————————

00 00

32

0aaaaaaa

M.Tap Delay: Pan 6

00 00

33#

0bbbbbbb

 

1,,,127 = L63,,,R63

——————————+—————————+———————————————————————————————————————————————————

00 00

34

0aaaaaaa

M.Tap Delay: Time 7

00 00

35#

0bbbbbbb

 

0,,,1200ms

——————————+—————————+———————————————————————————————————————————————————

00 00

36

0aaaaaaa

M.Tap Delay: Level 7

00 00

37#

0bbbbbbb

 

0,,,100

——————————+—————————+———————————————————————————————————————————————————

00 00

38

0aaaaaaa

M.Tap Delay: Pan 7

00 00

39#

0bbbbbbb

 

1,,,127 = L63,,,R63

——————————+—————————+———————————————————————————————————————————————————

00 00

3A

0aaaaaaa

M.Tap Delay: Time 8

00 00

3B#

0bbbbbbb

 

0,,,1200ms

——————————+—————————+———————————————————————————————————————————————————

00 00

3C

0aaaaaaa

M.Tap Delay: Level 8

00 00

3D#

0bbbbbbb

 

0,,,100

——————————+—————————+———————————————————————————————————————————————————

00 00

3E

0aaaaaaa

M.Tap Delay: Pan 8

00 00

3F#

0bbbbbbb

 

1,,,127 = L63,,,R63

——————————+—————————+———————————————————————————————————————————————————

00 00

40

0aaaaaaa

M.Tap Delay: Time 9

00 00

41#

0bbbbbbb

 

0,,,1200ms

——————————+—————————+———————————————————————————————————————————————————

00 00

42

0aaaaaaa

M.Tap Delay: Level 9

00 00

43#

0bbbbbbb

 

0,,,100

——————————+—————————+———————————————————————————————————————————————————

00 00

44

0aaaaaaa

M.Tap Delay: Pan 9

00 00

45#

0bbbbbbb

 

1,,,127 = L63,,,R63

——————————+—————————+———————————————————————————————————————————————————

00 00

46

0aaaaaaa

M.Tap Delay: Time 10

00 00

47#

0bbbbbbb

 

0,,,1200ms

——————————+—————————+———————————————————————————————————————————————————

00 00

48

0aaaaaaa

M.Tap Delay: Level 10

00 00

49#

0bbbbbbb

 

0,,,100

——————————+—————————+———————————————————————————————————————————————————

00 00

4A

0aaaaaaa

M.Tap Delay: Pan 10

00 00

4B#

0bbbbbbb

 

1,,,127 = L63,,,R63

——————————+—————————+———————————————————————————————————————————————————

00 00

4C

0aaaaaaa

M.Tap Delay: Feedback Delay Time

00 00

4D#

0bbbbbbb

 

0,,,1200ms

——————————+—————————+———————————————————————————————————————————————————

00 00

4E

0aaaaaaa

M.Tap Delay: Feedback Level

00 00

4F#

0bbbbbbb

 

-100,,,100

——————————+—————————+———————————————————————————————————————————————————

00 00

50

0aaaaaaa

M.Tap Delay: Effect Level

00 00

51#

0bbbbbbb

 

-100,,,100

——————————+—————————+———————————————————————————————————————————————————

00 00

52

0aaaaaaa

M.Tap Delay: Direct Level

00 00

53#

0bbbbbbb

 

-100,,,100

——————————+—————————+———————————————————————————————————————————————————

00 00

54

0aaaaaaa

EQ: Low EQ Type

00 00

55#

0bbbbbbb

 

0,1 = Shelving, Peaking

——————————+—————————+———————————————————————————————————————————————————

00 00

56

0aaaaaaa EQ: Low EQ Gain

00 00

57#

0bbbbbbb

-12,,,12dB

——————————+—————————+———————————————————————————————————————————————————

00 00

58

0aaaaaaa EQ: Low EQ Frequency

00 00

59#

0bbbbbbb

2,,,200 = 20,,,2000Hz

——————————+—————————+———————————————————————————————————————————————————

00 00

5A

0aaaaaaa EQ: Low EQ Q

00 00

5B#

0bbbbbbb

3,,,100 = 0.3,,,10.0

——————————+—————————+———————————————————————————————————————————————————

00 00

5C

0aaaaaaa EQ: Mid EQ Gain

00 00

5D#

0bbbbbbb

-12,,,12dB

——————————+—————————+———————————————————————————————————————————————————

00 00

5E

0aaaaaaa EQ: Mid EQ Frequency

00 00

5F#

0bbbbbbb

20,,,800 = 200,,,8000Hz

——————————+—————————+———————————————————————————————————————————————————

00 00

60

0aaaaaaa EQ: Mid EQ Q

00 00

61#

0bbbbbbb

3,,,100 = 0.3,,,10.0

——————————+—————————+———————————————————————————————————————————————————

00 00

62

0aaaaaaa EQ: High EQ Type

00 00

63#

0bbbbbbb

0,1 = Shelving, Peaking

——————————+—————————+———————————————————————————————————————————————————

00 00

64

0aaaaaaa EQ: High EQ Gain

00 00

65#

0bbbbbbb

-12,,,12dB

——————————+—————————+———————————————————————————————————————————————————

00 00

66

0aaaaaaa EQ: High EQ Frequency

00 00

67#

0bbbbbbb

14,,,200 = 1.4,,,20.0kHz

——————————+—————————+———————————————————————————————————————————————————

00 00

68

0aaaaaaa EQ: High EQ Q

00 00

69#

0bbbbbbb

3,,,100 = 0.3,,,10.0

——————————+—————————+———————————————————————————————————————————————————

00 00

6A

0aaaaaaa EQ: Out Level

00 00

6B#

0bbbbbbb

0,,,100

——————————+—————————+———————————————————————————————————————————————————

00 00

6C

00

(Réservé)

 

 

:

 

 

:

 

00 00

7F

00

+——————————+—————————+———————————————————————————————————————————————————+

Algorithme 19 Stereo Multi

+——————————+—————————+———————————————————————————————————————————————————+

00 00

0E

0aaaaaaa Noise Suppressor SW

00 00

0F#

0bbbbbbb

0,1 = Off,On

——————————+—————————+———————————————————————————————————————————————————

00 00

10

0aaaaaaa Comp/Limit SW

00 00

11#

0bbbbbbb

0,1 = Off,On

——————————+—————————+———————————————————————————————————————————————————

00 00

12

0aaaaaaa Enhancer SW

00 00

13#

0bbbbbbb

0,1 = Off,On

——————————+—————————+———————————————————————————————————————————————————

00 00

14

0aaaaaaa EQ SW

00 00

15#

0bbbbbbb

0,1 = Off,On

——————————+—————————+———————————————————————————————————————————————————

00 00

16

0aaaaaaa Noise Suppressor: Threshold

00 00

17#

0bbbbbbb

0,,,100

——————————+—————————+———————————————————————————————————————————————————

00 00

18

0aaaaaaa Noise Suppressor: Release

00 00

19#

0bbbbbbb

0,,,100

——————————+—————————+———————————————————————————————————————————————————

00 00

1A

0aaaaaaa Comp/Limit: Level

00 00

1B#

0bbbbbbb

-60,,,12dB

——————————+—————————+———————————————————————————————————————————————————

00 00

1C

0aaaaaaa Comp/Limit: Thresh

00 00

1D#

0bbbbbbb

-60,,,0dB

——————————+—————————+———————————————————————————————————————————————————

00 00

1E

0aaaaaaa Comp/Limit: Attack

00 00

1F#

0bbbbbbb

0,,,100

——————————+—————————+———————————————————————————————————————————————————

00 00

20

0aaaaaaa Comp/Limit: Release

00 00

21#

0bbbbbbb

0,,,100

——————————+—————————+———————————————————————————————————————————————————

00 00

22

0aaaaaaa Comp/Limit: Ratio

00 00

23#

0bbbbbbb

0,,,3 = 1.5:1,2:1,4:1,100:1

——————————+—————————+———————————————————————————————————————————————————

00 00

24

0aaaaaaa Enhancer: Sens

00 00

25#

0bbbbbbb

0,,,100

——————————+—————————+———————————————————————————————————————————————————

00 00 26 0aaaaaaa Enhancer: Frequency

Equipement MIDI

53

Image 53
Contents Roland Mode D’EMPLOIPour le Canada Consignes DE Securité Precautions Sommaire Installation des optionsFonctions principales Connexions de baseMaintenance EmplacementAlimentation électrique Précautions additionnellesUn concept révolutionnaire systèmes indépendants Jusqu’à 9 groupes d’effets stéréo avec la VS8F-2 installéeUne panoplie complète de connecteurs d’entrée/sortie Permet d’utiliser jusqu’à 9 effets stéréo étonnantsEquipé d’un analyseur de spectre Différences entre VM-7200 et VM-7100Prises d’entrée analogique Prises de sortie analogiqueInput Face avantServir lorsque Digital a in est utilisé Ctrl ControlServir lorsque Digital B in est utilisé Face arrièreRecevoir et émettre des signaux audio analogiques VM-24C Roland Cache arrièreInstallation d’un processeur d’effets VS8F-2 Précautions à prendre lors de l’installation des optionsInstallation des options Installation des connecteurs VM-24E du R-BUS RMDB2Arrière. Conserve le cache arrière en lieu s r 0965 Installation du kit Cascade VM-24CChangement du système de montage en rack RO-7000 Connexion à la VM-C7200 Connexion à la console VM-LINK02e Connexion à la VM-C7100Che Mute ALL Outputs Mise sous tensionCoupure 07e Extinction Mise hors tensionPrécautions pour connecter des microphones Différentes configurations de connexion’étape Emploi d’effets externes Insert07e Connexion de l’adat Alesis Connexion du DIF-AT Roland Connexion R-BUS RMDB209e Connexion de la gamme DA Tascam10e Connexion de deux processeurs Connexion en cascade11e Connexion pour transmission de Word ClockLe son souffre de bruit ou de distorsion Pas de sonPas de son d’une voie spécifique Impossible de faire la connexion en cascade ’effet ne s’applique pasMessage de voix par canal Données transmises et reconnues Réception de donnéesPression polyphonique Changement de contrôleurCe message est transmis dans les cas suivants Ce message est reçu dans les cas suivantsEntrée de donnée MSB/LSB Pitch bendCe message est transmis dans le cas suivant Augmentation de la valeurMessages exclusifs universels Messages de système exclusifPropos de l’identification de modèle Model ID Propos de l’identification d’unité Device IDTransfert de données RQ1, DT1 Données Midi Table de fréquences d’égalisation du mixer Tableau d’adressage pour le transfert des donnéesDonnées Midi Table des bandes Q d’égalisation du mixer Données Midi Table de gains d’égalisation du mixerParamètres d’entrée Input Bloc MixerParamètres du pré-ampli Paramètres Multi Paramètres des bus Paramètres d’intercommunication TalkbackParamètres Solo Paramètres des sorties OutputParamètres du Fader Group Master Paramètres de la section d’effetsParamètres de mise en cascade Paramètres de la section Master EffectParamètres de diffusion Dither Paramètres GEN/OSCBloc d’effets Adresse de base Paramètres Level Meter / AnalyzerParamètres divers 38Stero 2Band Dynamics 39Dual Mono Dynamics NameParameter Area See Below 39Dual Mono Dynamics +---------+ Algorithme 0 Reverb Algorithme 1 DelayAlgorithme 3 Stereo Pitch Shifter Delay Algorithme 2 Stereo Delay ChorusAlgorithme 5 2CH RSS Algorithme 6 Delay RSSAlgorithme 4 Vocoder Individuel Algorithme 8 Guitar Multi Algorithme 7 Chorus RSSCommuns aux algorithmes 8, 9, 10 Guitar Multi 1, 2 Algorithme 11 Vocal Multi Individuel Algorithme 9 Guitar MultiIndividual Algorithm 10 Guitar Multi Algorithme 13 Guitar AMP Simulator Algorithme 14 Stereo PhaserAlgorithme 12 Rotary Algorithme 15 Stereo Flanger Algorithme 16 Dual Compressor/LimiterAlgorithme 17 Gate Reverb Algorithme 18 Multi Tap DelayAlgorithme 19 Stereo Multi Algorithme 21 Space Chorus Algorithme 20 ReverbAlgorithme 23 4 Band Parametric EQ Algorithme 22 Lo-Fi ProcessorAlgorithme 24 10 Band Graphic EQ Algorithme 25 Hum CancelerAlgorithme 26 Vocal Canceler Algorithme 28 Vocoder 2 FX1, FX3, FX5 ou FX7 Algorithme 27 Voice Transformer FX1, FX3, FX5 ou FX7Algorithme 30 3 Band Isolator Algorithme 29 Mic SimulatorAlgorithme 31 Tape Echo Algorithme 33 Analog PhaserAlgorithme 34 FFT FX1, FX3, FX5 ou FX7 Algorithme 32 Analog FlangerAlgorithme 36 Mastering Tool Kit FX1, FX3, FX5 ou FX7 Algorithme 37 31Band Graphic Equalizer FX1, FX3, FX5 ou FX7 Algorithme 39 Dual Mono Dynamics Algorithme 38 Stereo 2Band DynamicsEffet Master Algorithme 0 Speaker Modeling Effet Master Algorithme 2 3Band Dynamics Effet Masetr Algorithme 1 10Band Parametric EqualizerMidi Machine Control Détails Midi Machine Control MMCFormat 2 Locate Target Format 1 Locate I/FAppendices Modèle VM-7200, VM-7100Tableau déquipement Midi Impédance en charge recommandée Traitement du signalVoies Fréquence d’échantillonnageAccessoires DimensionsConnecteurs et prises Alimentation électriqueClass B Afrique

VM-7200, VM-7100 specifications

The Roland VM-7100 and VM-7200 are advanced video switchers designed for professional live production and broadcast environments. These models are part of Roland’s celebrated video mixing series, known for their reliability and innovative features that meet the demands of both small and large-scale operations.

One of the standout features of the VM-7100 and VM-7200 is their high-definition video processing capability. Both models support up to 4K resolution, providing crystal-clear image quality essential for modern video production. This allows users to seamlessly switch between multiple sources, including cameras, graphics, and video playback devices, all while maintaining high fidelity.

In terms of connectivity, the VM-7100 and VM-7200 are versatile, equipped with various input and output options. With multiple HDMI and SDI inputs, these switchers can handle a variety of video sources. The VM-7200 goes a step further with additional support for multi-view outputs, enabling operators to monitor all sources in one comprehensive view. This feature enhances workflow efficiency during live broadcasts.

The user interface of both models is designed to be intuitive, featuring a responsive touchscreen panel that allows for quick navigation and control. Customizable buttons provide users with the ability to streamline their operations by assigning frequently used functions at their fingertips. This level of customization is especially beneficial in fast-paced environments where time is of the essence.

Both switchers also incorporate advanced video effects and transitions that can significantly enhance live production. Users can take advantage of built-in transitions like wipes and fades, as well as picture-in-picture (PiP) effects, to create dynamic visual presentations. The ability to add overlays and graphics further enriches the audience's viewing experience.

Incorporating Roland’s proprietary technologies, the VM-7100 and VM-7200 offer low latency switching ensuring that transitions between video sources are smooth and free of delays. This is particularly crucial during live events where timing is critical.

In conclusion, the Roland VM-7100 and VM-7200 are powerful tools for any professional video production setting. Their high-definition capabilities, extensive connectivity options, intuitive interface, and advanced effects make them essential for broadcasters looking to elevate their live production quality. With these features, Roland continues to lead the way in innovative video solutions, catering to the evolving needs of the industry.