Roland VM-7200, VM-7100 manual Effet Masetr Algorithme 1 10Band Parametric Equalizer

Page 64

Equipement MIDI

❍Effet Masetr Algorithme 1 10Band Parametric Equalizer

+————————————————————————————————————————————————————————————————————————+

00 00 0E 00 - 01 Bass Cut SW0,1 = Off,On ——————————+—————————+———————————————————————————————————————————————————

00 00 0F 00 - 01 EQ SW0,1 = Off,On ——————————+—————————+———————————————————————————————————————————————————

00 00 10 00 - 01 Expander SW0,1 = Off,On ——————————+—————————+———————————————————————————————————————————————————

00 00 11 00 - 01 Compressor SW0,1 = Off,On ——————————+—————————+———————————————————————————————————————————————————

00 00 12 03 - 54 Bass Cut Frequency (*1) Thru/20.0,,,2.00kHz ——————————+—————————+———————————————————————————————————————————————————

00 00 13 04 - 5E EQ Input Level

(*2)

-30.0,,,15.0dB

——————————+—————————+———————————————————————————————————————————————————

00 00 14 22 - 5E EQ Band1 Gain

(*2)

-15.0,,,15.0dB

——————————+—————————+———————————————————————————————————————————————————

00 00 15 04 - 7C EQ Band1 Frequency (*1)20.0,,,20.0kHz ——————————+—————————+———————————————————————————————————————————————————

00 00 16 00 - 21 EQ Band1 Q

(*3)

0.355,,,16.0

——————————+—————————+———————————————————————————————————————————————————

00 00 17 22 - 5E EQ Band2 Gain

(*2)

-15.0,,,15.0dB

——————————+—————————+———————————————————————————————————————————————————

00 00 18 04 - 7C EQ Band2 Frequency (*1)20.0,,,20.0kHz ——————————+—————————+———————————————————————————————————————————————————

00 00 19 00 - 21 EQ Band2 Q

(*3)

0.355,,,16.0

——————————+—————————+———————————————————————————————————————————————————

00 00 1A 22 - 5E EQ Band3 Gain

(*2)

-15.0,,,15.0dB

——————————+—————————+———————————————————————————————————————————————————

00 00 1B 04 - 7C EQ Band3 Frequency (*1)20.0,,,20.0kHz ——————————+—————————+———————————————————————————————————————————————————

00 00 1C 00 - 21 EQ Band3 Q

(*3)

0.355,,,16.0

——————————+—————————+———————————————————————————————————————————————————

00 00 1D 22 - 5E EQ Band4 Gain

(*2)

-15.0,,,15.0dB

——————————+—————————+———————————————————————————————————————————————————

00 00 1E 04 - 7C EQ Band4 Frequency (*1)20.0,,,20.0kHz ——————————+—————————+———————————————————————————————————————————————————

00 00 1F 00 - 21 EQ Band4 Q

(*3)

0.355,,,16.0

——————————+—————————+———————————————————————————————————————————————————

00 00 20 22 - 5E EQ Band5 Gain

(*2)

-15.0,,,15.0dB

——————————+—————————+———————————————————————————————————————————————————

00 00 21 04 - 7C EQ Band5 Frequency (*1)20.0,,,20.0kHz ——————————+—————————+———————————————————————————————————————————————————

00 00 22 00 - 21 EQ Band5 Q

(*3)

0.355,,,16.0

——————————+—————————+———————————————————————————————————————————————————

00 00 23 22 - 5E EQ Band6 Gain

(*2)

-15.0,,,15.0dB

——————————+—————————+———————————————————————————————————————————————————

00 00 24 04 - 7C EQ Band6 Frequency (*1)20.0,,,20.0kHz ——————————+—————————+———————————————————————————————————————————————————

00 00 25 00 - 21 EQ Band6 Q

(*3)

0.355,,,16.0

——————————+—————————+———————————————————————————————————————————————————

00 00 26 22 - 5E EQ Band7 Gain

(*2)

-15.0,,,15.0dB

——————————+—————————+———————————————————————————————————————————————————

00 00 27 04 - 7C EQ Band7 Frequency (*1)20.0,,,20.0kHz ——————————+—————————+———————————————————————————————————————————————————

00 00 28 00 - 21 EQ Band7 Q

(*3)

0.355,,,16.0

——————————+—————————+———————————————————————————————————————————————————

00 00 29 22 - 5E EQ Band8 Gain

(*2)

-15.0,,,15.0dB

——————————+—————————+———————————————————————————————————————————————————

00 00 2A 04 - 7C EQ Band8 Frequency (*1)20.0,,,20.0kHz ——————————+—————————+———————————————————————————————————————————————————

00 00 2B 00 - 21 EQ Band8 Q

(*3)

0.355,,,16.0

——————————+—————————+———————————————————————————————————————————————————

00 00 2C 22 - 5E EQ Band9 Gain

(*2)

-15.0,,,15.0dB

——————————+—————————+———————————————————————————————————————————————————

00 00 2D 04 - 7C EQ Band9 Frequency (*1)20.0,,,20.0kHz ——————————+—————————+———————————————————————————————————————————————————

00 00 2E 00 - 21 EQ Band9 Q

(*3)

0.355,,,16.0

——————————+—————————+———————————————————————————————————————————————————

00 00 2F 22 - 5E EQ Band10 Gain

(*2)

-15.0,,,15.0dB

——————————+—————————+———————————————————————————————————————————————————

00 00 30 04 - 7C EQ Band10 Frequency (*1)20.0,,,20.0kHz ——————————+—————————+———————————————————————————————————————————————————

00 00 31 00 - 21 EQ Band10 Q

(*3)

0.355,,,16.0

——————————+—————————+———————————————————————————————————————————————————

00 00 32 04 - 5E EQ Output Level

(*2)

-30.0,,,15.0dB

——————————+—————————+———————————————————————————————————————————————————

00 00 33 00 - 50 Expander Threshold (0dB:80[50H]) -80,,,0dB ——————————+—————————+———————————————————————————————————————————————————

00 00 34 00 - 0D Expander Ratio (*4)1:1.0,,,1:INF ——————————+—————————+———————————————————————————————————————————————————

00 00 35 00 - 64 Expander Attack

0,,,100ms

——————————+—————————+———————————————————————————————————————————————————

00 00 36 00 - 64 Expander Release

(*5)

50,,,5000ms

——————————+—————————+———————————————————————————————————————————————————

00 00 37 38 - 50 Compressor Threshold (0dB:80[50H]) -24,,,0dB ——————————+—————————+———————————————————————————————————————————————————

00 00 38 00 - 0D Compressor Ratio (*4)1:1.0,,,1:INF ——————————+—————————+———————————————————————————————————————————————————

00 00 39 00 - 64 Compressor Attack

0,,,100ms

——————————+—————————+———————————————————————————————————————————————————

00 00 3A 00 - 64 Compressor Release (*5)

50,,,5000ms

——————————+—————————+———————————————————————————————————————————————————

00 00 3B 00 - 56 Compressor Level (0dB:80[50H]) -80,,,6dB ——————————+—————————+———————————————————————————————————————————————————

00 00

3C

00

(Réservé)

 

:

 

 

 

 

:

 

00 00

7F

00

 

+————————————————————————————————————————————————————————————————————————+

(

1)

Référe

-vous à “Données MIDI - Ta

le de fréquences d’égalisation du mixer”

(

2)

Référe

-vous à “Données MIDI - Ta

le des gains d’égalisation du mixer”

(

3)

Référe

-vous à “Données MIDI - Ta

le des andes Q d’égalisation du mixer”

(

4)

Référe

-vous à “MIDI Data - Ta les de rapports d’expansion compression”

(

5)

Durée (ms) = 50.0 po (100.0, Data

100.0)

❍Effet Master Algorithme 2 3Band Dynamics

+————————————————————————————————————————————————————————————————————————+

00 00 0E 00 - 01 Expander SW0,1 = Off,On ——————————+—————————+———————————————————————————————————————————————————

00 00 0F 00 - 01 Compressor SW0,1 = Off,On ——————————+—————————+———————————————————————————————————————————————————

00 00 10 00 - 01 Limiter SW0,1 = Off,On ——————————+—————————+———————————————————————————————————————————————————

00 00 11 38 - 5C Input Gain(0dB:80[50H]) -24,,,12dB ——————————+—————————+———————————————————————————————————————————————————

00 00 12 00 - 0A Input Detect Time

0,,,10ms

——————————+—————————+———————————————————————————————————————————————————

00 00 13 04 - 44 Input Low Split Point (*1)

20.0,,,800Hz

——————————+—————————+———————————————————————————————————————————————————

00 00 14 50 - 78 Input High Split Point (*1) 1.6k,,,16.0kHz ——————————+—————————+———————————————————————————————————————————————————

00 00 15 00 - 50 Expander Low Threshold (0dB:80[50H]) -80,,,0dB ——————————+—————————+———————————————————————————————————————————————————

00 00 16 00 - 50 Expander Mid Threshold (0dB:80[50H]) -80,,,0dB ——————————+—————————+——————————————————————————————————————————————————— 00 00 17 00 - 50 Expander High Threshold (0dB:80[50H]) -80,,,0dB ——————————+—————————+———————————————————————————————————————————————————

00 00 18 00 - 0D Expander Low Ratio (*4)1:1.0,,,1:INF ——————————+—————————+———————————————————————————————————————————————————

00 00 19 00 - 0D Expander Mid Ratio (*4)1:1.0,,,1:INF ——————————+—————————+———————————————————————————————————————————————————

00 00 1A 00 - 0D Expander High Ratio (*4)1:1.0,,,1:INF ——————————+—————————+———————————————————————————————————————————————————

00 00 1B 00 - 64 Expander Low Attack

0,,,100ms

——————————+—————————+———————————————————————————————————————————————————

00 00 1C 00 - 64 Expander Mid Attack

0,,,100ms

——————————+—————————+———————————————————————————————————————————————————

00 00 1D 00 - 64 Expander High Attack

0,,,100ms

——————————+—————————+———————————————————————————————————————————————————

00 00 1E 00 - 64 Expander Low Release (*5)

50,,,5000ms

——————————+—————————+———————————————————————————————————————————————————

00 00 1F 00 - 64 Expander Mid Release (*5)

50,,,5000ms

——————————+—————————+———————————————————————————————————————————————————

00 00 20 00 - 64 Expander High Release (*5)

50,,,5000ms

——————————+—————————+——————————————————————————————————————————————————— 00 00 21 38 - 50 Compressor Low Threshold (0dB:80[50H]) -24,,,0dB ——————————+—————————+——————————————————————————————————————————————————— 00 00 22 38 - 50 Compressor Mid Threshold (0dB:80[50H]) -24,,,0dB ——————————+—————————+——————————————————————————————————————————————————— 00 00 23 38 - 50 Compressor High Threshold (0dB:80[50H]) -24,,,0dB ——————————+—————————+———————————————————————————————————————————————————

00 00 24 00 - 0D Compressor Low Ratio (*4)1:1.0,,,1:INF ——————————+—————————+———————————————————————————————————————————————————

00 00 25 00 - 0D Compressor Mid Ratio (*4)1:1.0,,,1:INF ——————————+—————————+———————————————————————————————————————————————————

00 00 26 00 - 0D Compressor High Ratio (*4)

1:1.0,,,1:INF

64

Page 63 Page 65
Image 64
Page 63 Page 65
Contents Mode D’EMPLOI RolandPour le Canada Consignes DE Securité Precautions Installation des options SommaireFonctions principales Connexions de baseEmplacement MaintenanceAlimentation électrique Précautions additionnellesJusqu’à 9 groupes d’effets stéréo avec la VS8F-2 installée Un concept révolutionnaire systèmes indépendantsUne panoplie complète de connecteurs d’entrée/sortie Permet d’utiliser jusqu’à 9 effets stéréo étonnantsDifférences entre VM-7200 et VM-7100 Equipé d’un analyseur de spectrePrises d’entrée analogique Prises de sortie analogiqueFace avant InputCtrl Control Servir lorsque Digital a in est utiliséRecevoir et émettre des signaux audio analogiques Face arrièreServir lorsque Digital B in est utilisé Cache arrière VM-24C RolandPrécautions à prendre lors de l’installation des options Installation d’un processeur d’effets VS8F-2Installation des connecteurs VM-24E du R-BUS RMDB2 Installation des optionsArrière. Conserve le cache arrière en lieu s r Installation du kit Cascade VM-24C 0965Changement du système de montage en rack RO-7000 Connexion à la console VM-LINK Connexion à la VM-C7200Connexion à la VM-C7100 02eCoupure Mise sous tensionChe Mute ALL Outputs Extinction Mise hors tension 07eDifférentes configurations de connexion Précautions pour connecter des microphonesEmploi d’effets externes Insert ’étape07e Connexion du DIF-AT Roland Connexion R-BUS RMDB2 Connexion de l’adat AlesisConnexion de la gamme DA Tascam 09eConnexion de deux processeurs Connexion en cascade 10eConnexion pour transmission de Word Clock 11ePas de son d’une voie spécifique Pas de sonLe son souffre de bruit ou de distorsion ’effet ne s’applique pas Impossible de faire la connexion en cascadeDonnées transmises et reconnues Réception de données Message de voix par canalPression polyphonique Changement de contrôleurCe message est reçu dans les cas suivants Ce message est transmis dans les cas suivantsPitch bend Entrée de donnée MSB/LSBCe message est transmis dans le cas suivant Augmentation de la valeurMessages de système exclusif Messages exclusifs universelsPropos de l’identification de modèle Model ID Propos de l’identification d’unité Device IDTransfert de données RQ1, DT1 Tableau d’adressage pour le transfert des données Données Midi Table de fréquences d’égalisation du mixerDonnées Midi Table des bandes Q d’égalisation du mixer Données Midi Table de gains d’égalisation du mixerParamètres du pré-ampli Bloc MixerParamètres d’entrée Input Paramètres Multi Paramètres d’intercommunication Talkback Paramètres des busParamètres des sorties Output Paramètres SoloParamètres du Fader Group Master Paramètres de la section d’effetsParamètres de la section Master Effect Paramètres de mise en cascadeParamètres de diffusion Dither Paramètres GEN/OSCParamètres divers Paramètres Level Meter / AnalyzerBloc d’effets Adresse de base Parameter Area See Below Name38Stero 2Band Dynamics 39Dual Mono Dynamics 39Dual Mono Dynamics +---------+ Algorithme 1 Delay Algorithme 0 ReverbAlgorithme 2 Stereo Delay Chorus Algorithme 3 Stereo Pitch Shifter DelayAlgorithme 4 Vocoder Algorithme 6 Delay RSSAlgorithme 5 2CH RSS Communs aux algorithmes 8, 9, 10 Guitar Multi 1, 2 Algorithme 7 Chorus RSSIndividuel Algorithme 8 Guitar Multi Individual Algorithm 10 Guitar Multi Individuel Algorithme 9 Guitar MultiAlgorithme 11 Vocal Multi Algorithme 12 Rotary Algorithme 14 Stereo PhaserAlgorithme 13 Guitar AMP Simulator Algorithme 16 Dual Compressor/Limiter Algorithme 15 Stereo FlangerAlgorithme 18 Multi Tap Delay Algorithme 17 Gate ReverbAlgorithme 19 Stereo Multi Algorithme 20 Reverb Algorithme 21 Space ChorusAlgorithme 22 Lo-Fi Processor Algorithme 23 4 Band Parametric EQAlgorithme 26 Vocal Canceler Algorithme 25 Hum CancelerAlgorithme 24 10 Band Graphic EQ Algorithme 27 Voice Transformer FX1, FX3, FX5 ou FX7 Algorithme 28 Vocoder 2 FX1, FX3, FX5 ou FX7Algorithme 29 Mic Simulator Algorithme 30 3 Band IsolatorAlgorithme 33 Analog Phaser Algorithme 31 Tape EchoAlgorithme 34 FFT FX1, FX3, FX5 ou FX7 Algorithme 32 Analog FlangerAlgorithme 36 Mastering Tool Kit FX1, FX3, FX5 ou FX7 Algorithme 37 31Band Graphic Equalizer FX1, FX3, FX5 ou FX7 Algorithme 38 Stereo 2Band Dynamics Algorithme 39 Dual Mono DynamicsEffet Master Algorithme 0 Speaker Modeling Effet Masetr Algorithme 1 10Band Parametric Equalizer Effet Master Algorithme 2 3Band DynamicsMidi Machine Control MMC Midi Machine Control DétailsFormat 1 Locate I/F Format 2 Locate TargetAppendices Modèle VM-7200, VM-7100Tableau déquipement Midi Traitement du signal Impédance en charge recommandéeVoies Fréquence d’échantillonnageDimensions AccessoiresConnecteurs et prises Alimentation électriqueClass B Afrique

VM-7200, VM-7100 specifications

The Roland VM-7100 and VM-7200 are advanced video switchers designed for professional live production and broadcast environments. These models are part of Roland’s celebrated video mixing series, known for their reliability and innovative features that meet the demands of both small and large-scale operations.

One of the standout features of the VM-7100 and VM-7200 is their high-definition video processing capability. Both models support up to 4K resolution, providing crystal-clear image quality essential for modern video production. This allows users to seamlessly switch between multiple sources, including cameras, graphics, and video playback devices, all while maintaining high fidelity.

In terms of connectivity, the VM-7100 and VM-7200 are versatile, equipped with various input and output options. With multiple HDMI and SDI inputs, these switchers can handle a variety of video sources. The VM-7200 goes a step further with additional support for multi-view outputs, enabling operators to monitor all sources in one comprehensive view. This feature enhances workflow efficiency during live broadcasts.

The user interface of both models is designed to be intuitive, featuring a responsive touchscreen panel that allows for quick navigation and control. Customizable buttons provide users with the ability to streamline their operations by assigning frequently used functions at their fingertips. This level of customization is especially beneficial in fast-paced environments where time is of the essence.

Both switchers also incorporate advanced video effects and transitions that can significantly enhance live production. Users can take advantage of built-in transitions like wipes and fades, as well as picture-in-picture (PiP) effects, to create dynamic visual presentations. The ability to add overlays and graphics further enriches the audience's viewing experience.

Incorporating Roland’s proprietary technologies, the VM-7100 and VM-7200 offer low latency switching ensuring that transitions between video sources are smooth and free of delays. This is particularly crucial during live events where timing is critical.

In conclusion, the Roland VM-7100 and VM-7200 are powerful tools for any professional video production setting. Their high-definition capabilities, extensive connectivity options, intuitive interface, and advanced effects make them essential for broadcasters looking to elevate their live production quality. With these features, Roland continues to lead the way in innovative video solutions, catering to the evolving needs of the industry.
Top Page Image Contents