TABLE OF INTERNAL EFFECTS
No. | Title | Description | Example of its use | |
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1 | ROOM 1 | This room has a bright tone with lots of | Useful on vocals that require a | |
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| scattered refl ections to simulate harder, | brighter reverb to cut through | |
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| more refl ective surfaces. | the mix, or for giving acoustic | |
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| instruments a livelier vibe. | |
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2 | ROOM 2 | This preset features a medium sized | Useful for vocals on songs that | |
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| room/lounge sound, with just enough | require a larger, more “wet” sound, | |
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| enhancement of the lower mids to | or for giving dimension to bright | |
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| produce a warm tone. | horns without adding harshness. | |
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3 | ROOM 3 | This preset simulates the sound of a small | Useful for vocals or guitars in fast | |
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| concert stage, with a medium reverb time | paced, | |
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| and reverberant space. | for a “live” sounding reverberation. | |
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4 | ROOM 4 | This reverb has a warm bodied tone and | Perfect for vocals, drums, acoustic | |
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| medium long reverb time to simulate the | and electric guitars, keyboards, and | |
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| live acoustics of a theater space. | more. | |
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5 | HALL 1 | This reverb simulates the sound of a | Perfect for adding natural concert | |
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| spacious, yet cozy, heavily draped and | hall ambience to | |
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| carpeted concert hall with an especially | orchestral instruments. | |
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| warm tone. |
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6 | HALL 2 | This hall reverb is characterized by its large, | Adds life to acoustic instruments | |
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| spacious sound, long | and vocals from solos to | |
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| vibrant tone. | symphonies and choirs. | |
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7 | PLATE | This preset emulates vintage mechanical | Perfect for thickening percussive | |
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| reverberation that was generated with a | instruments, such as a snare drum, | |
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| metal plate. Its sound is characterized by | or tight vocal arrangements. | |
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| lots of early refl ections and no |
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8 | CATHEDRAL | This reverb emulates the extremely long | Gives amazing depth to choirs, | |
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| tails, dense diffusion and long | wind instruments, organs, and soft | |
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| and refl ections that would be found in a | acoustic guitars. | |
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| very large, stone walled house of worship. |
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9 | CHORUS | This preset provides a soft, ethereal | Perfect for enhancement of electric | |
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| sweeping effect that is useful for | and acoustic guitar and bass, or to | |
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| thickening and for making a particular | add a dramatic effect to vocals, | |
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| sound pop out of the mix. | particularly group harmonies and | |
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| choirs. | |
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10 | CHORUS + REVERB | This preset perfectly combines the chorus | This lets you both thicken your sound | |
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| effect above with a large, roomy reverb. | with the chorus effect while adding | |
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| warmth and spaciousness thanks to | |
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| the smooth reverb. | |
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11 | DELAY 1 (50 MS) | This effect simulates the sound of a vocal | Provides a vibe that is similar to | |
| DOUBLER | or instrument being recorded twice | chorus without the subtle swirl. | |
| (double tracked) on a |
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12 | DELAY 2 (180 MS) | This effect provides a single, relatively rapid | Often used on vocals for a 1950’s | |
| TAPE SLAP | delay of the original signal, with the added | era feel, or on guitars for a | |
| warmth that vintage | tone. Often used by people whose | ||
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| units provided. | favorite number is 12. | |
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13 | DELAY 3 (300MS) | These delay presets provide three repeats | These work best with full, | |
14 | DELAY 4 (380MS) | of the original signal. The default delay | music like rock where the delay | |
time for each preset is shown in ms - the | needs to cut through the mix. | |||
15 | DELAY 5 (480 MS) | |||
smaller the time, the faster the delay. |
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16 | REVERB + DELAY | This effect combines the Room 4 reverb | Perfect for thickening vocals while | |
| (250MS) | effect with the echoes of the | adding dimensions, it can also be | |
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| delay effect. | used as a spacey effect on electric | |
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| guitars. | |
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17 | PUNK (probably | Turns all lyrics into those of teenage | Perfect for spelling bees and | |
| not available) | rebellion about never having a nice | primary school concerts. | |
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| girlfriend/car/dad/mom/school/job. |
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