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| stereo inputs | HPWTM owner’s manual | ||||||||
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| aux send features |
| 27 |
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| Ten aux sends are available for creating individual output mixes from the Stereo Inputs. |
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| These mixes can be used for driving effects processors, providing monitor mixes, creating |
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| broadcast or alternate sound reinforcement mixes, or other special requirements. When |
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| in the default post fader configuration, the signal is an equal sum of the Left and Right ste- |
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| reo signals. When set to PRE, the AUX source is taken from the output of the PREFADE |
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| SOURCE control, allowing adjustment of the |
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| affected by the Mute switch. |
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27 | pre fade source - This control is similar to the left - right mono switches, but only |
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| affects the pre fade aux sends. This control allows a continous blended adjustment that is |
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| sent to the aux sends when they are in the “pre” position. This is useful if a |
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| paniment track is played with vocals on one track.The pre fade source controls |
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| the mix of vocals added to the monitors to assist the performer(s). |
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| 28 PRE switch - When this switch is in the “OUT” position, the Aux sends are an equal |
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| mix of the left and right signals taken |
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| the Aux sends become |
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| source control. NOTE: The HPW offers three seperate controls to offer the most flex- |
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| ibility. Each PRE Switch controls the Aux Sends directly below the switch (Aux Sends | 29 |
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29
30
aux sends
bal - This control determines the signal’s
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p.23