Appendix C MIDI Clock Info
QUANTUM
C.1 Clock Modes
With digital inputs, clocks are recovered from the incoming sample stream. For example, if you have a few different units digitally connected by S/PDIF, digital transfers may induce jitter into the audio stream. Syncing multiple pieces of digital equipment to a master clock reduces the jitter between them. Keeping jitter to a minimum allows for maximum fidelity. This is essential for accurate monitoring at different points along the chain.
With an analog input and downstream digital units, using the QUANTUM as a master clock will keep the digital signal accurate. While the differences in jittery sync without a master clock may be miniscule, it is better to reduce the vari- ables in favor of accuracy. Running a master clock that all downstream digital units sync to is just a good idea. Make sure that when you are using the SuperClock modes you are on the correct settings (SC 44.1, SC 48, etc.) these settings are designed especially for SuperClock. If these settings are not used, syncing errors will occur. The following chart shows the possible clock modes.
Possible Clock Modes
1.Analog In
44.1 | 48 | 88.2 | 96 | Int Xtals |
44.1 | 48 | 88.2 | 96 | AES sync |
44.1 | 48 | 88.2 | 96 | Word |
44.1 | 48 |
|
| SC44.1, SC48, |
2. Digital in - AES
44.1 | 48 | 88.2 | 96 | AES sync |
44.1 | 48 | 88.2 | 96 | Word |
44.1 | 48 |
|
| SC44.1, SC48, |
3. Digital In - SPDIF
44.1 | 48 | 88.2 | 96 | SPDIF sync |
44.1 | 48 | 88.2 | 96 | Word |
44.1 | 48 |
|
| SC44.1, SC48, |
4. Digital in - SRC - Int Xtals
96 | |
88.2 | |
48 |
5. Digital in - SRC - Word
96 | |
88.2 | |
48 | 48 |
6. Digital in - SRC - SC44.1, SC48
96 | |
88.2 | |
48 | 48 |
7.Analog in - SRC - AES Sync
96 | |
88.2 | |
48 | 48 |
8.Analog in - SRC - Word
96 | |
88.2 | |
48 | 48 |
9.Analog in - SRC - SC44.1, SC48
96 | |
88.2 | |
48 | 48 |
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68 | QUANTUM User Manual |
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