Trane TRG-TRC007-EN manual Loudness Contours

Page 23

period two

Sound Perception and

Rating Methods

notes

Loudness Contours

 

 

 

 

120

 

 

 

 

 

 

 

mPa

100

 

 

 

 

 

 

 

ref 20

 

 

 

 

 

 

 

80

 

 

 

 

 

 

 

dB

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

pressure,

60

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

sound

40

 

 

 

 

 

 

 

20

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

0

 

 

 

 

 

 

10,000

 

20

50

100

200

500

1,000 2,000

5,000

 

 

 

 

 

frequency, Hz

 

Figure 20

The sensation of loudness is principally a function of sound pressure, however, it also depends upon frequency. As a selective sensory organ, the human ear is more sensitive to high frequencies than to low frequencies. Also, the ear’s sensitivity at a particular frequency changes with sound-pressure level. Figure 20 illustrates these traits using a set of contours. Each contour approximates an equal loudness level across the frequency range shown.

For example, a 60 dB sound at a frequency of 100 Hz is perceived by the human ear to have loudness equal to a 50 dB sound at a frequency of 1,000 Hz. Also, notice that the contours slant downward as the frequency increases from 20 to 200 Hz, indicating that our ears are less sensitive to low-frequency sounds. The contours are flatter at higher decibels (> 90 dB), indicating a more uniform response to “loud” sounds across this range of frequencies.

As you can see, the human ear does not respond in a linear manner to pressure and frequency.

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TRG-TRC007-EN

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Contents Air Conditioning Clinic Fundamentals of Hvac Acoustics Business Reply Mail One of the Fundamental Series Comment CardFundamentals of Hvac Acoustics Fundamentals of Hvac Acoustics PrefaceContents TRG-TRC007-EN Fundamentals of Sound Fundamentals of SoundWhat is Sound? What is Sound?Sound Wave and Frequency Wavelength Broadband Sound and Tones Broadband SoundOctave Bands Octave BandsLogarithmic sums One-Third Octave Bands Sound Power and Sound Pressure Sound Power and Sound PressureAn Analogy Decibel DB = 10 log10 ´ log Logarithmic ScaleEquation for Sound Pressure Equation for Sound Power50 dB + 44 dB = 51 dB Logarithmic Addition of DecibelsHuman Ear Response Sound Perception Rating MethodsHuman Ear Loudness Contours Single-Number Rating Methods Response to TonesSingle-Number Rating Methods Sound Perception and Rating Methods C WeightingWeighting Example Weighting Noise Criteria NC Curves NC-39 Room Criteria RC Curves MPa DB ref Pressure Sound Perception and Rating Methods RC-31 R Phon and Sone Octave-Band Rating Method Octave-Band Rating MethodAcoustical Analysis Acoustical AnalysisSetting a Design Goal Setting a Design GoalAcoustical Analysis Source-Path-Receiver Analysis Acoustical AnalysisSource-Path-Receiver Model Airborne Typical Sound PathsExample of Multiple Sound Paths Examples of a Single Sound PathIdentifying Sound Sources and Paths Sound-Path Modeling Modeling Sound PathsSupply Algorithms for Sound-Path Modeling Computerized Analysis Tools Terms Used in Sound-Path Modeling Attenuation and RegenerationSound Transmission Insertion loss IL Noise reduction NR Transmission loss TL Absorption Reflected Sound Receiver Sound Correction Equipment Sound Rating Equipment Sound RatingFields of Measurement Free FieldDistance Correction in a Free Field = L p1 20 logLot Near Field Reverberant Field Semireverberant Field Hvac Equipment Sound Rating Rating Hvac EquipmentReverberant-Room Method Free-Field Method Industry Standards Ducted Air-Handling Equipment Air Handler Test Configurations Former Methods of Sound Testing ARI Standard Sound Power by Octave Band Review-Period One ReviewNoise criteria NC Room criteria RC Review-Period TwoReview-Period Three Review-Period Four Review Questions for Period QuizOctave-band frequency, Hz Answers Glossary Glossary Room effect See receiver room correction Glossary Trane