Appendix/Apéndice
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| Program | BankSelect | Maximum | Acoustic | |
No./ | Tone Name/ | Change/ | MSB/ | Polyphony/ | Resonance/ | |
MSB de | ||||||
Nº | Nombre de tonos | Cambiode | Polifonía | Resonancia | ||
selección | ||||||
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| programa | máxima | acústica | ||
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| de banco | ||||
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108 | GM HARP | 46 | 0 | 128 |
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109 | GM TIMPANI | 47 | 0 | 128 |
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110 | GM STRINGS 1 | 48 | 0 | 128 |
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111 | GM STRINGS 2 | 49 | 0 | 128 |
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112 | GM | 50 | 0 | 128 |
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113 | GM | 51 | 0 | 128 |
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114 | GM CHOIR AAHS | 52 | 0 | 128 |
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115 | GM VOICE DOO | 53 | 0 | 128 |
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116 | GM | 54 | 0 | 128 |
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117 | GM ORCHESTRA HIT | 55 | 0 | 64 |
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118 | GM TRUMPET | 56 | 0 | 128 |
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119 | GM TROMBONE | 57 | 0 | 128 |
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120 | GM TUBA | 58 | 0 | 128 |
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121 | GM MUTE TRUMPET | 59 | 0 | 128 |
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122 | GM FRENCH HORN | 60 | 0 | 64 |
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123 | GM BRASS | 61 | 0 | 128 |
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124 | GM | 62 | 0 | 64 |
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125 | GM | 63 | 0 | 64 |
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126 | GM SOPRANO SAX | 64 | 0 | 128 |
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127 | GM ALTO SAX | 65 | 0 | 128 |
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128 | GM TENOR SAX | 66 | 0 | 128 |
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129 | GM BARITONE SAX | 67 | 0 | 128 |
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130 | GM OBOE | 68 | 0 | 128 |
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131 | GM ENGLISH HORN | 69 | 0 | 128 |
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132 | GM BASSOON | 70 | 0 | 128 |
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133 | GM CLARINET | 71 | 0 | 128 |
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134 | GM PICCOLO | 72 | 0 | 128 |
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135 | GM FLUTE | 73 | 0 | 128 |
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136 | GM RECORDER | 74 | 0 | 128 |
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137 | GM PAN FLUTE | 75 | 0 | 128 |
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138 | GM BOTTLE BLOW | 76 | 0 | 128 |
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139 | GM SHAKUHACHI | 77 | 0 | 64 |
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140 | GM WHISTLE | 78 | 0 | 128 |
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141 | GM OCARINA | 79 | 0 | 128 |
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142 | GM SQUARE LEAD | 80 | 0 | 64 |
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143 | GM SAWTOOTH LEAD | 81 | 0 | 64 |
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144 | GM CALLIOPE | 82 | 0 | 64 |
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145 | GM CHIFF LEAD | 83 | 0 | 64 |
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146 | GM CHARANG | 84 | 0 | 64 |
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147 | GM VOICE LEAD | 85 | 0 | 64 |
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148 | GM FIFTH LEAD | 86 | 0 | 64 |
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149 | GM BASS+LEAD | 87 | 0 | 64 |
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150 | GM FANTASY | 88 | 0 | 64 |
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151 | GM WARM PAD | 89 | 0 | 128 |
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152 | GM POLYSYNTH | 90 | 0 | 64 |
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153 | GM SPACE CHOIR | 91 | 0 | 64 |
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154 | GM BOWED GLASS | 92 | 0 | 64 |
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155 | GM METAL PAD | 93 | 0 | 64 |
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156 | GM HALO PAD | 94 | 0 | 64 |
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157 | GM SWEEP PAD | 95 | 0 | 128 |
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158 | GM RAIN DROP | 96 | 0 | 64 |
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159 | GM SOUND TRACK | 97 | 0 | 64 |
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160 | GM CRYSTAL | 98 | 0 | 64 |
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161 | GM ATMOSPHERE | 99 | 0 | 64 |
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162 | GM BRIGHTNESS | 100 | 0 | 64 |
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163 | GM GOBLINS | 101 | 0 | 64 |
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164 | GM ECHOES | 102 | 0 | 128 |
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165 | GM SF | 103 | 0 | 64 |
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166 | GM SITAR | 104 | 0 | 128 |
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167 | GM BANJO | 105 | 0 | 128 |
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168 | GM SHAMISEN | 106 | 0 | 128 |
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169 | GM KOTO | 107 | 0 | 128 |
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170 | GM THUMB PIANO | 108 | 0 | 128 |
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171 | GM BAGPIPE | 109 | 0 | 64 |
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172 | GM FIDDLE | 110 | 0 | 128 |
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173 | GM SHANAI | 111 | 0 | 128 |
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174 | GM TINKLE BELL | 112 | 0 | 128 |
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175 | GM AGOGO | 113 | 0 | 128 |
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176 | GM STEEL DRUMS | 114 | 0 | 64 |
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| Program | BankSelect | Maximum | Acoustic | |
No./ | Tone Name/ | Change/ | MSB/ | Polyphony/ | Resonance/ | |
MSB de | ||||||
Nº | Nombre de tonos | Cambiode | Polifonía | Resonancia | ||
selección | ||||||
|
| programa | máxima | acústica | ||
|
| de banco | ||||
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177 | GM WOOD BLOCK | 115 | 0 | 128 |
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178 | GM TAIKO | 116 | 0 | 128 |
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179 | GM MELODIC TOM | 117 | 0 | 128 |
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180 | GM | 118 | 0 | 128 |
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181 | GM REVERSE CYMBAL | 119 | 0 | 128 |
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182 | GM GT FRET NOISE | 120 | 0 | 128 |
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183 | GM BREATH NOISE | 121 | 0 | 128 |
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184 | GM SEASHORE | 122 | 0 | 64 |
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185 | GM BIRD | 123 | 0 | 64 |
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186 | GM TELEPHONE | 124 | 0 | 128 |
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187 | GM HELICOPTER | 125 | 0 | 128 |
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188 | GM APPLAUSE | 126 | 0 | 64 |
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189 | GM GUNSHOT | 127 | 0 | 128 |
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| Drum Sets |
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190 | STANDARD SET | 0 | 120 | 128 | — | |
191 | BRUSH SET | 40 | 120 | 128 | — |
NOTE
•Acoustic resonance (page
NOTA
•La resonancia acústica (página