Reference

Custom Commands

The following commands are currently supported.

Warnings!!

No feedback occurs indicating that the

command was processed successfully.

The FS2/2E must be in STOP mode before sending these commands

Only positive values of contrast, saturation, H phase, SC phase, hue, and brightness are allowed

When deleting multiple tracks, delete the last track first, then work your way to the first track. A delete command causes the track list to be re-built. Shifting all tracks up.

Send the CSUM command at the end of each command

24 31 ## ## ## ##

- Goto TimeCode from start

of track

 

 

 

 

48 80 82

2A

## 00 00 00 00 00

- Goto Track ## (Note 0 =

track #1)

 

 

 

 

48 80 82

06 ## 00 00 00 00 00

- Delete Track ##

48 80 82

0A

00 00 00 00 00 00

- Record Mode

- Normal

48 80 82

0A

01 00 00 00 00 00

- Record Mode

- retro disk

48 80 82 0A 02 00 00 00 00 00

- Record Mode

- retro cache

48 80 82 0A 03 00 00 00 00 00

- Record Mode

- loop record

48 80 82 0A

04 00 00 00 00 00

- Record Mode

- still record

48 80 82 0A

05 00 00 00 00 00

- Record Mode

- time lapse

48 80 82

0B

00 00 00 00 00 00

- Snap Mode

- Same File

48 80 82

0B

01 00 00 00 00 00

- Snap Mode

- New File

48 80 82 0C 00 00 00 00 00 00

- Control Mode - Local Control

48 80 82

0C 01 00 00 00 00 00

- Control Mode

- Remote

Control

 

 

 

 

48 80 82 0C 02 00 00 00 00 00

- Control Mode

- AVC Control

48 80 82 0C 03 00 00 00 00 00

- Control Mode - Syncro Slave

Control

 

 

 

 

48 80 82

0D 00 00 00 00 00 00

- Play Mode

- Play Clip

(normal)

 

 

 

 

48 80 82

0D 01 00 00 00 00 00

- Play Mode

- Loop Clip

48 80 82

0D 02 00 00 00 00 00

- Play Mode

- Loop All

48 80 82

0D 03 00 00 00 00 00

- Play Mode

- Play All

48 80 82

0E

00 00 00 00 00 00

- Play From

- Play List

48 80 82

0E

01 00 00 00 00 00

- Play From

- Track List

48 80 82

0E

02 00 00 00 00 00

- Play From

- Grade List

48 80 82

0F 00 00 00 00 00 00

- Record Format - Raw DV

48 80 82 0F 01 00 00 00 00 00

- Record Format

- AVI TYPE 1

48 80 82 0F 02 00 00 00 00 00

- Record Format

- AVI TYPE 2

48 80 82 0F 03 00 00 00 00 00

- Record Format

- CANOPUS

AVI

 

 

 

 

 

 

48 80 82 0F 04 00 00 00 00 00

- Record Format

- MATROX

AVI

 

 

 

 

 

 

48 80 82 0F 05 00 00 00 00 00

- Record Format

- QUICKTIME

48 80 82 0F 06 00 00 00 00 00

- Record Format

- AVID OMF

48 80 82 0F 07 00 00 00 00 00

- Record Format

- PINNACLE

48 80 82 0F 0B 00 00 00 00 00

- Record Format

- AVI TYPE

2 - 24P

 

 

 

 

 

 

48 80 82 0F 0C 00 00 00 00 00

- Record Format - QUICKTIME

- 24P

 

 

 

 

 

 

48 80 82 10 00 00 00 00 00 00

- FTP

- ENABLE

48 80 82 10 01 00 00 00 00 00

- FTP

- DISABLE

48 80 82 11 00 00 00 00 00 00

- TELNET

 

 

- ENABLE

48 80 82 11 01 00 00 00 00 00

- TELNET

 

 

- DISABLE

48 80 82 12 00 00 00 00 00 00

- OSD

 

- OFF

48 80 82 12 01 00 00 00 00 00

- OSD

 

- MENU

48 80 82 12 02 00 00 00 00 00

- OSD

 

- TC

 

 

48 80 82 12 03 00 00 00 00 00

- OSD

 

- ABS

48 80 82 16 00 00 00 00 00 00

- GPI

- OFF

 

48 80 82 16 01 00 00 00 00 00

- GPI

- PAUSE

48 80 82 16 02 00 00 00 00 00

- GPI

- INDEX

48 80 82 16 03 00 00 00 00 00

- GPI

- SNAP

48 80 82 17 00 00 00 00 00 00

- Backlight

 

- OFF

48 80 82 17 01 00 00 00 00 00

- Backlight

 

- ON

 

48 80 82 17 02 00 00 00 00 00

- Backlight

 

- AUTO

48 80 82 18 00 00 00 00 00 00

- Audio Correction- OFF

48 80 82 18 01 00 00 00 00 00

- Audio Correction- MEDIUM

48 80 82 18 02 00 00 00 00 00

- Audio Correction- HIGH

48 80 82 19 00 00 00 00 00 00

- TimeCode Mode

- External

48 80 82 19 01 00 00 00 00 00

- TimeCode Mode

- Rec Run

48 80 82 19 02 00 00 00 00 00

- TimeCode Mode

 

- Regen

48 80 82 19 03 00 00 00 00 00

- TimeCode Mode

- Free Run

48 80 82 1A 00 00 00 00 00 00

- Clip Preview

 

- On

48 80 82 1A 01 00 00 00 00 00

- Clip Preview

 

- Off

48 80 82 1A 02 00 00 00 00 00

- Clip Preview

 

- None

48 80 82 1A 03 00 00 00 00 00

- Clip Preview

 

- Custom

48 80 82 1B ## 00 00 00 00 00

- Brightness

 

- ##

 

48 80 82 1C 00 00 00 00 00 00

- Input Select

- Cmpst

48 80 82 1C 01 00 00 00 00 00

- Input Select

 

- Y/C

48 80 82 1C 02 00 00 00 00 00

- Input Select

 

- CMPNT

48 80 82 1C 03 00 00 00 00 00

- Input Select

 

- SDI

48 80 82 1C 04 00 00 00 00 00

- Input Select

- DV

48 80 82 1D 00 00 00 00 00 00

- Audio Rec Level -

-34.5

48 80 82 1D 01 00 00 00 00 00

- Audio Rec Level -

-33.0

48 80 82 1D 02 00 00 00 00 00

- Audio Rec Level -

-31.5

48 80 82 1D 03 00 00 00 00 00

- Audio Rec Level -

-30.0

48 80 82 1D 04 00 00 00 00 00

- Audio Rec Level -

-28.5

FS-2 and FS-2E Studio DTE Disk Recorders User Guide

4 - 4

Part Number: MANL-0927-03

Page 64 Page 66
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FOCUS Enhancements FS-2/2E manual Custom Commands, Auto
Page 64 Page 66

FS-2/2E specifications

FOCUS Enhancements FS-2/2E is a comprehensive video monitoring and recording solution designed for professionals in the broadcast and production industries. This advanced device serves as both a video converter and a monitoring tool, providing users with the flexibility and functionality needed for high-quality video workflows.

One of the standout features of the FS-2/2E is its ability to handle a wide range of video formats and resolutions. Supporting both SD and HD formats, including 1080i and 720p, the FS-2/2E ensures compatibility with various production environments. Additionally, it supports multiple input sources, including composite, component, and SDI connections, allowing for seamless integration with different video equipment.

The FS-2 model comes equipped with a powerful processing engine, which provides real-time up-conversion and down-conversion capabilities. This technology is crucial for ensuring that video content maintains the highest quality regardless of the output format or equipment used. The FS-2E variant further enhances this functionality, offering additional features tailored for more specialized applications.

One of the key characteristics of the FS-2/2E is its robust frame-rate conversion. This feature is indispensable when dealing with projects that require a smooth and consistent playback experience across varying source formats. The unit can automatically adjust frame rates, significantly enhancing the viewing experience while minimizing artifacts commonly associated with conversion processes.

In addition to these technical capabilities, the FS-2/2E also boasts a user-friendly interface. Its intuitive controls allow operators to easily navigate settings and adjustments, making it accessible for both seasoned professionals and newcomers to the industry. This ease of use is complemented by comprehensive monitoring options, including waveform and vector scope displays, which provide vital feedback for video quality management.

Another noteworthy aspect of the FS-2/2E is its rugged and portable design. Built to withstand the demands of on-location production, the unit is compact yet durable, making it an ideal companion for video professionals working in the field. With its combination of high functionality, versatile format support, and user-centered design, the FOCUS Enhancements FS-2/2E continues to be a valuable asset for anyone involved in video production and broadcasting.
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