Using the FS-2/2E

The second 2GB segment is labeled with a “-02”. Additional 2GB segments are labeled with a “-XX” number.

With most NLE systems on a Windows computer, it is possible to utilize clips within the timeline by selecting the clips on the source volume (in this case, the connected FireWire disk drive) and importing them directly into the NLE’s bin.

Clips can then be immediately used in the NLE’s timeline.

With FireWire disk drives such as the FireStore FSHDD-1, the drive itself is fast enough to directly stream the clips to the NLE eliminating the need to copy or transfer the clips before use.

When utilizing the Avid OMF file format, you must follow the following steps to import clips.

Using FireStore FS-2/2E Recorded Avid OMF Clips on Avid Editing Systems

The Avid DV OMF file format was developed for use with Avid editing systems on Windows 2000, Windows XP or Mac 0S10. These include Avid Xpress Pro, NewsCutter, Media Composer Adrenaline, and Symphony (with the DV option).

The Avid DV OMF file format creates three files simultaneously; an OMF video file and two separate AIF audio files. On the computer's desktop, the files appear as shown in the next illustration.

On the FS-2/2E, the video file (OMF) and the audio files (AIF) appear as one track.

If you delete an Avid DV OMF file, the FS-2/2E deletes the audio and video portions at the same time.

In order to use the FS-2/2E recorded Avid DV OMF files on your Avid NLE system from the external FireWire drive, use the following procedure.

STEP 1: Locate the external FireWire drive on your computer.

If you have trouble, you can locate the name of the external drive by selecting “My Computer” on a Windows system. On a Mac, the FireWire drive should appear on the desktop.

STEP 2: Open the FireWire drive when you have found it and create a new folder named “OMFI MediaFiles”.

To do this on Windows, select File> New>Folder from the pull down menu.

On Mac, select File>New Folder. You must type “OMFI MediaFiles” correctly in order for Avid to see the disk drive.

STEP 3: Drag all the OMF and AIF files into the new folder (do not drag in the files titled Desktop DB or Desktop DF).

NOTE: if you are using the ORGA- NIZE OMF function on the FS-2/2E prior to using the disk on a computer, steps 2 and 3 are not necessary.

STEP 4: Launch Avid.

STEP 5: Once you have opened the desired project or created a new project, select Tools>MediaTool. The following window appears:

FS-2 and FS-2E Studio DTE Disk Recorders User Guide

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Part Number: MANL-0927-03

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FOCUS Enhancements manual Using the FS-2/2E
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FS-2/2E specifications

FOCUS Enhancements FS-2/2E is a comprehensive video monitoring and recording solution designed for professionals in the broadcast and production industries. This advanced device serves as both a video converter and a monitoring tool, providing users with the flexibility and functionality needed for high-quality video workflows.

One of the standout features of the FS-2/2E is its ability to handle a wide range of video formats and resolutions. Supporting both SD and HD formats, including 1080i and 720p, the FS-2/2E ensures compatibility with various production environments. Additionally, it supports multiple input sources, including composite, component, and SDI connections, allowing for seamless integration with different video equipment.

The FS-2 model comes equipped with a powerful processing engine, which provides real-time up-conversion and down-conversion capabilities. This technology is crucial for ensuring that video content maintains the highest quality regardless of the output format or equipment used. The FS-2E variant further enhances this functionality, offering additional features tailored for more specialized applications.

One of the key characteristics of the FS-2/2E is its robust frame-rate conversion. This feature is indispensable when dealing with projects that require a smooth and consistent playback experience across varying source formats. The unit can automatically adjust frame rates, significantly enhancing the viewing experience while minimizing artifacts commonly associated with conversion processes.

In addition to these technical capabilities, the FS-2/2E also boasts a user-friendly interface. Its intuitive controls allow operators to easily navigate settings and adjustments, making it accessible for both seasoned professionals and newcomers to the industry. This ease of use is complemented by comprehensive monitoring options, including waveform and vector scope displays, which provide vital feedback for video quality management.

Another noteworthy aspect of the FS-2/2E is its rugged and portable design. Built to withstand the demands of on-location production, the unit is compact yet durable, making it an ideal companion for video professionals working in the field. With its combination of high functionality, versatile format support, and user-centered design, the FOCUS Enhancements FS-2/2E continues to be a valuable asset for anyone involved in video production and broadcasting.
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