Chapter 5:

Tutorials

Five simple lessons get you started programming DL.2 and Axon media servers with a Wholehog 3 or other DMX console.

The DL.2 fixture should be patched on your console as three to five fixture types. The MOTION fixture type controls the actual moving yoke, projector, and Digital Eye camera. The GLOBAL fixture type controls the global graphic engine functions such as intensity, keystone correction, viewpoint, etc. The GRAPHIC fixture type controls each graphic object’s functions such as opacity, object, media, etc. The DL.2 and Axon protocol allows for 1, 2, or 3 graphic objects.Axon Media servers do not use the MOTION fixture type and require 1 GLOBAL and 1-3 GRAPHIC fixture types.

NOTE: The MOTION fixture Dimmer, GLOBAL fixture Intensity, and GRAPHIC fixture Opacity parameters all have to be greater than zero before the image you create becomes visible.

In the first three Lessons, the 3-D object component of the Graphic Objects is left at the default DMX value of 1 (flat plane). Note that all DMX values given in the examples are in decimal units.

If you have trouble producing the effects in these tutorials, and you are not working with a Wholehog 3 console library, the default settings may be incorrect. All recommended default values are listed in “DL.2 and Axon DMX Protocol”.

Fixture Set-up (DL.2 Media Servers)

If you are using a DL.2 fixture, you will first need to set up the head and the projector. If you are using the Axon Media Server, this will not be necessary and you can proceed to Lesson 1. To set up the DL.2 fixture for the tutorials:

1.Select the DL.2's MOTION fixture, and set the Dimmer parameter to 100% (DMX = 255). This will open the mechanical iris.

2.Set the GLOBAL fixture Intensity parameter and GRAPHIC OBJECT 1 fixture Opacity parameter to 100% (DMX = 255).

3.Select the GRAPHIC OBJECT 1 and set the Media Folder to DMX = 39 (HES Setup and Test). Dial the Media File to DMX = 5. This will bring up the convergence bitmap.

4.Select the DL.2's MOTION fixture and adjust Pan and Tilt prarameters until the fixture is projecting to the desired location and adjust the Focus parameter until the convergence bitmap becomes sharply focused.

5.Now you can remove or “knockout” the GRAPHIC OBJECT from the programmer and still retain the MOTION and GLOBAL parameter settings.

6.Store these values somewhere on your console (to a palette or preset) so that this setup can be quickly recalled whenever you need to adjust the Pan Tilt and Focus.

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High End Systems user manual Chapter Tutorials, Fixture Set-up DL.2 Media Servers
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DL.2 specifications

The High End Systems DL.2 is a cutting-edge digital lighting fixture designed to meet the demands of modern entertainment environments, including concerts, theaters, and corporate events. It merges traditional lighting with advanced video projection capabilities, creating an innovative solution for designers and technicians.

One of the standout features of the DL.2 is its ability to project high-quality video and graphics alongside traditional lighting effects. This opens up a wide plethora of creative possibilities, allowing artists to enhance their performances with dynamic visuals that can react in real-time to the music or atmosphere. The high-resolution projector integrated within the DL.2 delivers vibrant colors and sharp images, ensuring that visual effects are not only captivating but also professional-grade.

The DL.2 utilizes a powerful operating system that supports advanced programming and control features. It is compatible with the well-known Hog 3 control system, allowing for seamless integration into existing setups. Users can also take advantage of DMX and Artnet protocols, providing extensive networking capabilities. This flexibility makes it an ideal choice for a variety of venues and applications, ranging from intimate settings to large-scale productions.

Another characteristic that sets the DL.2 apart is its robust build quality. Designed for rigorous use, the fixture is constructed to withstand the rigors of touring and live events. The rugged casing protects the internal components, ensuring longevity and reliability in diverse environments. Furthermore, the DL.2 is equipped with efficient cooling systems, allowing it to operate for extended periods without overheating, which is crucial for live performances.

In terms of visual effects, the DL.2 offers a plethora of built-in video content, making it easy for operators to create stunning shows without the need for extensive preparation. Additionally, users can upload custom content via USB drives, utilizing the DL.2's capabilities to showcase personalized graphics or videos that fit specific themes or branding.

The versatility of the DL.2 makes it an invaluable tool for lighting designers and visual artists. Whether used for lighting enhancement, dynamic video projections, or a combination of both, the High End Systems DL.2 stands out as an innovative fixture that continues to shape the landscape of modern entertainment technology. Its integration of light and video in one package presents endless opportunities for creativity and expression in live performances.
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