simulate the Triton Arpeggiator setting “Arpeggio Type”: As Played (Fill).

Phase “Length Mode” is 0: AC-Actual, no cycling is performed and a Phase Change will immediately occur.

2: R-restart at other end of Phase

If note generation would extend beyond either end of the playback portion of the Phase, those notes are replaced by notes within the playback portion, as if the riff restarted at the other end. (For the more technically oriented, the index is kept within range using modulo division.) Once the specified number of events or beats of a time signature are generated, a Phase Change occurs. This can be used to simulate the Triton Arpeggiator setting “Arpeggio Type”: Running Up.

3: W-wrap at either end of Phase

If note generation would extend beyond either end of the playback portion of the Phase, those notes are replaced by notes within the playback portion, as if the riff is being “wrapped around” the end point. (For the more technically oriented, the index is kept within range by inverting it.) Once the specified number of events or beats of a time signature are generated, a Phase Change occurs. This can be used to simulate the Triton Arpeggiator setting “Arpeg- gio Type”: Up&Down.

4: B-cycle back from beginning of Phase

Allows “cycling” to occur at the beginning of the playback portion of the Phase. For example, if the movement specified by the Index Pattern causes the index to go backwards beyond the beginning of the playback portion, “cycling” will occur (the index will automatically be jumped back into the playback portion by a calculated amount). If the Phase “Length Mode” is 0: AC-Actual, no cycling is performed and a Phase Change will immediately occur.

5: E-cycle back from end of Phase

6:BE-cycle back from beginning & end of Phase

Allows the behavior described above at both ends of the playback portion of the Phase.

Beginning Offset %/End Offset %

Add the following note to the explanation for Phase Specific Parameters “Beginning Offset%” and “End Offset%.” (GE p.11)

Not available when “GE Type” (p.13) = 1: Gener- ated-Gated, unless “Gate Type” (GE p.4, p.13) = 1: Vel CP. If 2: Generated-Drum, the Note Series can be applied as pitch bend, discussed elsewhere.

Pattern Parameters

The following parameters have been added to Pattern Parameters (GE p.12).

Step Transpose Value

[-48…0…+48]

Each step of the Phase Pattern may have its own transpose value (-48…+48), which affects all notes that are generated during that step. This is cumulative with the Phase Transpose Value discussed below. For example, if a Step Transpose Value is -12, and the Phase Transpose Value for the Phase in use during that step is +24, the overall transpose would be +12. While this value is not directly accessible as a GE Parameter, it may be set as part of a GE and varied by the following 2 parameters:

Step Transpose On/Off

[0, 1]

0: Off

1: On

 

Allows “cycling” to occur at the end of the playback portion of the Phase. For example, if the movement specified by the Index Pattern causes the index to go forwards beyond end of the playback portion, “cycling” will occur (the index will automatically be jumped back into the playback portion by a calculated amount). If the

Allows the effect of the Step Transpose Values in each Phase Pattern Step to be turned on or off for the entire Phase Pattern.

Template for emulating the operation of the TRITON series arpeggiator parameters “Octave” and “Octave Motion”

 

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Octave

Octave Motion*

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

0:

[0]

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

1

U D B

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

1:

[0

12]

0

12

0

12

0

12

0

12

0

12

0

12

0

12

2

U B

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

2:

[12 0]

12

0

12

0

12

0

12

0

12

0

12

0

12

0

2

D

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

3:

[0

12

24]

0

12

24

0

12

24

0

12

24

0

12

24

0

3

U

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

4:

[24 12

0]

24

12

0

24

12

0

24

12

0

24

12

0

24

3

D

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

5:

[0

12

24

12]

0

12

24

12

0

12

24

12

0

12

24

12

3

B

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

6:

[0

12

24

36]

0

12

24

36

0

12

24

36

0

12

24

36

4

U

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

7:

[36 24

12

0]

36

24

12

0

36

24

12

0

36

24

12

0

4

D

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

8:

[0

12

24

36

24

12]

0

12

24

36

24

12

0

12

24

36

4

B

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

9:

[0]

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

1

U D B (x2)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

10:

[0

0

12

12]

0

0

12

12

0

0

12

12

0

0

12

12

2

U B (x2)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

11:

[12 12

0

0]

12

12

0

0

12

12

0

0

12

12

0

0

2

D (x2)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

12:

[0

0

12

12

24

24]

0

0

12

12

24

24

0

0

12

12

3

U (x2)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

13:

[24 24

12

12

0

0]

24

24

12

12

0

0

24

24

12

12

3

D (x2)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

14:

[0

0

12

12

24

24

12

12]

0

0

12

12

24

24

12

12

3

B (x2)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

15:

[0

0

12

12

24

24

36

36]

0

0

12

12

24

24

36

36

4

U (x2)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

16:

[36 36

24

24

12

12

0

0]

36

36

24

24

12

12

0

0

4

D (x2)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

17:

[0

0

12

12

24

24

36

36

24

24

12

12]

0

0

12

12

4

B (x2)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

* U = Up, D = Down, B = Both

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Image 15
Korg 2 manual Beginning Offset %/End Offset %, Pattern Parameters, Step Transpose Value 48…0…+48, Step Transpose On/Off