2:1 OSC 1 (04: Resonance)

04: Resonance

This oscillator produces a wide range of tonal change by allowing you to specify the cutoff frequency and resonance of four band pass filters (BPF). You can select one of the following sources to be the input for the filters: the output of the other oscillator, the sub-oscillator, the output of the noise generator, or the output of filter 1 or filter 2.

OSC 1/2

Input Level

BPF1

Level1

 

Sub OSC

 

 

 

 

 

Noise Generator

 

Resonance1 Coarse1

 

 

 

Filter1 out

 

BPF2

 

BPF3

Filter2 out

BPF4

Input Select

2–1a

2–1b

2–1c

2–1a: Input

Parameters

Input

[OSC2(1), SubOSC, Noise, Filter1, Filter2]

Selects the signal that will be input to the four band bass filters.

If you select 04:Resonance for OSC 1 and 2 in “1-2a: Multi Oscillator Synthesis Setup,” and select the other oscillator as the input for each, the result will be unstable — the sound may be non-reproduceable, or you may hear no sound at all.

Level

[0…99]

Specifies the level of the signal that is input to the four band pass filters.

AMS.1 (Alternate Modulation Source 1)

[OFF…MIDI (CC#83)]

Selects a modulation source 1 (page 64 of this manual) that will control “Level.”

Intensity (Level AMS.1 Intensity)

[–99…+99]

Specifies the depth and direction of the effect of “AMS.1.”

 

AMS.2 (Alternate Modulation Source 2)

[OFF…MIDI (CC#83)]

Selects a modulation source 2 (page 64 of this manual) that will control “Level.”

Intensity (Level AMS.2 Intensity)

[–99…+99]

Specifies the depth and direction of the effect of “AMS.2.”

 

Prog.

Edit

P2

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Korg Synthesizer manual Resonance, 1a Input

Synthesizer specifications

Korg synthesizers have established themselves as a powerhouse in the music production landscape, combining cutting-edge technology with user-friendly features to cater to musicians, producers, and sound designers alike. These iconic instruments have continuously evolved since the company’s inception in 1963, embodying innovation and quality.

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