2:1 OSC 1 (11: Reed Model)

2–1b: Breath Pressure

EG

[EG 1…EG 4, Amp EG]

Selects the EG which will control pressure.

For details on the settings for each EG, refer to “Program Edit P5” for EG 1—4, and “4-2: Amp EG” for Amp EG.

Intensity (Pressure EG Intensity)

[–99…+99]

Specifies the depth and direction of the effect that the EG will have on the pressure.

AMS.1 (Alternate Modulation Source 1)

[OFF…MIDI (CC#83)]

Selects a modulation source 1 (page 64 of this manual) that will control pressure. If you select After Touch, pressing down on the keyboard will produce the effect of the instrument being blown strongly. If you select Joy Stick (X), moving the joy stick toward the right will produce this effect.

Intensity (Pressure AMS.1 Intensity)

[–99…+99]

Specifies the depth and direction of the change in pressure controlled by AMS.1.

AMS.2 (Alternate Modulation Source 2)

[OFF…MIDI (CC#83)]

Selects a modulation source 2 (page 64 of this manual) that will control pressure.

Intensity (Pressure AMS.2 Intensity)

[–99…+99]

Specifies the depth and direction of the change in pressure controlled by AMS.2.

 

Breath Noise

[0…99]

Specifies the volume level of the breath noise.

Since this uses the signal from the noise generator, the filter of the noise generator can be used to modify the tone of the noise.

2–1c: Reed Character

AMS (Alternate Modulation Source)

[OFF…MIDI (CC#83)]

Selects a modulation source (page 64 of this manual) that will modulate the characteristics of the reed.

Intensity (Reed AMS Intensity)

[–99…+99]

Specifies the depth of the modulation effect that “AMS” will have on the reed.

2–1d: Bell Character

Tone

[0…99]

Specifies the tone of the bell. As this value is increased, the low frequency portion will disappear, producing a less solid tone.

Resonance

[0…99]

Specifies the level at which the frequency region in the area of the “Tone” will be boosted. As this value is increased, the resonance effect will become stronger.

2–1e: Wave Shape

Type (Wave Shape Table Type)

[Clip/Reso]

Use the radio buttons to select the wave shaping table which will modify the input waveform. For the way in which the table will modify the waveform, refer to the Wave Shape diagram shown in 01: Standard (page 16 of this manual).

Offset

[–99…+99]

Specifies the offset value that will be added to the Reed OSC signal that is input to wave shaping.

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Korg Synthesizer manual 1c Reed Character, 1e Wave Shape, Intensity Reed AMS Intensity 99…+99, Offset 99…+99

Synthesizer specifications

Korg synthesizers have established themselves as a powerhouse in the music production landscape, combining cutting-edge technology with user-friendly features to cater to musicians, producers, and sound designers alike. These iconic instruments have continuously evolved since the company’s inception in 1963, embodying innovation and quality.

One of the defining features of Korg synthesizers is their diverse range of models which cater to different musical styles and needs. From the grand M1 synthesizer that popularized MIDI in the late 1980s to the more recent Minilogue and Prologue, each model presents unique capabilities. The Minilogue offers a straightforward interface and powerful four-voice polyphony, ideal for both novices and seasoned musicians. In contrast, the Prologue, with its advanced circuitry and multi-engine technology, provides extensive sound design possibilities.

Korg synthesizers are known for their rich sound engines. Many models utilize the proprietary EDS (Enhanced Definition Synthesis) technology, which delivers detailed and dynamic sounds. Users can expect a broad sonic palette, facilitating everything from lush pads to biting leads. The multi-engine architecture found in the Prologue adds another layer of versatility, allowing for the integration of wavetable and FM synthesis alongside traditional analog sounds.

Another key characteristic of Korg synthesizers is their connectivity options. Most models are equipped with MIDI, USB, and audio outputs, making them easy to integrate into any studio setup or live performance rig. The ability to control virtual instruments and external devices through MIDI enhances the functionality of Korg synthesizers, enabling seamless integration into modern production environments.

Korg emphasizes portability with many of its synthesizers. The compact design of products like the Volca series allows musicians to create music on the go, making them ideal for traveling artists. Each Volca unit houses powerful synthesis technology within a small footprint, ensuring that users don’t sacrifice quality for convenience.

Korg also recognizes the importance of community and education in music production. The company frequently updates its synthesizers with new patches, features, and sound libraries, empowering users to keep their sounds fresh and relevant. Additionally, Korg offers various online resources, tutorials, and forums to support their users in exploring the full potential of their synthesizers.

Overall, Korg synthesizers encapsulate a balance of tradition and innovation. With their rich sound engines, user-friendly interfaces, and extensive connectivity options, they remain a favorite among musicians and producers seeking to push the boundaries of their sound. As technology progresses, Korg continues to set new standards in the world of synthesizers, inspiring creativity and musical exploration.