2:1 OSC 1 (13: Bowed String Model)

Differential

If this is not checked, the value produced by EG, AMS.1 and AMS.2 will be used as the bowing speed. If you wish to use EG to control the bowing speed, leave this item un-checked.

If this is checked, the rate of change of EG, AMS.1 and AMS.2 will be used as the bowing speed.

• Using the ribbon controller to control bowing speed

As an example, we will assume that you have set AMS.1 to Ribbon (X). In order to control bowing speed using the ribbon controller alone, raise the Int. (Speed AMS.1 Intensity) value, and set Int. (Speed Modulation EG Intensity) to 0. Check Differential.

When you are pressing the ribbon controller, the bowing speed will be zero, so there will be no sound. As you slide your finger toward the right over the ribbon controller, the speed at which your finger moves will be the bowing speed, and sound will be produced. As you slide your finger to left and right, the bowing speed will change from positive →zero→ negative→ zero→positive, allowing you to produce performance expressions that are very similar to those of actually moving a bow back and forth.

Rosin

[0…99]

Specifies the coefficient of static friction between the bow and the string. (This corresponds to the amount of rosin on the bow.)

Higher values will increase the friction between the bow and string. When this value is in the region of 0, it will be difficult for playing strength to be transmitted to the string.

2–1b: Bow Pressure

EG

[EG 1…EG 4, Amp EG]

Selects the EG which will control the pressure of the bow on the string (bow pressure).

Int. (Press Modulation EG)

[–99…+99]

Specifies the depth and direction of the effect that the “EG” will have on bow pressure. If this value is low, the bow will rest lightly on the string.

AMS (Alternate Modulation Source)

[OFF…MIDI (CC#83)]

Selects a modulation source (☞ page 64 of this manual) that will control bow pressure.

Int.(Press AMS Intensity)

[–99…+99]

Specifies the depth of the effect produced by “AMS.”

2–1c: String

Bowing Position

[0…99]

Specifies the location at which the bow contacts the string. A setting of 0 is the end of the string, 50 is near the middle, and 99 is at the other end.

AMS (Alternate Modulation Source)

[OFF…MIDI (CC#83)]

Selects a modulation source (☞ page 64 of this manual) that will control “Bowing Position.” Changing the location at which the string is bowed will also change the overtone structure.

Int. (Bowing Position AMS Intensity)

[–99…+99]

Specifies the depth and direction of the effect of “AMS.”

 

Damp

[0…99]

Specifies how the high frequency components will be attenuated by the characteristics of the string and by the way in which the string is pressed onto the fingerboard of the violin or cello.

As this value is increased, the high frequency components of the wave transmitted along the string will be attenuated more greatly, producing a darker sound. In general, you should use higher values to simulate instruments which have flexible strings or unfretted instruments, and lower values to simulate instruments with stiff strings or fretted instruments.

AMS (Alternate Modulation Source)

[OFF…MIDI (CC#83)]

Selects a modulation source (☞ page 64 of this manual) that will control “Damp.”

Int. (Damp AMS Intensity)

[–99…+99]

Specifies the depth and direction of the effect of “Damping Mod.Source.”

Parameters

Prog.

Edit

P2

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Korg Synthesizer manual 1b Bow Pressure
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Synthesizer specifications

Korg synthesizers have established themselves as a powerhouse in the music production landscape, combining cutting-edge technology with user-friendly features to cater to musicians, producers, and sound designers alike. These iconic instruments have continuously evolved since the company’s inception in 1963, embodying innovation and quality.

One of the defining features of Korg synthesizers is their diverse range of models which cater to different musical styles and needs. From the grand M1 synthesizer that popularized MIDI in the late 1980s to the more recent Minilogue and Prologue, each model presents unique capabilities. The Minilogue offers a straightforward interface and powerful four-voice polyphony, ideal for both novices and seasoned musicians. In contrast, the Prologue, with its advanced circuitry and multi-engine technology, provides extensive sound design possibilities.

Korg synthesizers are known for their rich sound engines. Many models utilize the proprietary EDS (Enhanced Definition Synthesis) technology, which delivers detailed and dynamic sounds. Users can expect a broad sonic palette, facilitating everything from lush pads to biting leads. The multi-engine architecture found in the Prologue adds another layer of versatility, allowing for the integration of wavetable and FM synthesis alongside traditional analog sounds.

Another key characteristic of Korg synthesizers is their connectivity options. Most models are equipped with MIDI, USB, and audio outputs, making them easy to integrate into any studio setup or live performance rig. The ability to control virtual instruments and external devices through MIDI enhances the functionality of Korg synthesizers, enabling seamless integration into modern production environments.

Korg emphasizes portability with many of its synthesizers. The compact design of products like the Volca series allows musicians to create music on the go, making them ideal for traveling artists. Each Volca unit houses powerful synthesis technology within a small footprint, ensuring that users don’t sacrifice quality for convenience.

Korg also recognizes the importance of community and education in music production. The company frequently updates its synthesizers with new patches, features, and sound libraries, empowering users to keep their sounds fresh and relevant. Additionally, Korg offers various online resources, tutorials, and forums to support their users in exploring the full potential of their synthesizers.

Overall, Korg synthesizers encapsulate a balance of tradition and innovation. With their rich sound engines, user-friendly interfaces, and extensive connectivity options, they remain a favorite among musicians and producers seeking to push the boundaries of their sound. As technology progresses, Korg continues to set new standards in the world of synthesizers, inspiring creativity and musical exploration.
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